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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: David Wain

Fun Mom Dinner (2017)

Moms rule. Dads drool. Right?

Emily (Katie Aselton) is in, essentially, a loveless marriage and needs to have some fun in her life. Her best friend, Kate (Toni Collette), feels the same way and the two decide that it’s finally time to get involved with one of these “fun mom dinners” that they hear so much about. Okay, actually, that’s not how it actually goes down. Emily gets an invite from the two moms holding the dinner, Melanie (Bridget Everett) and Jamie (Molly Shannon), who as a result, also invites Kate who doesn’t actually like either Melanie or Jamie. Why? Simple mom stuff, honestly. And it’s why the dinner starts off a little weird and awkward, until the booze starts flyin’ and the weed starts gettin’ smoked and then, all of a sudden, everyone’s having a good time. And then, Emily starts talking to a cute bartender (Adam Levine), and heads off with him, putting the whole night into one, crazy funk where everyone’s scrambling all over the place, looking for her, while also connecting with one another and realizing that their moms and nights such as this need to happen more often.

This is the part where they sing “99 Luftballoons”. In German. H-I-L-A-R-I-T-Y.

Or yeah, I think that’s what it is.

Actually, for a movie that’s about 80 minutes along, it really pads itself with jokes, random bits of humor, and a plot that’s already thin to begin with. But honestly, that’s the least of Fun Mom Dinner‘s problems, because simply put: It’s just not funny. It tries so hard to be a cross between Bridesmaids and Bad Moms, but isn’t nearly as interesting, deep, or even funny as the two.

In other words, it’s just a bit of a bore, which is a shame because it’s a movie, written and directed by women, starring women, and about women being, well, women. It’s supposed to be a fun time at the movies, regardless of your sex, but for some reason, it just feels like a missed-opportunity for a lot of people who got together, spent some time working on this thing, giving it their all, and eventually, coming up short. It’s didn’t have to be this way, but sadly, it is.

But really, Fun Mom Dinner just doesn’t ring all that true.

These women, while all good in their own little performances, don’t feel believable as pals. Sure, they’re all connected by the fact that their kids all go to the same school, so maybe that’s the point, but still, when they do start to become closer and more acquainted with one another, it just doesn’t connect. It feels like a group of fun-loving gals who wouldn’t actually be fun friends together in real life, and can’t even act like it once they’re paid to do so.

And the part where they reference “Sixteen Candles”. Which they do a thousand times.

Once again, though, that isn’t to take away from any of the respective performances, because they’re all fine on their own. It’s nice to see the always lovely and joyful Katie Aselton get a leading-role, even if her character is chock-full of cliches; Molly Shannon feels wasted, especially after last year’s Other People; Bridget Everett is basically given the loud, obnoxious role that Melissa McCarthy’s usually stuck with, and while she’s still amusing, she feels like a crutch the movie constantly falls back on when it wants to be wacky and silly, for no apparent reason; and Toni Collette, for some reason, just feels bland here, which is weird, because at one point, she was considered one of the most interesting actresses working.

Unfortunately, not anymore.

Now, she’s playing second-fiddle in a movie that doesn’t really know what to do with much of these ladies, other than have them yell and act-out in crazy ways, yet, not really giving anything else behind it. It would all help if the movie was funny, but it’s not and because of that, it’s hard to really recommend the hell out of Fun Mom Dinner. It tries to be the next Bad Moms, but with that movie’s sequel coming out later this year, do we really need a copycat, or should we just wait for a, hopefully, superior second installment?

Probably wait it out. Or see this, too. I did that and it doesn’t really matter.

Consensus: Constantly straining itself to be funny and somewhat insightful, Fun Mom Dinner also feels weak and poorly put-together, despite the insane talent both in front of and behind the camera.

4.5 / 10

And yeah, where they just talk about their lives and stuff. UGH.

Photos Courtesy of: Momentum Pictures

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They Came Together (2014)

So if I don’t profess my love to a girl in the pouring rain, she won’t fall in love with me? Damn rom-coms!

