Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Gerard Butler

London Has Fallen (2016)

Always trust in your budding Americans to kick some terrorist ass.

Years after the assassination attempt made on his life,  U.S. President Benjamin Asher (Aaron Eckhart) and Secret Service agent Mike Banning (Gerard Butler) are still together, joking around with one another and, generally, seeming like the best of friends. After all, the worst that they ever had to face, came and went, so for now on, they’ll just live out the rest of the presidency in absolute and complete peace. However, that all changes when Asher is called to appear at a funeral for the British Prime Minister, and all hell breaks loose. Major tourist attractions start blowing up, people start dying, and terrorists begin to pop-up left and right. Though they hit a few close calls, Banning and Asher are able to get to safety, and await to see what their next best move is. Even though it’s absolute chaos in London, Banning believes that the best tactic is to get Asher, as well as himself, to the British embassy where they’ll hopefully be safe and tucked away from the terrorists who want to kill them, as well as anyone else that they see fit.

"Look out, ISIS."

“Look out, ISIS.”

People will mistake a movie like London Has Fallen as a “serious one”, and it makes sense. Just like its predecessor, it’s dealing with some very realistic situations, where gore, violence, and death is abound, and not really trying to have a great time with them. Instead, it’s trying to be a very dramatic, emotional, and flag-waving patriotic movie about the triumph and the spirit of the citizens of the United States and how terrorists, no matter what shape, color, or religion they come in, will always fall prey to our power.

Clearly there’s an audience out there for this kind of movie and given today’s political race, it’s almost no surprise that a movie like London Has Fallen, actually exists.

It’s one, where instead of really getting down to the idea of why someone would retaliate to a botched drone strike, or why certain political ideologies, whether violent or not, exist, it’s more concerned with blowing things and people up. Nothing’s wrong with this, as evident this film, as well as Olympus Has Fallen, there can be some fun in watching as terrorists get mowed-down, all in the name of the red, white and blue. And while I’m talking about that movie, it’s actually a lot better than people give it credit for; sure, it’s overly serious in a sort of corny, 80’s movie kind of way, but it’s so unabashedly passionate about what it’s doing, that it’s hard not to get wrapped-up in all of the grisly action that takes place. And even though it’s been a near three years later, it’s surprising how dated the movie may appear to be, given that there’s clearly a climate out there in today’s society that isn’t about shooting first and asking questions later.

Which is why, with a movie like London Has Fallen, it’s hard not to think about the real life situations and issues countries are currently facing. Whether they be relating to religion, warfare, or just general politics, London Has Fallen takes place in a world that is almost a tad too real to the one we currently live in and it’s why this movie can be a tad hard to get through, what with all of the innocents being mindlessly killed, even if it wants us to all have fun and, most importantly, enjoy ourselves.

After all, this is what going to the movies is all about and that’s why, London Has Fallen, can occasionally be a stirring, if exciting action-thriller.

"Man, why won't anyone let me be President?"

“Man, why won’t anyone let me be President?”

Director Babak Najafi knows that his strong suit isn’t really the drama, or the characters, or the humor of the script, but instead, the action. That’s why, when the going gets going and the action starts up, London Has Fallen can be a pretty fun movie. Its characters may be rote, its one-liners may be cheesy, and its politics may certainly be troubling, but when it pushes all that aside and decides to just let the guns, knives, explosions, and muscles speak for themselves, it’s difficult to be bored. The first movie, in my mind, is still better, but there’s a certain appeal of watching a half-hour action-thriller that does what it needs to do and is over before you know it.

This is what really works in London Has Fallen‘s advantage. Though it features a heavy onslaught of solid actors like Aaron Eckhart, Morgan Freeman, Robert Forster, Jackie Earle Haley, Angela Bassett, Melissa Leo, and, uhh, sure, Gerard Butler, none of them are really doing anything worthy of their talents. Is it a tad disappointing to watch Oscar-nominees and, in some cases, winners, to sit around a desk, in a 4×4 room, look at a screen and talk about what’s going on with the plot, while occasionally trading witty barbs? Yes, but at the same time, London Has Fallen doesn’t focus too much on this aspect to remind us of this fact.

Instead, it just wants to give us plenty of action, excitement, and politics that are as dated as you can possibly get without humming Hulk Hogan’s theme song. This may tick some people off, but for me, I’m fine with it. Just don’t expect me to remember what everybody said or what the point of it all was, because really, I won’t remember.

I’ll just be fine with having seen an alright piece of action-thriller.

Consensus: Over-the-top, incredibly serious, and corny, Lond040on Has Fallen is exactly what you’d expect, given its predecessor, but it’s still fun and exciting enough that it almost doesn’t matter just how troublesome its politics are.

5 / 10

"Hey, agent - just keep giving me these movies. I'm fine with playing the same person, again and again."

“Hey, agent – just keep giving me these movies. I’m fine with playing the same person, again and again.”

Photos Courtesy of: Indiewire


How to Train Your Dragon 2 (2014)

These dragons are cool and all, but they ain’t got nothing on Spyro.

Five years after the events of the first movie, in which both dragons and townspeople of Berk decided to live together in perfect peace and harmony, Hiccup (Jay Baruchel) is now feeling a whole lot of pressure coming from his daddy-o (Gerard Butler) about stepping up and taking the throne. However, Hiccup isn’t functioned like that; he’d much rather continue to live the way he’s been living where he, his girlfriend (America Ferrara) and his lovely dragon/best friend in the whole wide world Toothless, can just roam around and have a great time. Problem is though, they realize that their freedom and happiness may be challenged when an evil man by the name of Drago Bludvist (Djimon Hounsou) starts sniffing around for dragons and finding whichever ones he can get, only to turn them evil and allow him to take over the world, once and for all. It’s a mission that both Hiccup and his father don’t want him to complete, however, they get distracted once Hiccup’s mother (Cate Blanchett) suddenly re-appears out of nowhere and brings promise of the family-unit coming together after all of this time. But will it be as perfect as they want it to be with an evil, raging maniac like Drago Bludvist hanging around and turning dragons against humans?

Though I wasn’t expecting much from it, the first How to Train Your Dragon really worked for me – it was everything that a Pixar movie (at the time, mind you) was, except a lot more beautiful in its sweeping ways. And thankfully too, the visuals haven’t changed a single bit; even if they have, they’ve only improved in the way every frame we get here, is all thought-out and feels tailor-made for something like 3D. Which yes, means a lot considering that so many movies that come out nowadays just post-convert their 3D for a higher price, which would result in more money back. Doesn’t always work (in terms of movies making their money back), but what it does do is make the movie look cheap, lazy and slapped-together like a peanut butter and jelly sandwich you’d put together before heading off to work in a hurry.

Wow! Watch the PDA! This is a family-feature for Christsakes!

Wow! Watch the PDA! This is a family-feature for Christ’s sakes!

However, the visuals here are amazing and if you have the budget to do so, I recommend taking a trip to the 3D theater lobby.

