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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Colin Trevorrow

The Book of Henry (2017)

And what an odd book that is.

Henry (Jaeden Lieberher) is a lot like every other 11-year-old-kid out there in the world. He’s awkward, a little weird, sometimes quiet, nice, sweet, and oh yeah, brilliant-as-hell. In fact, he’s maybe a bit too smart for his own good and at times, that finds him not just getting into trouble with people who could possibly be his friend, but even his own family. Although, both his mother, Susan (Naomi Watts), and little brother, Peter (Jacob Tremblay), love him immensely, they also know that he can be a bit much. They also know that his brain is so huge, with such an insane amount of knowledge, that they actually use it to their advantage; her, for help on the stocks and how to save money, and him, for emotional support through these rough times of growing up. But something changes in all of their lives that not only affects Henry especially, but all the other people around them, leaving the family to make some drastic, almost disastrous decisions.

If you thought one annoying precocious kid was bad enough……

A part of me wants to absolutely and totally annihilate the Book of Henry for being a ridiculously messy, uneven, weird, sometimes way-too-stupid-for-its-own-good take movie about growing up, learning who you are, death, and oh yeah, child-abuse, or more importantly, rape. However, there is another part of me that wants to praise it and, at the very, absolute least, respect it for going all-out on a plot that could have been absolutely cookie-cutter and derivative of everything we’ve ever seen done before and taking risks, chances, and certain unpredictable roads, even if yeah, they don’t quite work out. But then, there’s that middle part of me that doesn’t know what to think, say, or hell, even believe in.

After all, if a movie as muddled and as nutty as the Book of Henry can, for at least an-hour-and-a-half, entertain me and sort of surprise me, yet, at the same time, still feel way too weird, than what’s that say about me? I do like bad movies? Do I give them a pass just because they try something different? Or, am I just too broken down and beaten-up by the everyday, conventional blockbusters that are pushed in front of my face that, when something comes to me, from someone, somewhere, regardless of how messy it is, still makes me think and expect something different, that I just have to accept it for what it is and yeah, possibly even like it?

Once again, I don’t know what to think.

A movie like the Book of Henry is challenging. Not because it’s an altogether deeply confusing, or hell, even psychological movie, but more that it’s the kind of movie that doesn’t know what to make of itself so, as a result, the viewer is left with the same feeling. Director Colin Trevorrow, after breaking all sorts of records with Jurassic World two years ago, seems to have gotten carpe diem for the Book of Henry and in a way, is allowed to make this movie as crazy and as weird as he wants. Screenwriter Gregg Hurwitz does deserve some credit for trying something new and, dare I say it, intriguing with the YA genre of films, but even he, at certain points, seems like he’s losing all control.

Which is to say that the Book of Henry, in all honesty, isn’t a good movie; it’s tone is so over-the-place, with a plot that continues to get wackier and wackier, and a silly twist that happens midway through, it’s just not that easy to say it totally works out. If anything, it misses the ball, more than it actually connects with it and because of that, it’s hard to fully recommend this movie to anyone, or hell, even for myself.

…try two!

But like I said, it’s definitely an original. Whether or not that originality works out for itself, or bites its own ass in the end, is a whole other matter to decide on. But Hurwitz and Trevorrow clearly try to make this work as much as they can; Trevorrow constantly keeps the plot moving and Hurwitz, while mostly getting stuck with idiotic lines for precocious 11-year-olds only seen and/or conceived in movies, does try and juggle some things that you’d never expect one to do, yet, sort of respect.

But yeah, like I said, the movie’s just sort of all-over-the-place.

For some reason, however, it still kept me watching. Every opportunity it had to bother me and piss me off to the highest of the heavens, it still brought me back in with trying to figure itself out and go somewhere I did not at all expect it to. It’s the kind of movie that takes some many odd chances on telling its story, seeing just where the hell it can go, stepping back, and eventually, just throwing everything at the wall, that it’s much more interesting to watch than, well, actually entertaining. But hey, if having your mind stimulated while watching big-budgeted movies is entertaining to you, then hell yeah, you’re going to probably the enjoy the hell out of the Book of Henry.

But then again, probably not. I myself am still not sure. And I just reviewed it.

I think.

Consensus: By taking so many risks that so few little movies of its magnitude and well, budget, actually do nowadays, the Book of Henry deserves some kudos for going out on a limb and trying something new, even if it just never coheres together well. Like, at all. So yeah, it’s a mess.

5.5 / 10

And a middle-class, waitress mom who spends her leisurely time playing, guess this, video-games! Naomi Watts, ladies and gentlemen!

Photos Courtesy of: Indiewire

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Jurassic World (2015)

Next summer, just go to Six Flags.