Joel (Paul Rudd) and Molly (Amy Poehler) are practically perfect for one another. They’re both two kind, gentle and easy-going people who just got out of relationships and need somewhere to start fresh and anew. That’s why it’s so weird that when they finally meet up, there’s so much distaste between them both. It’s strange really, and nobody knows how or why it is the way it is, but that’s just the fact. However, late one night, when Joel has some time to think to himself and even talk to his “baby brother” (Max Greenfield), he realizes that it’s time to nut up, or shut up. So, he asks Molly out on a date and they both realize they’re perfect for one another in every which way. They compliment each other; they have wonderful sex; and Joel is even something of a father-figure to Molly’s son. However, there is problem in that Joel works at a Candy Research Factory that preys on knocking out all of the smaller, mom-and-pop chain candy stores; one in particular they are looking at is one owned by Molly herself and it just may possibly ruin their relationship forever.

If you just read that synopsis up above and felt like everything I just said was quite familiar, that’s because, it is! Or, better yet, it’s supposed to be!

See, They Came Together, is exactly like every romantic-comedy ever made; it has all of the troupes, the formula, and heck, even has the same characters that you’d find in any rom-com, had you just been scrolling through the channels or on your Netflix queue. And as a whole, the rom-com genre sort of deserves this much of a thrashing; it’s a genre that hardly ever seems to learn from its mistakes, and instead, just continues to force-feed us the same bullshit stories and resolutions that happen in only said types of movies. Not at all in real life, and anybody who believes otherwise, don’t deserve to be reasoned with.

Aw!

Aw!

Anyway, that’s why watching something as obvious and goofy as They Came Together is something refreshing, regardless of how much it actually does, or doesn’t work. Sure, it’s definitely funny in spots, but there’s something to a movie that understands it’s a joke and doesn’t really try to make itself anything else. Some may complain that this movie doesn’t have much substance, nor even a real, actual story-line to follow along and get involved with, but I don’t think it needs one to be considered a fine movie. If you just want spend a near-hour-and-a-half watching as somebody riffs on the rom-com genre, then this is more than fine for you.

Better yet, if you’re already a fan of the type of humor David Wain brings to any project of his, then it’s even more of a treat for you. Because, for one, he doesn’t hold back on really letting this movie expose the same old and tired troupes we’ve all seen practically done to death. Maybe he’s a bit too obvious about what it is that he’s trying to say or get across, but I didn’t mind that because most of the time, he had me howling like a wildebeest that couldn’t get a firm grip on his own self-control.

That said, if you’ve seen any David Wain production ever, you’ll know that, for one thing, he doesn’t really take himself away from getting really weird. And here, there are many occasions where Wain lets his weirdness really take over and even confuse the hell out of the viewer who may be watching it.

For instance, there’s a scene in which somebody is sad and lonely, sitting at the bar after they’ve just had a pretty shitty night (after a bad date, presumably), and, as expected, the bartender asks the person who’s drinking, “Bad night”, in which the character drinking responds, “Tell me about it”. And I swear to you, for the next five-to-seven minutes, this whole scene is played-on repeat, almost giving you the impression that something is wrong with the actual movie you’re watching. Sounds a whole lot like the kind of stunt that Andy Kaufman would pull, and for some odd reason, it works here. It’s just that strange and random, that it actually works.

Need another example of weirdness taking over Wain’s flick? Well, try the idea of incest between a grandmother and her grandson, that, surprisingly, gets even weirder than you could originally imagine.

AW!

AW!

So yeah, if that tells you something about this movie, it’s that it’s constantly up to no good, making fun of rom-coms, and even itself at points. And although it is a relatively short movie, I did find it running a bit out of steam by the end. Then again though, that’s the case with most parody-movies; there’s only so much surprises they can throw at us for the first two-halves that once things have to settle down, get resolved and eventually end, you can feel it and in a way, you sort of want it as well. That’s not to say the last-half of this movie isn’t funny, it just feels long-winded, even if, like I said before, it’s only an-hour-and-20-minutes (which is like three episodes of Breaking Bad, kind of, sort of, maybe).

