Advertisements

Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Don Brady

Mississippi Grind (2015)

You can never lose in poker. Until you lose. And then your life is done with.

Gerry (Ben Mendelsohn) is a bit of a gambler. This has then carried out into the rest of his personal life because he’s not only lost a marriage because of it, but owes a lot of people, a lot of money. Though he intends on paying each and everyone of those debts off, he still can’t seem to take himself away from the poker-table nearly as much as he’d like. One fateful game, however, he meets Curtis (Ryan Reynolds), a charming, silver-tongued fellow gambler who has a lot more lady luck on his side than Gerry. In Curtis, Gerry not only sees a gambling-partner that he can bet, gain and lose money with, but a pal that he can go on a road trip with and have all sorts of fun that he hasn’t been able to have in quite some time. However, while on the road to Mississippi for a huge gambling event, they get to know one another better which, in some instances, can prove to be more problematic than either would have liked. But at the end of the day, they’re both two gamblers, just trying to get by in a world that they constantly seem to owe money.

Reservoir Dogs remake? Too soon?

Reservoir Dogs remake? Too soon?

Gambling movies are, for the most part, fun. Which, if you think about it, is kind of screwed-up. For one, gambling is an addiction. And just like many other addictions out there, it takes over a person, strips that person of everything they’ve got and, if they aren’t lucky enough, may ruin said person for the rest of their lives. So yeah, as you can tell, addiction’s not a fun thing to deal with, let alone, a gambling one, so to make gambling movies, actually fun and exciting, seems odd.

However, Mississippi Grind is smart enough to be a little bit of both.

While on one hand, Grind shows gambling and being in the midst of having luck go your way, as an absolute blast and the greatest feeling in the world. The dice are coming up clutch, every hand is in your favor, and the chips seem to constantly be coming your way, no matter how risky or daring your bets may tend to get. That same feeling of electricity and anticipation is in the air during nearly every gambling scene in Grind (which is saying a lot), and it shows people why gambling, in and of itself, can be so addicting to those who want to get a whole bunch of money, in a quick, relatively easy fashion.

On the other hand, however, Grind also shows how all of this constant betting, gambling, winning, and losing, can also be draining – not just emotionally, but financially as well. Like they did with the stellar Half Nelson almost a decade ago, co-writers and co-directors Anna Boden and Ryan Fleck show the dark and miserable side effects that come along with any addiction, of any kind. While getting your kicks off by fueling your addiction may have you feeling as if you’re on top of the world and nothing can bring you down, the sad reality is that when everything does crumbling down and you do begin to think clear, sober thoughts, you’ll be constantly chasing after that same high, all over again. But this time, by any means/costs necessary.

And all of this is especially true with Gerry, played exceptionally well by Ben Mendelsohn.

While we get the picture early on in the movie that Gerry is, a bit of a sad sack who owes just about everybody and their mothers, money, we also can see that he’s trying to get better and forget about his addiction that’s slowly, but oh so surely, swallowing him whole. Gerry may go out to the scummiest casinos and clubs out there to play a little game of Texas Hold ‘Em and throw a few bills down, but he knows that he can’t go over any limit, or else it’ll be too late. And while the film definitely shows that that time may have already come, Gerry is still trying to make ends meet with his real-estate job and constant promise of giving those he owes money to, the money he’s already supposed to have been given to them by now.

But because Gerry seems like the sort of poor guy who is in so over-his-head with just about everything, he’s interesting to watch and root for. While we don’t want him to go to these poker-tables and throw all of his money away, at the same time, we also see what kind of over-zealous joy it brings him, so it makes sense that we’d want him to continue on doing what he’s doing. And Mendelsohn, as usual, is great in this rare-lead role of his, but also seems to fit into the role of playing “a good guy” for the first time in quite awhile. While there’s no doubt in my mind that he’ll soon follow this role up with about a dozen or so more smarmy, dirty and disgusting villainous ones, it’s still a nice breath of fresh air to see that he’s able to switch things up every once and awhile, and still have people believe in who he’s portraying.

How could anyone say, "You've reached your limit", to a face like that?

How could anyone say, “You’ve reached your limit”, to a face like that?