A little over 20 years since the disastrous incident that occurred at Jurassic Park, Jurassic World is now up, running and pretty damn successful. It’s considered one of the more popular theme parks on the planet, where it features all sorts of dinosaurs, games, rides, and scientists working on genetically-modified dinosaurs. Wait, what? Yep, just like they were doing those many years ago, scientists at Jurassic World are now trying to figure out how they can make bigger, better and more efficient dinosaurs so that they can keep attendance booming over a large period of time. While the operation’s manager, Claire Dearing (Bryce Dallas Howard), sees no problem in this, one of the Velociraptor’s trainers, Owen Grady (Chris Pratt), does and sees that it’s only a matter of time until the dinosaurs decide to bite back. Eventually, on one fateful day when two brothers (Nick Robinson and Ty Simpkins) are visiting the park, the T-Rex that they have hidden away at the park gets loose and decides to run all sorts of havoc around the park. Now, it’s only a matter of time until too much damage is done and nobody can stop it; something that Grady, as well as some shady businessmen, want to make happen.

Let’s get one thing clear: Jurassic World is definitely the better of the Jurassic Park sequels. Sure, that may not be saying much, but considering that so many sequels/reboots/remakes/cash-ins seem to pop by every other week or so, without seeming like any life was put into them at all, it’s saying a whole lot. It’s saying that Steven Spielberg made a smart decision on taking a back-seat to his prized possession and allow young up-and-comer Colin Trevorrow take over the reigns; a job he does fine enough with to where there’s some brief instances of a sense of fun and wonder in the tips of his hands.

Okay, Chris, we get it! You really want to be Indiana Jones!!

Okay, Chris, we get it! You really want to be Indiana Jones!!

So yeah, it’s a good movie. Is it great? Nope, but sometimes, that doesn’t always matter.

Where Trevorrow seems to drop the ball a bit is in making sense of this story to its fullest extent. For one, it’s interesting that even though there’s so much talk about the theme park of Jurassic World itself, and in how it’s trying to be the biggest, best, and greatest thing to ever hit the Earth, makes me wonder what the message was trying to be conveyed here. In a day and age we live in where SeaWorld seems to constantly be getting hit with controversy after controversy, it’s almost idiotic to avoid discussing this in any way, especially when your own movie seems to be dealing with the same problems, in a theme park where animals are held, no less.

But what’s odd is that the movie doesn’t ever seem to know what sort of stance it wants to take. We don’t know if we’re supposed to feel pity for the genetically-modified dinosaurs and how they’re just acting out the way they would be, had they not been so held in captivity for so long, or if we’re supposed to feel bad for the human beings who are just trying to run away and save their own lives. In the original film, it was clear that we’re supposed to care for the humans, but also realize that the dinosaurs were acting out in menacing ways that made them deserve to be put down. Trevorrow and company, for some odd reason, constantly juggle between the two and it creates a weird jumble that never seems to be fully pinned-down.

And then, of course, there’s the issue of how the characters, despite the lovely cast playing them, are a bit on the bland side. One of the hottest, brightest, talented and most charming stars we have working in movies today, Chris Pratt, is given the hero role as Owen Grady and it doesn’t seem like it fully goes as deep as it should have. Sure, Pratt gets a chance to use some lines, look tough and constantly seem like he’s always in control, but he plays it in such a way that’s almost too straight; as if he was just playing Burt Macklin, through and through, and forgetting to drop out of character. Of course, this may have more to do with the writing that was made for him, which is a shame, but it puts into question as to why the writers didn’t decide to give Pratt, one of the funnier men in movies today, at least a joke or two to work with?

Just seems weird, is all.

Who is it that's supposed to be afraid by Richie Cunningham's daughter?

Who is it that’s supposed to be afraid by Richie Cunningham’s daughter?

Bryce Dallas Howard is sort of in the same boat as Pratt, where her character seems like she’s just window-dressing to a lot of action and a random romantic subplot that seems to come a tad bit out of nowhere. Then, Ty Simpkins and Nick Robinson play her nephews who seem to be there to yell, run and scream a whole lot; Vincent D’Onofrio plays the villain, who will occasionally sound like he has a Southern accent, and then, suddenly, drop out of it; and well, there’s plenty more along the likes of Omar Sy, Judy Greer, Jake Johnson, Lauren Lapkus, Irrfan Khan, and B.D. Wong, all of whom do what they can, but aren’t always given much to work with because of the visual-display on hand.

With that said, too, the movie itself is actually all fine. There’s just been so many complaints about the characters that it felt like it needed to be addressed, because while they’re definitely lame, they don’t destroy the movie. It’s still a fun time, which seems to be because Trevorrow still knows what it’s like to watch a movie as a kid – just as Spielberg seems to have always intended with his movies.

Though some moan and complain about the fact that the movie takes about an hour to get to any sort of dinosaur action, or any action of any sort, for that matter, it still seemed to work for me, the same way it did for me in Godzilla. Whereas that movie kept us in the dark about what it prized-attraction looked like and was capable of doing, Jurassic World seems to understand that we know what its star looks like and can do, however, when it’ll come into play is what really makes the anticipation all the more worth it. Once the T-Rex is unleashed and all hell breaks loose, the movie still keeps its fun tone alive and well, but at the same time, still terrifying to where it doesn’t seem watered-down like most PG-13 movies can be, especially when they’re made for a larger audience.

So basically, come to this one for all of the action and fun, don’t bother even taking a glance at the characters; you’ll only leave pissed-off.