And of course no parody movie would work if its cast weren’t up to the task of absolutely just letting loose and looking like total goobers and I think Wain’s assembled a great one here. It’s nice to see Paul Rudd and Amy Poehler work together again (especially after something as classic as this), because their chemistry together is pretty great. Although it’s a bit hard to tell because you can never take them seriously for a single second, it helps that they at least feel comfortable enough with one another to just be all sorts of crazy and weird, just exactly like they know how to. Now, that’s not to say that I kind of wished this was a straight-forward rom-com, both starring Poehler and Rudd in the lead roles, with Wain writing and directing, but for something as funny as this, I guess I’ll just shut up and take what I can get.

Consensus: Those who want a somewhat serious, standard rom-com will be utterly shocked and displeased to find out that They Came Together is neither, and instead, a crazy, funny, wacky, and sometimes incredibly weird, parody that doesn’t always work, but at least tells enough truth in what it’s making fun of.

7 / 10 = Rental!!

Huh?

Uhm….huh?

Photo’s Credit to: IMDBAceShowbiz

Wet Hot American Summer (2001)

As of right now, it’s hot, it’s wet, and it’s summer, so why not?

In the summer of ’81, a liberal, Jewish camp finally comes onto their last day where everybody’s emotions are running high, low, or every which way but loose. However, not everybody’s aspirations they had for the summer got fulfilled, so for one last night, everybody decides to go crazy and as if they have nothing else in the world to worry about rather than having a good time with beer, sex, drugs, and friends. You know, the little things in life that matter. Screw all that other serious crap!

Summer camp, from what I have seen in other movies, or heard of from other people who have been to one, seems like it’s a pretty awesome place. I know, it’s probably weird for some of you out there to take in the fact that I have never been to a summer camp ever in my life, so therefore, I depend on movies like these to give me a good time as if I was right there. And from what I read, apparently writer/director David Wain has been to many summer camps but for some reason, seems like he never has been to an actual fun one with a film like this that is apparently based of his experiences.

I do have to give credit where credit’s due with this flick and say that for the most part, it can be pretty funny. There’s a lot of crazy gags going on here, zany characters flying in-and-out of the story, and random acts that are sometimes explained, and sometimes aren’t. But you know what? With comedy, you sometimes don’t need to explain what’s going on, just as long as it makes you laugh and enjoy yourself. There were many moments in this flick where I found myself laughing and enjoying myself because I could tell Wain definitely doesn’t take this material too seriously and gives us plenty of random moments that either work, or don’t. As simple as that.

PTSD has never been so hilurrrious!

PTSD has never been so hilurrrious!

Also, have always been a huge sucker for movies that take place during one full-day where almost anything and everything is possible. Always like to live life like that myself, which is even better when I see it transition-well onto the big-screen.

However, the film isn’t as funny as it should be and I think that’s because too much of this just feels like a really long, over-blown pilot to a new TV show, one that would probably be featured on the old days of MTV before Snooki and all of those other d-bags took over. 12-year old type of humor doesn’t bother me all that much, except for when it’s done right, but this film just seemed like it was trying too hard to go for that type of comedy and then would all of a sudden change itself into being a parody of a movie, that either nobody saw, nobody understood, and/or even cared about in the first place. It’s a weird mixture between potty humor and a parody, and the problem is that they never really come together to make this flick a full-feature and make it feel like it was chopped up into little, itty-bitty pieces that Wain and Co. thought would be funny. Little did they know that they were the only ones who actually got the joke.