And while Mendelsohn deserves some fine credit here as Gerry, Ryan Reynolds deserves just as much playing the smooth-talking charmer that is Curtis.

Because Curtis always has something witty to say and seems to be the life of every party he shows up to, it only makes perfect sense that someone like Reynolds wouldn’t just get the role, but play it to perfection. But what’s so interesting about Curtis is that while he may seem like a good guy because of how fun-loving and easy-going he is, there’s also a hint of menace underneath it all that makes it seem like he’s definitely full of bullshit and is also trying to screw Gerry over if that means getting to more money for himself. These are two sides to Reynolds’ persona that we so hardly see, but here, as Curtis, the man does wonders with.

Together, Mendelsohn and Reynolds strike-up a wonderful chemistry that not only sees them having hearty laughs over the good times, but coming close to punches when the hard ones come around, too. You never know whose playing who, or if there’s even a play to begin with; we just know that someone is going to get more lucky at the poker-table than the other, and it’s going to completely set the other one off. And like I said before, Boden and Fleck do solid jobs at presenting these two characters as opposites, in terms of their personalities and whatnot, the movie still highlights the fact that their shared-interest (i.e. gambling), may also be the one that sets them apart forever and ruin both of their lives.

Now, who wants to go out and hit the slots?

Consensus: Both engaging, as well as entertaining, Mississippi Grind does justice to both the world of gambling and also the talents of its cast, creating a movie that’s definitely worth the watch.

8 / 10

If I saw these two at the bar, I would probably have to rudely interrupt and involve myself with whatever they were speaking about.

If I saw these two at the bar, I would probably have to rudely interrupt and involve myself with whatever they were speaking about.

Photos Courtesy of: Indiewire

Advertisements

99 Homes (2015)

Don’t ever trust a landlord.

As soon as the crash of 2008 occurred, everyone in the United States was left without a paddle. One such person was Dennis Nash (Andrew Garfield), a single father who, after much fighting and arguing with the court, gets evicted from his Orlando home. Seeing that he has lost his family-home, Nash sets out to do whatever he can to get it back – even if that means having to join up and work for the same man who kicked him out of his house to begin with: real estate broker Rick Carver (Michael Shannon). Carver has certain practices that aren’t what some would call “ethical”, or better yet, “legal”, but the money’s so good that Nash doesn’t care. Eventually though, Nash begins to move up the ladder, which takes him away from working on the homes, and brings him now to actually having to interact with the tenants who are in the actual homes. This mostly involves Nash posting notices on doors, warning tenants of being vacated, and, as time rolls on, even having to kick some tenants on his own. Clearly this is something that Nash doesn’t feel comfortable with, but once again, it’s all about the money and the prospect of getting his family back in order to the way they once were.

Message!

So message-y!

Have you ever been stuck in a lecture at all in your life, whether it be with your parents, a teacher, or one of those Jesus-nuts from off the street, and not want to leave? Instead, you hold on to every single word that they say, even though you know the end-point? You know that they’re not going to start off by stating something like, “Gay marriage is bad”, and then end with, “Well, you know, you can do what you want.” The lecture is, most definitely, going to start with an agenda, continue on with that agenda, and, you guessed it, end with that same agenda. And yet, something about the lecture is just keeping you on your toes and surprisingly interested.

That’s how I felt with 99 Homes – a long lecture about the housing crisis and all the evil-doers behind it, yet, I never wanted to turn away or leave.

Eventually, that time did come around, but that’s not till later, so just wait dammit! Listen to me lecture about stuff now!

For one, Ramin Bahrani seems to know what he’s talking about here. Clearly, he’s put his heart and soul into material that, for a good majority of people out there, will not find an easy way to handle. It will, most likely, hit too close to home, hard, and re-open old wounds that were probably still healing. However, Bahrani seems to be interested in what these wounds still hold. Are they sadness? Are they grief? Or, are they wishes that something better occurred?