But as much as it may impress with its attention to visuals, HTTYD 2 (I guess that’s what I’ll call it from now on) has a story that really reaches beyond most movie’s sequels, where it’s presumed that everything that worked in the first movie, must happen again, but this time, louder, longer and more, more, more! That’s the name of the game with sequels, but here, you can really tell that the creators not only care about these characters and their personalities, but also the pre-historic world they’re placed into, where it’s almost like a fantasy-palace, yet, by the same token, isn’t.

Still though, that doesn’t matter because what the creators do here is create an adult story, somehow produced and marketed towards kids. That being said, this is the type of kids movie that may disturb some of them because of the very traumatic and unexpected stuff that happens here, but it’s also handled very well to where the kiddies won’t be traumatized for the rest of their days, pacing back and forth in some psych-ward. Somehow, it finds just the right balance somewhere in between where its easy enough for adults to feel comfortable with their kids watching and being of witness to, but may also have them covering their kiddies eyes.

Either way, it’s a judgement call, so do what you will, older person.

Anyway, like I was saying about the story, some of it is very dramatic and emotional, but it’s never done too much to where this seems like the most dark, depressing and bleak kids movie ever made. It has many ideas/themes about growing up, respecting your elders, being the best person that you can be, and a whole bunch of environmentally-sound messages thrown at us enough times to where we get the point, but never too much to where it seems like we’re being preached at. Like mostly everything else in this movie, it’s handled well and only keeps on leading you up to the moments in which you’ll be touched and maybe even tear-up a little.

Okay, who am I kidding?!? You’ll be tearing up a whole hell of a lot, but that’s just what happens when these kinds of animated movies are done right! They can affect any person who watches them – even if one of those people just so happen to be a twenty-year-old dude, who may, or may not be in touch with his inner-most soft side.

I’m not speaking about myself, either….

Once again, anyway, this movie’s pretty darn good. The only times where it starts to lose a step or two is by the end when I feel like it gets all wrapped up in its big, climactic war-battle that it doesn’t know how to tell the difference between “serious”, or “jokey”. This may sound like a weird complaint for a kids movie, but think about it: When you have any movie that features a battle scene in which many people/persons/things are being killed/destroyed, it’s hard to not think about those things while watching it. It doesn’t matter what the movie is, because it’s always hinted at us, and I feel like by the end of this movie, there’s a problem with separating that it’s a kids movie, that features many people being killed. We never see anybody getting killed in disgusting, graphic ways, but it’s sort of hinted at and it was hard to get past when it was happening on screen.

However, that could just be another case of my weirdness setting in and screwing everything up, so avoid that if you must.

Aw! It's going down!

Aw! It’s going down!

What’s also interesting about this movie is how the whole voice cast from the first movie returns for this one and how they’re all still pretty good. Jay Baruchel voices Hiccup very well in his slightly-neurotic way that isn’t over-bearing, but also doesn’t take you away from believing that he can stand-up for himself and those that he loves when he needs to. Also, I love that he’s a protagonist in a story that’s all about talking things out and reasoning, rather than just jumping right to conclusions and start killing anyway he sees fit.

As a result, that makes the villain, Drago Bludvist, seem dumb and almost as if he didn’t think everything out as perfectly as he should have. He’s reasoning for wanting to take over the world, rid it of all humans known to man, and capture every dragon by turning them bad, seems like something any villain would want to do, but when he’s given the chance to explain himself, there doesn’t seem to be much of a reason or inspiration at all. I’m all for a baddie, being a baddie, for the sake of just being a baddie, but when a movie like this comes around and shows us that there’s more to a simple tale of humans and dragons being friends, then I expect more in return.

Because it’s very rare that you get an animated movie that knocks the socks right off of anybody that isn’t a kid. So yeah, go us older people!

Consensus: The ground that How to Train Your Dragon 2 covers may be a lot darker and heavier for kids, but nonetheless, they’ll be treated to a story that sweeps along with beautiful visuals, a lively voice-cast, and a touching heart at the center that will get anybody tearing-up. Looking at you, adults.

8 / 10 = Matinee!!

Sort of like how my pet looks at me. Except my "pet" isn't a dragon, it's this little d-bag.

Sort of like how my pet looks at me. Except my “pet” isn’t a dragon, it’s this little d-bag.

Photo’s Credit to: IMDBAceShowbiz

Olympus Has Fallen (2013)

Look out, Barack. Shit’s about to get real for you this year.

A bunch of North Koreans, intent on having the U.S. pull out of their territory so they can continue their civil war on the South, take over The White House and hold President Asher (Aaron Eckhart) hostage until he gives in to their demands. However, they don’t realize that ex-Secret Service Agent Mike Banning (Gerard Butler) is in the building, and not taking it easy on any of them when it comes to saving his friend, his president, and his country.

Yes, it seems abundantly-clear to me now that Hollywood has finally started to run out of smart, original movie ideas, so now, they just copy one another in hopes of seeming different. See, this is the first movie where terrorists attack the White House we’ll be getting this year, but it sure as hell won’t be the last when White House Down, marches into theaters some time around the Summer. However, regardless of where Hollywood stands in the originality-department, and whether or not they can make smart movies about the leader of our country, is totally meaningless. What does have meaning, is whether or not this movie is as fun as it promises, and that’s all that matters. Oh, and yes: it is as fun as it promises to be.

Judging by reading that premise up-above, you can already tell that is mostly just a Die Hard carbon-copy, but placed inside of The White House. Most of you will probably say it’s stupid, unoriginal, and not worth the watch, but after the recent Die Hard debacle we were just hit with recently (I refuse to call it by it’s title), I think it’s safe to say that anything resembling the original is a-okay with me or any of us for that matter. The idea of a bunch of terrorists taking over one of the most-secured landmarks in our country, does seem a bit ridiculous, especially when you see how these terrorists pull it off, but this movie isn’t made to be thought-about or construed as a believable flick that could give potential-ideas, to potential-terrorists out there. It’s stupid, for the sake of being enjoyed and that’s what mattered to me.

"It's a hard job, son. Don't fuck it up."

“It’s a hard job, son. Don’t fuck it up.”

However, the first 20 minutes did make me think otherwise. Not only does the movie start-off poorly, but it made me feel like I really got myself into some bad-business, when they decided to kill off Ashley Judd, within the first 5 minutes. I don’t love, nor do I hate Ashley Judd as an actress, but this unextended cameo just felt like a needless pry to slap another big name on the poster, and get somebody famous in there for a short-span of 5 minutes, to only provide a reason for the story to exist and die. Seemed stupid to me, but hey, I guess every stupid movie needs a reason to exist, right?

Well, it only got worse after that, because then Antoine Fuqua decided to show us how much he loves showing things blowing-up, but the problem is: it looks absolutely terrible. I’m not kidding; IT’S BAD. The special-effects (if that’s what you want to call them), seem like they came right out of a computer game, but not a recent, jacked-up one that almost seems like real-life, pasted into a tiny cartridge of fun and excitement. No, it seems like the type of graphics that were used for the first World of Warcraft, where only 20-30 year olds who lived in their mom’s basements and ate Doritos off of their chests, spent hours and hours of their lives playing and gaining no confidence whatsoever when it came to talking to women. The sequence where Fuqua gets over-zealous and shows us the terrorists attacking and destroying The White House and all of nearby Washington, is so cheap-looking and made me feel like Fuqua didn’t have much of a budget to begin with, and it was only going to get worse from here. Thankfully, I was wrong, but not by much.