Another big problem this film seems to have is that with a premise and idea like this film has, you would expect it to be a total wild ride of everything you would expect from a camp movie, but instead, you just get something that’s actually a little boring at times. The title sequence of this flick had me feeling like I was about to see something total insane, starting off with a bunch of camp counselors, hanging out around a camp-fire, smoking reefer, drinking some brews, making-out, and eventually, getting it on, all played to the tunes of Foreigner mind you. So basically, I was expecting something like that or the rest of the hour 30 minutes but I didn’t get that and even when there did seem to be a lot of energy in this flick, it happens and shows in certain spots. After seeing Wain’s recent flicks, (Role Models and Wanderlust), I can tell this guy has definitely upped his game on providing fun and wild moments in a film and keeping that going throughout, but it’s sort of obvious that this was his first flick as you can never tell if this guy knew what exactly he was doing behind-the-camera, other than just making a film he thought was really cool and funny. With his friends as well, which isn’t so bad, just as long as you and your buddies aren’t the only ones having fun.

Sadly, that’s what happens and it’s one of those cases where the high-faves stay on that side of the screen, and that side alone.

Never since the Avengers came out last year has there been a bigger team-up of total and complete deuche bags.

Not since the Avengers came out last year has there been a bigger team-up of total and complete deuche bags.

You would also expect a lot more from a star-studded cast like this, but somehow, they all get squandered with the exception of a few. Janeane Garofalo is alright as the head camp counselor, Beth, and she really seems to be in-tune with her comedic timing, even if this material doesn’t seem to suit her so perfectly; David Hyde Pierce essentially plays his usual role from Frasier, and is still entertaining to watch, but that stuck-up, nerdy-type doesn’t work so well here as it does with that quality show; Paul Rudd is funny as a lady-killing camp counselor known as Andy, and plays up that whole dick-head act about him very well but even he’s not as funny as he should be; Michael Showalter is here as the innocent, hopeless romantic, Coop, that seems like he should be a lot funnier and usually is, the problem is that his material just isn’t strong enough to have us care too much about him; and surprisingly, Christopher Meloni ends up being probably the funniest out of this whole gang, playing a traumatized, Vietnam-vet that talks and does more wild shit than anybody does in this whole flick. You know you’re movie is in some trouble when the dude from CSI is the funniest thing in it, then again, though Meloni’s the man and it’s about time that the dude got not just more quality-roles, but ones that showed how well he can make us laugh, because that’s a greatly-unappreciated talent of his.

Oh, and Bradley Cooper is in this movie doing something you will never, ever believe he does. It gets crazy, almost to the point of where you’re wondering whether or not your eyes are deceiving you or not. Because trust me, right here and right now: they aren’t. Bradley Cooper is in this movie, and he’s doing the most wild shit I’ve ever seen him do. Give him the Oscar now!

Consensus: Though it shines in some bright spots, Wet Hot American Summer should be a whole lot funnier, crazier, and smarter with what it jokes around about and even tries to parody. Not a terrible comedy by any means, just not as funny as it seems like it promises.

5 / 10 = Rental!!

We caught you, Bradley! Can't run from this one!

We caught you, Bradley! Can’t run from this one!

Sleepwalk With Me (2012)

Is sleep-talking considered bad?

Matt Pandamiglio (Mike Birbiglia), is at a crossroads in his life. He works as a bartender at the Comedy Club and rarely ever gets the shot to tune his voice, he has a sleeping-disorder that causes him to move around at night in a daze of sleep, and can’t commit to his girl-friend of 8 years (Lauren Ambrose). Things begin to change for Matt, however, and he soon finds himself on the road, doing gigs, making money, finding new friends, and finding peace with his life. However, not everything’s so good between him and his girl and once that idea of getting married pops-up, life isn’t so grand and peaceful for dear old Matt anymore.

Mike Birbiglia is a pretty damn funny comedian. The guy has timing, the guy’s honest, the guy knows when and how to make fun of himself, and best of all: he feels like the average, everyday guy, like you or me could get up on stage and start saying the shit he says and get an equal-amount of laughter and applause. It’s what works for him so well and has kept him going on and and on for all of these days and that’s why I thought a flick where he tells his own story, his own way, and with him starring in it, that I was in for a sure treat. However, I think it’s time for me and Mike to stick to stand-up. Only for a little bit, though.