Well, 99 Homes is, in a way, that fantasy being played-out. One thing is certain about the movie, and that’s that it’s not totally a drama. I mean, yes, it’s most definitely a drama that’s emotional, sad, and for a good portion, filled with lots of interesting talking-points, but in all honesty, is really a thriller. Once we see Garfield’s Dennis Nash start picking up work as one of Shannon’s Rick Carver’s lackeys, then it’s balls to the walls from there. This Nash fella is taking away pools, air-conditioners and handing out eviction notices to people who have no clue just what the hell kind of storm has hit them dead-on in the face. While, at the same time, he’s making all of this money and seeming to be loving it.

Sure, he’s morally-conflicted by the fact that the person he’s getting rich off of, is the very same person who got him kicked out of his house, but because the money’s continuing to come in and the dreams seem promising, he lets it all slide by. And you know what? It’s hard to watch this and not want him to, either. Dennis Nash, as he’s presented to us, is nothing more than just your average, blue-collar dude who, like many others just like him, was short-shifted when the crash of 2008 came around and had no idea of what to do next with his life, his family, or his career. All he knew was what he was good at and tried to go where the money went.

That’s why, when we see Nash get thrown out of his house, it’s disturbing and visceral. Many people had to go through the same ordeal he’s going through and it was most definitely 100% more tragic to them. And that’s why, when we see that Nash is clearly pleased with himself making all of this cash money, it’s great to see him happy and enjoying himself. After all, he’s just a normal dude who isn’t under normal circumstances, so why continue to act normal? Why not try something new and go with that from there?

"When you said, 'movie with Spider-Man,' I thought you meant Tobey Maguire! Who's this damn kid!"

“When you said, ‘movie with Spider-Man,’ I thought you meant Tobey Maguire! Who’s this damn kid!”

Clearly, Rahmin Bahrani thinks this is a bad idea. However, his movie proves otherwise.

Bahrani has crafted a nice little thriller that takes you through everything one may need to know about the housing-crash, how it was operated, who was responsible, and those who were affected the most. But at the center of it all, is probably the most realistic character of the bunch, who also seems to be the most sinister: Michael Shannon’s Rick Carver. There’s no denying the fact that Michael Shannon’s a good actor, but here, as Rick Carver, he gets to stretch his wings a whole lot more and show, that even despite his character being a pretty despicable human specimen, there’s still something we want to watch and see more of him.

We know that he’s a baddie, but we also know that he, like many others, are just trying to get by with what he knows and what he’s best at. But what’s best about Carver is that he doesn’t try to make any excuses or apologies for the way he is – he just is. For instance, there’s a scene in the middle of the film where Carver laces into this tirade about how, “America was built on winners. Not losers.” It’s not just hard to take your eyes off of him because it’s literally just a single-shot, zooming in on his face, but also, because some of what Shannon is spouting on about is true. You may not want to believe it as being such, but it is and it makes this movie feel like a smart bit of preaching, rather than just preaching for the sake of it.

And don’t let me forget Andrew Garfield, because the man is great here! What with him being forced to play Peter Parker, it’s hard to remember that, at one time, Garfield was a very promising, young, and talented actor that seemed primed and ready for some very interesting material to come his way. Now with Spidey out of his way, Garfield seems like he’s enjoying some time being able to dig deep into characters that aren’t the kind you’d expect someone of his good-looks to play; you know, such as a middle-aged, middle-class single-father.

However, as good as Garfield may be, his character sadly falls prey to an ending that, honestly, came close to ruining the movie for me.

I won’t spoil much, other than to say that it felt like Bahrani, throughout a good majority of 99 Homes, was making a movie that wasn’t going to play it nice, sweet and kind, and instead, go for the gritty-realism that’s expected of source material such as this. However, he does the bait-and-switch and decides that maybe he wants some melodrama, messages, and red herrings thrown into the mix. I’ve already said too much, but just know, when the ending comes around, it may disappoint you more than please.

That may just be me, though.

Consensus: 99 Homes is a timely-thriller that gets by on the excellent performances, however, is a bit short-shifted by a weak ending that keeps it away from being a whole lot better.

8 / 10

Big houses. Big cars. Big women. The life of a real estate agent, yo.

Big houses. Big cars. Big women. The life of a real estate agent, yo.

Photos Courtesy of: Indiewire