After these initial-problems, the movie gets better, as it decides to not go for the big, bad, and the ugly, but stay grounded and have all of the shizz go down inside the actual White House. Once again, probably took place inside The White House so much for the sake of the budget, but it wasn’t so terrible to sit-through, considering Fuqua seemed to have a lot of fun with this aspect. The action, as goofy as it may be sometimes, is fun, exciting, and gets you really involved, right away. It’s the classic, action movie where guns, fist-fights, machines, and explosives all come together, to create this beautiful blend of dude’s yelling, girls closing their eyes, and everybody in the theater clapping and screaming, “Hell yeah!!”. In fact, I would be lying if I didn’t say I wasn’t at least one of them. It actually got to the point of where I found myself involved with one of the fights and felt the pain that was happening in front of me. Sounds a bit dramatic coming from me, but that just goes to show you what I can feel when an action movie does it’s action right, and doesn’t cheap-out on giving me the goods. That’s all I needed, and that’s what I got. Thank you Antoine Fuqua, for at least 75% of your movie. The other 25% can kiss my ass.

Somebody photo-shopped the banana peels out.

Somebody photo-shopped the banana peels out.

However, I cannot go on and on about this movie, without mentioning it’s best-factor of all: the leading man. Yes, after years and years of rotting his career away in rom-com-after-rom-com, finally, Gerard Butler has returned to being an action hero that we not only love and can get behind, but can kick as much ass as we expect and want him to. Butler is awesome in this role as Mike Banning, and even though the character is your quintessential good guy that does everything right, has a solution to every problem, and always has a witty-quip or two to say, Butler still owns it and makes this character watchable in the best-sense of the word. Not only does Butler seem like he’s capable of doing roles like thee, but he also seems like he’s having a great-deal of fun being able to knife the fuck out of terrorists, and telling them all to kiss his rear-end, and not just to the enemy, but to the people on his own side. Yep, Butler is THAT good as Banning, and even if he isn’t and I’m just over-hyping this thing up like crazy (which I might just be); it’s still great to see Butler back in his prime-form. Let’s just hope it stays that way and we never, ever get another Playing for Keeps. Please, Gerard. I’m begging you! Stay away!

The problem with Butler being so awesome, is that the rest of the cast sort of pales in-comparison to him, but that’s not such a bad thing when you have an ensemble such as this. Aaron Eckhart is a bit weak as President Asher, who instead of standing up for himself and showing that he’s more than capable of taking matters into his own hand, is just meant to sit there, yell a lot, and say how much he does not negotiate with terrorists, even though that’s exactly what he does. Barack would be SMHing right now. However, that’s where Morgan Freeman comes into play the speaking-president (for the 2nd time, mind you), and does an alright-job, even if it seems like a bit of a waste for the guy to just sit around a room, with equal heavy-hitters like Robert Forster and Angela Bassett, and react to everything Banning says, does, or follows through on. Hey, I would rather have them in this movie, then not at all, but at least give them more to do than just reaction-shots that they could pull off just by looking into the mirror.

On the opposite end of things, Rick Yune isn’t just taking a little nibble with the scenery, but is constantly gnawing and teething at it with all of his might and will-power. Yes, it does get a bit over-board at times, but it was actually fun and nice to see a villain that seems smarter than everybody else around him, and one that’s more-than capable of getting away with a blood on his hands. Dylan McDermott plays the American who’s on his side, and does what he can, but once again, seems like a bit of a waste for a guy who’s so, so, so much better at playing dick-heads in movies that it’s not even funny. I mean, it’s funny to watch him in this, but it’s not funny when he can play it well. Everybody else is here for window dressing, and that’s about it. They are all fine, but nothing too special to write home about.

Consensus: Even if it isn’t the best, or the last “White House in danger” movies that we’ll be getting this year, Olympus Has Fallen still excels in being a fun, wild, exciting, and brainless exercise that gets us involved, gets us enjoying ourselves, and gives us back the Gerard Butler that we all knew and used to love. Please stay with us, Gerard. And never, ever leave our sides.

6.5 / 10 = Rental!!

Actual footage.

Actual footage.

Movie 43 (2013)

Not all celebrities are prudes. Only the ones with Oscars are.

The central story is about how a deranged writer (Dennis Quaid) forces a studio executive (Greg Kinnear) to make his movie. But before any moves actually take place on it, we get to see what the actual-product is as the writer reads it out to us and the executive. Basically, it’s just one dude’s shitty idea, all for us to see and cringe at. Yay!

Sketch-comedies never seem to work, that is, unless you just so happen to be drunk, horny, wild, and ready for a good-time. However, I don’t think it will matter if you’re any of those things: you may never, ever enjoy this movie. Okay, maybe if you’re 12-years-old, and love to hear the word “balls” in almost every sentence  then yes, you might just have a freakin’ ball with this thing. But if you are above that age-limit in anyway, shape, or form, this is going to be one cringe-inducing trip for you. Whether you like it or not. I’m going to guess your most likely to side with the latter.

Any movie can tell a ball, poop, or fart joke like it’s nobody’s business, but it’s all how you do it and literally; this film just cannot do it in the right way where you laugh, chuckle, or even get that they just made the joke. Almost every single skit in this movie has at least one use of the word “ball” or “shit” and it gets annoying, probably around the time the first skit kicks-in and you realize that you’re going to be tormented to the core of your stomach, with non-stop raunch jokes that do nothing. Apparently, everybody who ever worked on this movie, all thought that the idea of somebody having a certain bodily-fluid sprayed all-over-their-face was downright, hilarious and it’s a huge-shocker that it never dawned on any of these people that maybe, just maybe, the type of material that they are working with, just isn’t funny enough to suit a 6-to-7-minute sketch, let alone a whole movie full of ’em.

"Today's lesson is, "How to NOT choose shitty movies like this".

“Today’s lesson is, “How to NOT choose shitty movies like this”.

And also, the idea of having a movie so chock-full of sketches where big-named stars just demean themselves to the lowest, common denominator, almost seems so old-school, it’s not even worth it paying the money to go out and seeing. I mean, you can probably go onto Funny or Die, College Humor, Cracked, or even YouTube for that matter, find big-celebrities, doing some crazy shite for laughs, and actually having there be; ACTUAL LAUGHS. Here, in this movie where it’s just one, long presentation of a bunch, you get probably one-or-two laughs and that is literally all because the jokes that they use in the film that are actually funny, were already used 100-times before in all of the trailers/commercials we have either seen or heard, 100 times before. Going out to see this movie is already a crime, but actually going out to pay for it, is like a freakin’ cardinal sin. Especially when you know that more-quality humor is laying right there for you, at your fingertips.