No matter what type of tone or genre this movie is mixing around with, Birbiglia always keeps it funny. The dream sequences are hilarious because they allow him to really unleash his wild side and get utterly, and terribly ridiculous with the whole thang, but that’s not the best-part of this movie or it’s comedy-aspect. What makes this movie so funny is how Birbiglia is able to not only poke jokes at the goofballs around him that seem like walking-caricatures of Birbiglia’s own mind, but also poke jokes at himself. That’s what I’ve always loved about the dude’s stand-up and it was so great to see him take that one-step further in this movie and let loose on himself, even he’s visibly at his lowest.

Not exactly what I dream of.....

Not exactly what I dream of…..

But that doesn’t matter, because yes, he is a comedian and he’s supposed to be funny. So yeah, good for him for being funny, aka, doing the job he’s supposed to do. Despite being funny, Birbiglia is able to bring-out something within this material that I didn’t think was at all possible: drama. The whole movie plays-out like a shaggy dog comedy, where it’s this guy trying to work his way up the comedy-ladder, make people laugh, get gigs, get money, find meaning in life, but in a funny way, but in the back of it’s mind, there’s always this downright serious and heartbreaking drama at the center-fold. The whole plot with Birbiglia and his girlfriend of 8 years who seem to obviously love each other and seem to obviously know everything about one another, but still can’t find a way to get married, really sets this flick up for some terribly honest and compelling material. Material that I didn’t think this movie had the balls of juggling with, and in a way: I was right.

Before I jump into what this movie messed-up on, I just want to say that with the obvious intentions and motivations in Birbiglia’s mind, I thought that he achieved something that wasn’t possible: getting more than just comedy, out of a story of a comic. He makes it more than just a story about living your dream and making something out of yourself, but making it about how you need to have direction, no matter how old or young you are. You need to really wake up, smell the cauliflower, and realize that your shit needs to get together, way before you even hit the ripe-age of 40, or more. It may come off as a shock to hear this from a 19-year-old d-bag who has yet to get his life on track (except for this fancy blog), but it’s what I garnered out of this story and what I think Birbiglia hit very well. If the guy can do anything, it’s that he can bring more emotion and depth out of a comedy than most comedy-directors working today. No, not you Judd Apatow. You’re fine right where you are, bud.

Now, where I think Birbiglia messes up on is the love-story between him and his girlfriend. I will say that the movie takes a different-approach to this relationship than most rom-coms do, but that’s not saying much considering how lazy it seems to get sometimes. For example, whenever you feel like the movie is going to focus on how hard it is for Matt to not see his girl, to be on the road non-stop, and not know what to do when they’re supposed to get freakin’ married, it just focuses in on another, wacky, and wild dream-sequence that may be funny and may have happened, but only slows down the momentum of the actual story at-hand. I give credit to Birbiglia for at least including this story at all, whereas other directors would have probably poo-pooed it and had it played-out like a lame, blind date, but I wish there was just more effort on this dude’s part. I mean, it is HIS story, told from HIMSELF, so why not give it a little more feeling and a little more attachment, rather than just showing people how insane you can make dream-sequences? Sorry, Mike. Didn’t mean to get all mad, but come on!

Ehh, neither is this....

Ehh, neither is this….

That’s what also brings me onto my next point: his actual girlfriend in the movie. Lauren Ambrose, god bless her soul, is a revelation in this movie because she is smart, sassy, understanding, honest, and very loving in the way that all gal-pals should be around this time, but the movie doesn’t give her enough credit. It’s so damn obvious that she’s the right pick for him because she’s always cool with him, always down to Earth, and always able to be there and help him when he needs it the most, so why the hell wouldn’t you want to pick that? I get that maybe it has something to do a little bit with the fact that the cat may be hitting his mid-life crisis and may not know what to do with his life right about now, so therefore adding on the factor of marriage would only cause more confusion, but for a simple-minded dude like myself, I would think that the right and best pick would be right there for me: choose her. You can do all the stand-up, you can make all the jokes you want, but this is the girl you should be with and I never understood why there was any problem’s there in the first-place. Once again, it’s probably one of those things I don’t seem to get because I haven’t lived life like him or haven’t gotten to that age, but I have made mistakes and I have been confused in life, so I definitely feel like I have some sort of leg to stand on here. And if I don’t, I don’t care because I know that I would be more than happy to have Lauren Ambrose as my girl, any day of the week baby.