Consensus: Though definitely lacking in the story and character department, Jurassic World benefits from a fun and exciting feel that makes it a summer blockbuster worth checking out, even if the “other” sequels still leave rancid tastes in your mouth.

7 / 10

Meh. Whatever.

Meh. Whatever.

Photo’s Credit to: IMDB, AceShowbiz

Safety Not Guaranteed (2012)

It’s the future, and Aubrey Plaza still does not smile.

Darius is an intern at a general interest magazine. She has no idea what she’s going to do with her life. She has no friends and no real source of income. Jeff, one of the staff writers, brings her along on a gig investigating a classified ad. Someone is looking for the perfect companion to join them on a dangerous time travelling mission. After a quick series of misfires, Darius becomes the bait for the magazine story.

Time-travel is a certain idea that most people just scoff at. However, there are plenty of those other peeps out there who believe that it’s there and that the government is still using it till this very day. Then again, those are the same people who believe it’s Doc Brown doing it so you can’t really decide on what to believe. All I know is that this film won’t really change your mind onto whether or not it’s real after all, but hey it’s an indie movie, they don’t give a shit anyway.

This film starts off as a somewhat wacky movie with a lot of goofy stuff going on with these characters as they are all being introduced to each other and a very jokey approach to a story that seems like it deserves just that. When you see a premise as wild as this, you automatically think it’s going to be one of those wild and stupid comedies, which this actually does start off with but something happens in the middle, then it all changes.

While this film does start off as your usual, quirky comedy, things start to get very romantic and somewhat dramatic, but it’s done in a very modest way where you feel like it’s genuine and you barely even notice the transition of moods. Director Colin Trevorrow gives us these characters, shows them for all that they are, some likable and some not, but by the end gives us fully-realized characters that actually go through some big changes throughout this whole story. Some of the changes for these characters are happy and others are sometimes bad, but in the end, we seem to get a full sense of who were watching the whole entire time through this whole flick. Because not only, do you feel like you know them, but you also start to root them on a tad bit by the end and that’s where the story got me, the problem is that I didn’t know what it was trying to do. And to be honest, I don’t think it did, either.

There’s a line in this movie that stuck-out for me where one guy asks one of the reporters, “so what’s your story about?”, only to have the reporter respond by saying, “I honestly do not know anymore”. To be honest, that’s how I felt about this film. I’ll give the film some love by saying it’s tone changes are nice and the story is heartfelt, but there seems to be almost too much going on here by the end that you feel like you don’t know what this story is talking about. We start off finding out about these people and how they look at time-travel, how this one quirky dude runs away from the government, has a secret life going on, and then people start to fall in love, but before the big ending where we all of a sudden are focusing on the whole time-travel aspect. Honestly, I didn’t know where this film was going towards the end and how they were going to end it, but when they did, I felt disappointed and left with a tad bit of an empty feeling. Not only did I feel like this because the last 15 minutes feel somewhat rushed as if the writer felt like he needed to end the story before it got drawn-out for far too long, but I also because there was too much going on that strayed away from the whole premise we began with for me to even feel something towards it. I also would have drew up a better ending for this flick, but then again, I can pretty much say that about any movie I watch.

If there was one thing that really attracted me to this movie was Aubrey Plaza, doing her usual sarcastic role she’s loved and known for in everything she does, especially my favorite show on TV right now, Parks and Recreations (which is saying something cause I don’t watch much TV). Plaza starts her character, Darius, off with her usual eye-rolling/sarcastic using act but after awhile, you start to see a lot of that break-down and you see here in a very vulnerable state, which is something you rarely ever see from her even when she is on TV. Plaza is so good here with all of the comedic stuff that it almost surprises the hell out of you, when she comes out of nowhere and brings out all of these emotional feelings out of her that not only feel real, but make you look at her acting in a different way. I hope Plaza gets bigger roles like this one in movies, because this chick definitely has what it takes to be a leading lady. You can quote me on that, bitch!

After seeing Your Sister’s Sister, I have come to realize that Mark Duplass is a very skilled actor and his role here as the nut-ball, Kenneth, shows just that. Kenneth is a total cook throughout the whole movie, but he’s a likable dude that you feel like wouldn’t hurt a fly unless he was pushed to do so. Duplass handles this goofy material perfectly and gives Kenneth a soft-edge that makes you see the world from his point-of-view. Jake M. Johnson also has a good role as the deuchy boss of Plaza, who starts off as this shallow and demeaning asshat, but is eventually brought to his knees and shown the ways of growing up, which was another story I was not only touched by but believed as well. I also have to give some love to Karan Soni as a fellow intern, who is so damn geeky and nerdy, that by the end, when he finally gets his time to shine, you can’t help but be so happy for the guy.

Consensus: Though it’s ending may not be as effective as it’s first hour, Safety Not Guaranteed is still a well-acted indie that features a lot of heart, a lot of humor, and a lot to show you of how you can take a time-travel premise, and push it in so many different ways to show you something just a tad different.

7.5/10=Rental!!