Even if the delivery is god-awful, at least some of the placement is okay. For instance, some skits actually seem to have some promise like the one where Robin (Justin Long) actually stands up for himself and gets involved with a Superhero speed-dating event, where other, actual superheroes show-up to mingle and hopefully, get laid. This idea seems like it’s planned to be a butt-load of fun, especially if that idea came from Joss Whedon, but sadly, it comes from the makers of this shit-pile and before you could say the word, “kryptonite”, the sketch has already lost itself in saying the word “bush” or “shit”, one way too many times. I mean, when you got Wonder Woman and Batman talking to each other about how they fucked and it never amounted to anything but Batman running-away and never calling again, you would expect non-stop hilarity, right? But nope, instead it’s all about having Robin still be played-out as the softer, gayer-one of the two and if you didn’t think that joke was over-played by now, trust me, just wait for the rest of the movie.

However, without the promise of an interesting-idea, most skits just fall from grace, right from the very start. The skit where Johnny Knoxville and Seann William Scott both find and capture a leprechaun (played by Gerard Butler, in CGI-form), in hopes to get some gold, starts off pretty bad. Apparently the director, Brett Ratner (in case you haven’t been surprised yet), thought that the idea of having a leprechaun spew-out a bunch of dirty words was funny enough to last a whole sketch, especially one where it seemed like it’s main actors would actually sparkle in. Sadly, they just don’t do anything for the sketch, or the movie itself and the way it all ends is so dark and savage-like, that it really left me with a bad-taste in my mouth, which is very shocking since the rest of the film just couldn’t. I want to spoil the ending of that sketch for you so you understand what I’m blabbering all about, but sadly, I am a critic and I have morals, people. But still, don’t see this movie because I won’t spoil it for you.

"No, I'M in this movie?!?!"

“No, I’M in this movie?!?!”

The idea of having all of these different stars being packed into one movie where all they do is completely raunchy and dirty shit (sometimes literally), may make them seem cool and on-the-edge, but in reality: it’s just a poor-decision. I guess it’s really strange to see heavyweights like Kate Winslet and Hugh Jackman in a skit about a dude with balls on his neck, or a skit with Liev Schreiber and Naomi Watts playing parents of a home-schooled kid that give him the full, high-school experience with sex, drugs, abuse and all, but it’s even stranger to see peeps like them actually stoop themselves so low as to actually make this material work. I don’t know if they knew this right from the initial script-read, but this is terrible-material they are working with here so instead of giving it their all and actually going to town with whatever energy or sense of purpose they can muster-up to make this work, they seem almost as if they forcing it out, almost like a kidney stone (and yes, it is THAT painful to watch). Nobody here really out-shines the other and probably the only person that really made me laugh and surprised the hell out of me from this whole cast was Will Sasso, who shows-up, does his thing, reminds us that he is still alive, and actually made me laugh. I was terribly and utterly surprised, but he was the real spectacle to see for me. Everybody else can suck my nut because I hated this shit, and I hated watching them try to act in it!

Consensus: Do not, I repeat, DO NOT let the star-studded cast fool you, Movie 43 is one hell of a bombshell that begins on a lame-note and ends on an even-worse one that makes you feel like you’ve just been hit over-the-head with somebody’s foreign parts, and not in the fun, or pleasureful way, either. It’s the type of way that disturbs you and scars you for life. That is, until you see an equally as bad movie and that’s, going to be very hard to come by for some time I think.

1 / 10 = Crapola!!

Poor Gerard Butler. This is probably his worst movie to-date.

Poor Gerard Butler. This is probably his worst movie to-date.

RocknRolla (2008)

American gangsters are so boring.

This is a flick about a Russian mobster (Karel Roden) who orchestrates a crooked land deal, millions of dollars are up for grabs, and all of London’s criminal underworld wants in on the action. Everyone from a dangerous crime lord (Tom Wilkinson) to a sexy accountant (Thandie Newton), a corrupt politician (Jimi Mistry) and down-on-their-luck petty thieves (Gerard Butler, Tom Hardy, and Idris Elba) conspire, collude and collide with one another in an effort to get rich quick.

After giving us two turkeys in-a-row like the ultra sappy, soap-fest that was known as Swept Away and the oddly slow and philosophical brain-take that was Revolver, Guy Ritchie was finally back to his old-ways in showing us gangsters that did bad things, said very funny things, and also, found themselves in some crazy situations that somehow connect to other gangsters that only live a couple of blocks down the street from them. Say what you will about it being conventional and nothing new for Ritchie to explore, but just be happy that he wasn’t doing another movie with his honey-at-the-moment, Madonna and making us watch as Jason Statham screamed his arse off for over an hour and some odd minutes. Yeah, be happy you damn people.

"What do you mean my next movie is some rom-com with that chick from Grey's Anatomy?!?!?"

“What do you mean my next movie is some rom-com with that chick from Grey’s Anatomy?!?!?”

Going back to his old roots may piss some people off because it’s nothing and nothing original we haven’t already seen from the dude, but Ritchie isn’t worried about that and instead, allows us to have a great time as much as he must have been making this movie. There’s a lot of goofy-stuff here with comedy coming-out in places you would have never expected and even some violent spots that just so happen to make us laugh but no matter what, Ritchie always adds in his style of wit that makes this flick seem all the more jokey, no matter how much it may try and be serious. You really can’t take a Ritchie flick seriously and even when this movie actually does try to do so, you don’t really buy into it and just realize that it’s better if you don’t pay attention to any of those aspects at all and pay attention to the finer things in life, as well as this movie.

The finer things in this movie is definitely the plot and just where the hell it goes, where it stops, where it changes, and so-on-and-so-forth. This is typical Ritchie: setting-up a plot for us, giving us all of the characters we need to know, let us know what they do, what the stakes are, and just let it all roll-out as if it was just one, huge Domino game. You start to see how a certain group of characters are effected by another group of characters and it almost never stops, especially with all of the damn twists and turns that Ritchie seems to take, yet, they never get old. Ritchie always knows when to say “enough” and rather than just continue to pile-up on the plot twists and have things get spiced-up a bit more, as well as more convoluted  he lets everything settle-in and have it become familiar to us, and then throw in another twist or turn, here and there just for good measure. Seriously, as much fun as it may be for us to actually watch this flick, it seems like it wasn’t even more fun for Guy to make it and that’s something that we all felt like we missed for the longest time. Glad to have you back, Guy. Now stay the hell away from that talent-sucker we all know as Madonna!

I think the biggest misstep for Ritchie here, as a writer and director, is that he never really pays all that much attention to every character the way they should have been payed attention to. For instance, in all of his other flicks, each and every single character was given a great-amount of screen-time that just so happened to fly-in whenever another character would show-up and become apart of their story-line, as well. However, here, in this flick, certain characters get the most attention, for the longest time, and then they stay there, only to ruin other story-lines of other characters. It isn’t that bad right from the start, mainly because all of the stories are fun and interesting to-watch, but once the film starts to focus on a bunch of other characters that haven’t been seen in awhile, you start to realize you don’t care all that much about them and it continues this way, until every story-line, in typical, Ritchie-fashion, finds themselves convulsing into a weird, but exciting finale.