Despite all of my thrashing and trashing of his movie and what is essentially, his life-story in an-hour-and-25-minute movie, I still have to say that Mike Birbiglia kept me going with this movie and his presence is one of the more-welcoming ones I have seen in recent-time, especially committed by a comedian. Like his stand-up, Birbiglia is always funny and able to poke fun at himself and his life’s misfortunes. However, the guy gets a chance to act here and show what he’s feeling at these exact-moments, and his over-the-top narration keeps us in the mind of the guy and has us hear and believe all of the thoughts that are racing through it. Birbiglia is a simple guy that likes to keep things down on home-ground, but when it comes to this movie and he has to go for the deeper-meaning in life and in love: he’s more than up-to-the-challenge and that shows a lot of balls for any may, especially a comedian. Hope to see you soon, Mike.

Consensus: Mike Birbiglia’s honesty and brutal-depictions of real-life happenings keep Sleepwalk With Me grounded in-reality, even when it goes crazy with his dreams, but feels like it loses itself when it comes to making a simple, comedic-story more important than it truly has to be, and that’s more about the romantic-aspect than the actual means and themes of this story. Give me 10 more years, and maybe I’ll have a different view on this one, but for now, I’m sticking with it.

7 / 10 = Rental!!

Ah! Now that's more like it! Just cross-out Mike Birbiglia and put my face there, and that's it. Oh, sweet dreams.

Now that’s more like it! Just get rid of Mike Birbiglia and that’s it. Oh, sweet dreams.

Wanderlust (2012)

I’ll go any place that has Jen Aniston getting naked. Any place…

The story centers on New York City couple George and Linda (Paul Rudd and Jennifer Aniston) who are forced to relocate to Atlanta when George is downsized out of his job. Once there, the two stumble upon Elysium, a peculiar community populated by colorful characters who embrace a much simpler way of  life.

After checking out director David Wain‘s last flick, ‘Role Models’, and actually liking it quite a bit, I went into this one expecting the same type of laughs. Oh who am I kidding, I went into this ready to see some naked ladies. However, what I got was naked dudes and a so-so comedy. Not a very good combo.

As a comedy, this film works pretty well. All of the jokes here are very raunchy and dirty but also had me laughing quite a bit at times. Wain takes a whole bunch of risks and basically does anything in his will-power to make a joke connect, and it’s worth it because even though he doesn’t always hit the right spot, the moments where he does gets your mind off of the bad times. Besides, it’s always funny to see hippies being hippies in their own natural habitat but it’s also a lot funnier to see two, normal American people be brought into this new and cool life-style. It’s not really trying to be anything else and it’s also pretty surprising to see hippies get the kind of treatment in today’s world as they did way back when. Yes, hippies are still around people.

My problem with this flick is that the plot’s one-joke premise does get stretched on a little too long in my opinion. There is a lot of funny stuff here that works but then there were other times where Wain just seemed to throw any raunchy joke he had at us whether it was about poop, dicks, boobs, or anything else that came to his dirty little mind. This is definitely a lot more raunchier than Wain’s last flick and even though it may work when it comes to creating some good laughs, other times it just gives us that feeling that the jokes are starting to get stale and over-done.

The other problem with this plot is that it does get very uneven by the end, especially when it starts trying to show some of these hippies to be some evil mofos. Every comedy by about the last act starts to get mundane and use plot elements that we have seen done before and this one here, is really no different. We get all of the same predictable results we expect to get due to this premise being so damn simple and even though it may get pretty dry by the end, it still lifts itself back up somehow with a pretty funny epilogue. Basically, if you’re a comedy and you start to go soft, I’m always going to find my way to complain about it. I always do with the exception of probably ‘The Change-Up’ which was definitely a lot more raunchier than this flick by far.