It’s a trip that’s fun to take and ride-on, but it’s a bit messy and when it’s all said and done, you’re not really sure how it worked or even if it did. Heck, it’s almost like Ritchie was able to distract us all with his non-stop camera and writing tricks that he always has up his sleeve, and almost makes us forget that underneath the surface, is a very sloppily-made flick that forgets about certain-aspects that work, but remembers clearly the ones that don’t. I don’t know, maybe I was the only nut who was thinking that while watching this but either way, it definitely seemed a bit-off to me but also showed me that Ritchie is always the man to be trusted in terms of making a fun, entertaining flick, no matter how derivative it may be.

However, the familiarity of the style and story didn’t bother me all that much, especially when you take into account the quality-cast that he’s working with here. Gerard Butler is pretty solid as One Two, a tough-as-nails crook that always has a flair for wit, but also allows himself to be on the butt-end of a joke in terms of how he’s viewed-at as a tough-guy, that can also be a tad sensitive. If only Butler continued to take good roles like this nowadays, then we wouldn’t have shite-boxes like Playing for Keeps or Chasing Mavericks. That’s only a small list, though. Playing his two partners-in-crime are Idris Elba and a very skinny Tom Hardy, and as good as they both are, they aren’t really given a whole bunch to do that really makes them stand-out among the rest like Butler, even if Hardy’s character is a bit on the flip-side of the bed, if you know what I mean.

Does she not know who she's walking away from!??!?

Does she not know who she’s walking away from!??!?

Out of the whole-cast, the one who really steals this whole movie from underneath his wing is Tom Wilkinson as the old school gangster that does things his own, vicious way. Wilkinson seems to be having a ball as the mean and cruel gangster that doesn’t seem to put-up with anybody’s shite, no matter how heated or reasonable it is. Wilkinson never really gets to play evil-like characters such as these, so to see him have an absolute ball with it, was an absolute ball just to watch it. Playing his partner-in-crime is a fun and terribly-quirky mobster played by Mark Strong, who is really good at playing these types of roles, and is even better with his cheeky narration that supplies most of the film’s humor throughout.

I think the one performance I was really bummed-out by was Thandie Newton as Stella, the accountant that sort of starts all this shite between these countless blokes. She starts off strong, smart, and sexy, and seems like a huge-departure for Ritchie to have in one of his flicks since all of his characters are mainly just a bunch of fellows that do shit the old school, gangster way, but after awhile, turns into the type of character you’d expect her to be and it’s a bit of a bummer because she really had a lot of promise going for her. It was sort of like she was just there to move the plot along and as much as Ritchie may have gotten his wish fulfilled on that aspect, it still feels like a bit of a shame, considering he was really brewing on something here.

Consensus: Though it treads familiar-territory for Ritchie, RocknRolla is still a crap-load of fun that’s filled with witty characters, surprising twists and turns that you rarely ever see coming, and an ensemble cast that always seems game to work.

6.5 / 10 = Rental!!

"Hold on! I swear we're the only ones who have nothing to do in this movie!"

“Hold on! I swear we’re the only ones who have nothing to do in this movie!”

Playing for Keeps (2012)

All the single, hot-to-trot mothers can never keep those hormones in-tact whenever that Scottish accent comes through. Oh, roar!

A former professional soccer player (Gerard Butler) with a weak past tries to redeem himself by coaching his son’s soccer team, only to find himself unable to resist when in scoring position with his players’ restless and gorgeous moms.

Alright, before all of you get your torches and brooms and come right to my door-step and try to burn the witch that has apparently taken over my movie-viewing control, let me just tell you that the decision to not only watch, but review this movie, was all mine. Yes, nobody other me, myself, and I chose to watch and review Playing for Keeps and because of that, I have come to terms with myself and just realized one thing: I am a fucking idiot. Yes, I am a lot happier now that I’ve realized that about myself. Thanks Gerard Butler!

"Hahaha but seriously! How many how more of these lame-ass rom-coms do I have to do?"

“Hahaha but seriously! How many how more of these lame-ass rom-coms do I have to do?”

I have no idea where to begin with this piece of shit other than to just focus on the director, Gabriele Muccino, and just what the hell was going-on throughout his mind during filming. This movie tries to be one-step above the rom-com genre by infusing the thrill and fun of the sport of soccer into it, but really, it’s just the same old shite we have all seen before. Dad tries to pick himself back-up from nothing, does a very good job at doing so for quite awhile, finds himself in a dilemma, finds himself back into nothing, and then, low and behold, he’s back on-top and everybody is happy, running around in fields of daisies and rainbows. Okay, maybe I just gave away the whole movie there and maybe, just maybe, that isn’t exactly what happens but seriously, if you get pissed about how the whole movie was just spoiled in one sentence and you had no idea what was going to happen, then you, my friend, should not even read my site anymore, let alone watch movies.

This movie, is as obvious, predictable, and conventional as they come, but it’s even worse because it’s so damn dull. There’s nothing new here, there’s nothing fun to really watch here, and worst of all, there’s just nothing to stick-around and watch. You watch these characters just do their thang, act like you’d expect them to, and to have absolutely no effect on you, your life, or your thoughts whatsoever. It’s almost like you’ve never seen this movie and coming from a guy who actually did waste his precious time and life seeing it: you’re probably better off that way. In case you couldn’t tell by now, this movie fucking blows and if you want to see more as to why that is, continue to read-on but if you get the point and want to just get on with your life, then leave this site and come back tomorrow when I have another review of another movie coming up. Trust me, I won’t be offended, I’ll actually commend you for doing-so.

Ever since the new millennium hit, they had absolutely nothing to clap about. So, why the hell are they?!?

Ever since the new millennium hit, they had absolutely nothing to clap about. So, why the hell are they?!?

The biggest question-mark going-on in my mind throughout this whole flick was: who’s wife did Gerard Butler fuck? Honestly, Butler must have done something terribly inhumane to some higher-up in Hollywood, because it seems like they just place him in these movies, regardless of what it is, tell him what to do, tell him to use no emotion whatsoever, and just act like you don’t really care if you’re there or not, just accept the check and be done with it. I don’t know if he cut a deal with somebody where he has to do shitty-movie-after-shitty-movie to lose the price on his head, but whatever it may be, the guy’s got it bad and what’s even worse, is that he does nothing to help this movie out in the least bit.

Butler is as dull and boring as they come and the whole time I wondered just what the hell made him so much more different from any other male-lead in these rom-coms that come-out once a week? Is it the facial hair? Is it the sexy build that has somehow decreased year-after-year since 300? Or simply, is it the Scottish accent that seems to get every gal’s panties to fly-off into the mist? I think it’s the latter and that’s a shame too, because after seeing a movie like Coriolanus and realizing that this guy kicks total ass when he gets the chance to do so, just makes this movie, his role, and his performance all the more terrible and disappointing to watch. Come on, Hollywood! Give Gerard Butler another chance! I’m sure the guy is sorry for whatever the hell he did.

What’s even worse about this flick is the rest of the impressive cast that this movie has going for it, and how equally dull they all are. Jessica Biel plays Butler’s ex gal-pal that he has a kiddie with and as hot and sexy as she is here, she is also nothing more than just a piece of cardboard here with some dialogue she has to spring-out of her. Biel, just give up on acting and do porn or something and make yourself useful. Make us all happier and stop trying to take your career seriously because honestly, nobody does. Not even, dare I say it, Justin does.

"Remember me! I was in the Descendants last year! Please hire me again!"

“Remember me! I was in the Descendants last year! Please hire me again!”

As by-the-numbers Biel is, it isn’t much of a surprise since the girl blows in just about everything but actresses like Catherine Zeta-Jones, Judy Greer, and Uma Thurman!!?!?!? Aww, hell no! In the past decade, these girls have all given some of their best performances in their whole-careers and it’s such a damn shame to see them do a pile of shite like this, try their hardest, but in the end, just come-off as a bunch of obvious, walking cliches of a bunch of women that couldn’t keep their clothes on whenever some sexy, built Scottish man came strolling through their neck of the woods. It makes me very, very sad to see them all do this type of crap and what’s even worse, is that Dennis Quaid is here as well, and I don’t think I need to say anything more about that. Okay, I’m going to go and cry now.

Consensus: Playing for Keeps may have one redeeming factor to it: it’s fun to watch and make fun of if you’re reviewer like yours truly. However, if you aren’t, then you’ll probably find yourself cringing, upset, pissed-off, confused, and just plain and simply, bored with everything that occurs on-screen and wonder just when exactly you can begin to move on with your life and act as if you have never, ever seen this piece of shit. I already have, and I’m about to finish my last sentence of this review, right….about…! Yes!


In case you wanted to actually know, those are their REAL heads, attached to their REAL necks. Convinced yet?

In case you wanted to actually know, those are their REAL heads, attached to their REAL necks. Convinced yet?

Coriolanus (2011)

Damn, Shakespeare is pretty hardcore if you think about it.

The original story revolves around the destiny of Gaius Marcius Coriolanus (Ralph Fiennes), a contemptuous Roman general who attempts to run for the Senate but fails. When his ensuing rage leads him to be banished from Rome, he must team up with his lifelong enemy, Tullus Aufidius (Gerard Butler), to seek revenge and attack the city with his army.

Now, I will admit it, I am not the biggest fan when it comes to Billy Shakespeare. In school, whenever I had to read one of his plays, I put all my heart and soul into it, trying to understand what the hell he was saying, why it was being said, and wondering why everybody didn’t just say shit like, “Hello, how are you doing?”, instead of, “Howeth now areth browneth?”. Obviously that is not something they say in any of Shakespeare’s plays, but you get my drift. Basically, it’s freakin’ confusing sometimes to fully read and understand what Shakespeare plays are all about and 9 times out of 10, I would always find myself Spark Noting the shit out of his stuff. Sorry Billy, you’re an inspiration to writers all over the planet, but I don’t know what half of this shit means.

He's got the only chair in existence, apparently.

He’s got the only chair in existence, apparently.

So, that’s essentially why I was not looking forward to this flick because not only is this all based on one of Shakespeare’s last political plays, but everybody on-screen also speaks in the Old English dialect as well. After seeing Romeo & Juliet and practically despising it, I was ready to just turn it off and see what new episodes of Parks & Rec that they had on Netflix, but I decided to stay with it and you know what? Thank god for that, because this is exactly what I needed to understand and appreciate Shakespeare more, in a world where it almost seems like he’s treated as old-news, as evidenced by the homework that I used to do on him.

The reason why everything makes so much more sense here in a powerful way, is because we get to see anything and everything that Shakespeare is talking about. The script is basically line-for-line from Shakespeare, even though it’s oddly-adapted from John Logan, and because of that, we get to visualize everything that’s happening in this play, which allows Ralph Fiennes to run rampant as director and make every setting and every action, fit perfectly in with all of the dialogue. What really surprised me was the world that Fiennes created for this play, and how the grittiness and dirtiness of this setting, sort of fit in well with what Shakespeare was trying to say all those hundred years ago, and also, what’s sort of going on in our world nowadays.

In a world where uprisings in Egypt seem to happen all the time, a world where more people in America are beginning to join the Occupy movement, and a world where nobody seems to be happy with the job they have and fight back against the government, it’s surprising how universal and timeless this play comes off as despite being written in 1605. Civil unrest has, and probably always will be around no matter the country/region, and that’s what Coriolanus shows off perfectly. The world we live in may have a couple of changes here and there, but there will always be evil, there will always be revolts, and there will always be problems between the people and the government and the way that Fiennes lets all of this play-out in an understandable way, without ever getting rid of the original text is something very powerful in terms of previous Shakespeare film-adaptations.

"Bad Coriolanus, bad!"

“Bad Coriolanus, bad!”

Fiennes does a great job in allowing this story to tell itself off through amazing scenes where it’s just dialogue and nothing else. The misleading trailer pretty much screwed everybody over by promising a crazy-amount of action and blood in the same vein as The Hurt Locker, but that couldn’t be any further from the truth. There is, however, about 15 minutes worth of action but the rest of hour and 45 minutes, is just people straight-up chatting/yelling/talking/spitting about at one another, and as boring as that may sound, it’s not because it captures your eyes and engages you right from the start. That’s the great element that Fiennes brings to this source material and even had me clinching my pillow at numerous times by how tense it got with certain scenes. Seriously, this film is no joke in terms of Shakespeare and capturing the heart and soul of it, and that’s something we have to applaud Fiennes for, as a director that is.

As an actor, though, Fiennes deserves more applause because the guy is absolutely compelling from start-to-finish in this role and it’s almost un-like anything we have ever seen him do before. Fiennes’ career has been mostly all about him playing these normal-guy roles, but somehow branching out of them every once and awhile and giving us some crazy, shithead role like the one he had in In Bruges. That same role, is pretty much the same exact thing we get here but it’s a lot scarier because of how the character of Coriolanus just stands over everybody else in the film. When Corionalus first shows up, the guy silences a crowd of angry rioters, but not just by yelling and threatening them, he simply comes out, uses a small-voice, and tells them that they are useless in the world that he lives in, and he steps on them and their demands. Something that’s said like that, should totally assure you two things: 1.) this guy is a total dick, and 2.) holy shit, I should be scared of him.