What really worked here was the cast, that shows Wain bringing together all of his buddies as well as some other comedy favorites that you have probably seen before. Paul Rudd and Jennifer Aniston are great as George and Linda, because they not only feel like a real couple, but a pretty fun one at that even before they started their lives at this community. Aniston has really started to show herself winning back audiences with her raunchy comedy appearances and this one is no different. Aniston is funny, goofy, and shows that she has the comedic timing chops that aren’t just all about being that playful and witty girl we always see her do, she can also be pretty dirty. Still though, no boobage from her so once again, we have to all wait it out men. Rudd is also what really makes this film work because he is just so damn funny with every scene and ad-libs his ass off to great effect. Rudd has always been funny in every movie he performs in and he gives one great scene where he’s basically prepping himself for some sexy time and it’s much like that “Slapppa da basss” scene in ‘I Love You Man’, but it still had me laughing my ass of by the end and was by-far the most memorable scene of the whole flick. These two really do bring out the best in each other when it comes to acting together, and their chemistry just makes their relationship and everything else that they go through, feel real even though it may get a little cheesy by the end.

The rest of the supporting cast has a bunch of other great performances but only a couple that are worth noting. Justin Theroux is pretty wild, insane, and goofy as the community’s main-leader, Seth, and shows that he’s funny in a more visually and physical way as well; Alan Alda is playing another great role for him as the senile and old founder, Carvin; and Malin Akerman, Kathryn Hahn and Lauren Ambrose all have great little scenes considering they are all very hot as well as good when it comes to showing their comedic timing. Still, they don’t get naked. WTF!??! Plus, there are some many others in this cast that do great jobs but these were the ones that I found more worth of being noted.

Consensus: Wanderlust’s one-joke premise may stretch on for a little too long by the end, but the raunchy writing and hilarious cast give this film some very funny moments, which are definitely enough to make up for it’s more uneven ones.

6.5/10=Rental!!

Role Models (2008)

I do actually wish there was a Sturdy Wings program in real life.

Danny (Paul Rudd) and Wheeler (Seann William Scott) have coasted their way through jobs at an energy drink company. But when their goofing off catches up with them, they’re sentenced to community service with the Sturdy Wings mentoring program. The assignment is supposed to teach them responsibility, but it just proves that they’re the last people who should be taking care of kids.

The film all starts out as a frat-boy comedy filled with just a bunch of dirty fart, beer, and sex jokes, however, that couldn’t be farther from the truth.

Don’t get me wrong here, there are still plenty of sex jokes, but they are entwined with a feel-good approach to them as well. The bond between these characters is what makes this film click, however, the crude nature of the film provides plenty of laughs for the whole crowd. Its not a total game changer, but for an R-rated comedy, it does enough raunch.

The main problem with this film is that its premise is pretty ridiculous if you think about it. When it comes to a major offense, you are brought up against either, serve in a help ward, or jail time. I really doubt that actually happens in real life, if at all.

The cast was really good here and provided more laughs than what I was expecting. Paul Rudd has a couple of great scenes, where he’s being a total d-bag, like we always like him as. Seann William Scott is basically playing Stifler, but the act you can basically see, never runs dry. They both work well together, and you can tell that these two were a great match, especially when it comes to ad-libbing on screen.

Christopher Mintz-Plasse is playing McLovin again, but in all honesty I’m not expecting anything different, other than just hilarious one-liners from this dude, which I indeed got. I liked Bobb’e J. Thompson in this, however, I feel like the writers just used this kid to be so shocking, by saying the “f word” countless times, and exploiting him a bit too much.

Consensus: Though it could have been a lot better, Role Models is still a lot of raunchy hilarity, backed by the good performances of the cast, and typical R-rated fun.

8/10=Matinee!!!