That’s the initial feeling you first get when you see him, but it starts to change-up a bit as you start to see more and more layers peel off from Coriolanus and we realize that he’s just another flawed character in life, just like your and I. He kicks ass in war and we applaud him for that, but we know for damn sure that he can’t run a country; he’s all about pride and love for his country, but sure as hell doesn’t love the people that inhabit it; and he’s a guy who’s all about vengeance and seeking revenge on the country that banished him, but yet, would still kill his family if they got in the way. Coriolanus is not a very cut-and-dry character that could be determined as a good guy, or bad guy, actually nobody in this film could even be considered one, but having him at the fore-front of it all makes for one compelling piece of a character-study, and shows us exactly why Fiennes is the scariest freakin’ man on Earth, whenever he’s yelling and screaming at the top of his lungs. Doesn’t matter what he’s screaming about or how he’s screaming, it’s just that the fact that he is screaming, is what gets us.

Who says you can't be dangerous, but also look drop-dead sexy while doing so?

Who says you can’t be dangerous, but also look drop-dead sexy while doing so?

However, Coriolanus isn’t the most vicious S.O.B. in the film, despite what I may have you think. No, the one who really runs shit in this whole show is actually his mother Volumnia, played by the great Vanessa Redgrave, who absolutely steals every scene she is in. Redgrave is one of those actresses that I hear about all of the time, but never have really been given the chance to go out and see what she does best but I think may have to change that now because she is powerful as hell here. Every time this old gal steps into a scene, you automatically think it’s going to be another one of those goofy, old ladies that acts crazy because that’s all she can do, but in reality, with this character, you feel scared because you know she’s got something to talk about and she is not going to go away unheard from it, either. It’s a surprise that Redgrave didn’t get a nomination for Best Supporting Actress here, considering she took over the hard-job of scaring everybody’s pants off, despite being 75-years old. Damn can that woman act!

Another performance I was very surprised by was Brian Cox as Coriolanus’ chief advisor, Menenius, but not just because the guy is good (which he always is), but because the guy isn’t another villainous role for him to play. Say what you will about Cox and what he does as a villain, but the guy did need a new change of pace for him and I’m glad he got it here and took total advantage of it all. The other performance that really took me by surprise was Gerard Butler as Coriolanus’ arch-enemy, Tullus Aufilius. For the longest time, Butler has been showing up in shitty rom-com after shitty rom-com, and it left me wondering when the next time was going to be when we were actually going to see this guy be back to Leonidas-style bad-assery. Thankfully, Fiennes was thinking the same thing and decided to give him a very juicy role that not only shows this guy’s physical-intimidation he holds over people, but his way of speaking too. I can’t put my finger on it, but that Scottish accent just makes every single line of dialogue all the more compelling when it’s spoken out of Butler’s mouth and it’s great to see him get something like this. Sadly, it doesn’t seem like it’s going to last very long at all.

The lamest one out of the whole cast that really surprised me was actually Jessica Chastain as Coriolanus’ wife, because for some odd reason, she just doesn’t seem to fit very well at all with the way everybody is speaking. That’s not to say that Chastain isn’t good here, because she damn well is, it’s just that comes off as the weakest-link in terms of making the Old English sound natural, and not as if you are on-stage trying to over-exaggerate the feelings going on throughout your whole system. Still though, she’s good with what she does and that cannot be taken away from her, even though it sounds like I sort of am taking it away from her. Oh well, I’m a dick.

My other complaint with this film that took me away from giving it a full 9/10, is that every time they would focus on a television discussion, it came off as corny and really unrealistic. I get that everybody’s supposed to be talking in the Old English-way, but whenever the news hosts would come on and start speaking in that tongue, it just bothered me and made me feel like I was almost watching a spoof of a Shakespeare adaptation. Then again, it’s another minor quibble from me and there’s plenty more I could go into detail about, but I’m not because I actually enjoyed this one more than I expected. That’s for damn sure.

Consensus: Coriolanus may have some wandering off as soon as they hear the Old English dialogue still kept in-tact, but for those who stay, will be open to a powerful, compelling, and hard-hitting character-study unlike any other Shakespeare adaptation ever that shows you not only can Shakespeare’s themes still be relevant today, but they sort of go along with what’s happening in our world and with our society.


Some happy politicians right there. Just another day at the office for them.

Some happy politicians right there. Just another day at the office for them.

Chasing Mavericks (2012)

Bodhi is swimming in his grave right about now.

The movie centers on the real life relationship between the late surfing phenom Jay Moriarty (Jonny Weston) and his legendary mentor Frosty Hesson (Gerard Butler) as they embark on a quest to surf five-story tall waves known as “Mavericks”.

As far as surfing moves go, 1) there hasn’t been many, and 2), the best of them all is probably Point Break. Say what you will in the comments and talk about how Point Break isn’t really a surfing movie, as much as it is a crime-thriller with the surfing element but seriously, try and not associate surfing with that movie when you think of it. If you’re not sure about that statement, well then be sure about this statement: you sure as hell won’t associate THIS movie with surfing, I can promise ya that.

Coming from director Curtis Hanson (aka, the guy who directed most of it, only to be replaced with two weeks left of shooting due to health issues), you’d expect something very inspirational, full of energy, and able to hit you in the heart and make you weep like a little bitch. The reason I say this is because the guy’s given us many great flicks like L.A. Confidential, Wonder Boys, and the one I think this one compares to the most, 8 Mile. No matter what you may say about that last film I mentioned, it’s inspirational, has a good story, and had a nice lead character, something that this movie seemed like it could have been but just ended up dropping the ball on big-time.

It’s obvious that the promise of the tale of surfing legend Jay Moriarty was there, but it just never comes full-circle and seems like a long, dull drag until you’ve had enough with these damn kids, surfing, and the ocean. Maybe the fact that I’m not part of the surf culture is the reason that I don’t get what’s so special about this kid, but there was just nothing here to really grab me and have me involved one-bit with this story. The surfing scenes were sometimes cool to look-at, but that’s about it, and I was surprised that there was barely any type of energy thrown into this flick at all. The only times I really felt like this film was moving at a solid-pace was when they would throw some nice-ass 90’s tune in for easy-listening, and even they felt a little misplaced since half of the scenes consisted of guys paddling out into the sea. It’s a pretty boring experience that definitely does not give you the rush or energy that goes into surfing, or the surf culture itself. Seriously man, this movie needed Bodhi, and big-time, too.

Aside from the cheap surfing scenes, the story here is pretty uninvolving and just comes off like a normal, day-of-the-week TV special. The main story of Moriarty could be pretty inspirational and exciting, but they never show the kid as a human-being and make him out to be this sunny-eyed kid, with beautiful, blond hair, beautiful aspirations for life, and not a single problem going on for him. Hell, I think the only problem the kid had was a note from his father that he didn’t read for 5 years or so and if that was his only problem, jeesh, he should have considered himself one, lucky mother ‘effer. Now, I never knew the real Moriarty and I’ve never read anything on him, to know if he was a bad kid or not, but there had to be at least a little something wrong with him. Maybe he liked little boys? Maybe he robbed banks in his down-time? Maybe he had a secret fetish for feet? Who knows?!?!? All I do know is, that he definitely was not the latter-day saint this movie had portrayed him as and it just got to bother me after awhile.

The main part of the reason why I was so annoyed by this kid was mainly because of Jonny Weston‘s cardboard performance as him. I’ve never seen Weston before, and I’m pretty sure he’s going to have a bright-future ahead of him with a body and good-looks like that, but he cannot act for crap and this movie just proves that. The kid is painfully bland, rarely ever shows any type of emotions, and is not easy to connect with, just because he’s the same-old, underdog we have seen time, and time again. Except, this time, he has no problems in life and can still get by the fact that this big wave he wants to take, may be the last one he ever takes, ever. And when I mean “ever”, I mean that his life will be over. That’s why it will be his last one.

Even though this is Jay’s story, Gerard Butler somehow gets top-billing over him as the guy’s mentor, Frosty Hesson and is fine, but also dull, even though it’s not as painful to watch as it was for Weston. There’s something about Butler that makes it seem like he has a crap-load of charm to throw-out all over us from the screen, but never gets the chance to because he gets put in crap like this, The Ugly Truth, and that one coming-up, Playing for Keeps. Butler does what he can here with a role that’s thinly-written, but all of the subplots that come along with his character just weighs everything down (if that was even possible), and never really felt fully-developed for me, either. And seriously dude, drop the fuckin’ Scottish accent. You’re a gnarly, surfing-dude from Santa Cruz and you sound like William Wallace.

Perhaps the most interesting character of the whole cast was the gal who played his wifey, Abigail Spencer, who seems like she has a lot of problems with his love and dedication to surfing, and not his love and dedication to their kids. She’s got a nice role and does what she can with it, but once again, she never feels fully-developed and her story ends up getting little or no focus. And since we’re talking about a mommy that’s in this film, let me just get right down to talking about Elisabeth Shue and what the hell her career has been bringing her nowadays. Shue is a beautiful woman, who is still pushing a surprising 49-years of age, and definitely has great talent that could still get some Oscar-looks, but yet, she still finds herself as the beaten, battered, and dysfunctional, single-mommy in films like Mysterious Skin, House at the End of the Street, and Piranha 3-D. Seriously, there is so much more to this gal than Hollywood is giving her credit for and I think it’s time for her to go back and see what she can do as an older, more accomplished hooker now. Leaving Las Vegas 2 anyone?

Consensus: Though the surf culture will probably eat this movie up from start-to-finish (if they can remember it), Chasing Mavericks is still not a film that’s worth seeing by others because of it’s thinly-written characters, lack of energy, and nothing to really grab-on to and take ahold of you. It’s just there, and that’s pretty much it.


Law Abiding Citizen (2009)

Jails not that bad after all, you can still do all of the things you want to do even if that is just getting revenge. Sweet sweet revenge.

Inventive master-mind, Clyde Shelton (Gerard Butler), wreaks havoc on prosecutor Nick Rice (Jamie Foxx) after one of the men who killed his family goes free. Basically, Shelton is out to screw everybody else who went out and screwed him, and I promise you that this is not a porno.

The whole legal system, regardless of who or where you are, is very flawed. I mean just by taking a look at this flick I have to say I kind of agree a bit with Butler’s character a bit. You got DNA evidence, an eye-witness, and even a confession from the killer themselves and you can’t make that stick? The criminal justice system is one that people have learned to trust less and less as the year’s go by and to be brutally honest, it may start to bring more rebellion to this country in the future. However, this is the only type of smart thoughts that went through this film.

Having the “whole legal system is flawed” aspect would have been a nice template for this film to fall back on but somehow it just starts to get more problematic as it goes on. The film tries to balance out the idea of us not knowing what’s going to happen next, even though we pretty much do and gives us these very gory and bloody death sequences of Butler just ripping a guy into 25 pieces. I did not understand what this film was trying to convey by showing this and I think that it was just director F. Gary Gray‘s way of trying to be hip and cool with the 21st century crowd by giving them some cool scenes that they would see in ‘Saw’. Let’s also not forget to mention that none of them are particularly original or new in any way.

I like the whole idea of this one dude getting even with the people that screwed him over in the first place and for the first 30-40 minutes, this film had me pretty entertained considering that this was practically Butler killing people left-and-right from the comfort of his own cell. Although, this all started to change as I soon realized how totally illogical and unbelievable these killings really are so that I started to have a feeling as to just where this flick was going.

The one thing about this film that really pissed me off is that I feel like the film wanted to have its cake but also eat it too. I already mentioned how the film brings up good points about the flawed legal system we have in today’s world but the film also feels like it needs to exploit it’s violence by having these savage killings. It doesn’t work both ways so by the end of the film, when everything starts to come full-circle after all of the blood-shed has been drawn, the film tries to go back to the points it made before and I just felt it was terribly phony right away. This film tried to cheat me but instead just failed miserably at trying to give me murdering with reason, and that’s the main reason why this flick made me mad.

Probably my favorite part of this whole film was probably the fact that I remembered when it was first getting filmed, that it all took place in Philadelphia and even a jail that is about 1 minute away from me. It was definitely cool to see my state and mainly my mayor in a film that gives it a bad name. However, if anybody who is reading this watches football, I highly doubt that this film is the only thing that gives Philly a bad name.

Jamie Foxx is a guy who is usually always a charmer in everything he does, so when he has to play an asshole lawyer (if that’s not a tautology) he seems very lifeless. The whole performance here that Foxx gives just seems lazy and the same emotion on his face the whole time. It also didn’t help that this flick tried to get us behind his character’s back considering that he made an asshole decision in the first place knowing the consequences going in as well. He definitely had more life in his eyes when he was playing Ray Charles. Getttt itt!??!

Gerard Butler struts his stuff and there’s nothing really with that here, however, his character just seems a bit one-note the whole time. Yeah, he’s mad and angry but does he always have to be? Can’t the guy at least show a little remorse and sadness over the things that have happened to him and the things that he does to others? I guess when you’re speaking of King Leonidas, who the hell cares! The film is also held accountable for the only time I have ever seen a bad performance from Viola Davis who plays the governor. Shame on you F. Gary Gray.

Consensus: Law Abiding Citizen is slightly entertaining in some spots and features a somewhat smart critique on today’s legal system, but it gets more and more implausible, unoriginal, and sillier as the film goes on and all of that critiquing goes away as soon as Butler blows up a 3rd car.


300 (2007)

Had me totally convinced that I was born in the wrong century.

Retelling the ancient Battle of Thermopylae, it depicts the titanic clash in which King Leonidas (Gerard Butler) and 300 Spartans fought to the death against Xerxes (Rodrigo Santoro) and his massive Persian army.

300 is the definitive 21st century guy movie. If you tell me that you watched 300, and didn’t automatically get inspired to hit the gym, and possibly a couple of people on the way, well then I will call you a huge liar. Or Persian.

This is adapted from Frank Miller’s graphic novel, which is also based off some actual true history right here. The film itself is directed by Zack Snyder, the guy who’s behind The Watchmen, Dawn of the Dead, and the new Superman film coming up and I must say that having seen this guy’s films he really does know how to make a film, as crazy and hectic as it may be, look beautiful. The visuals are outstanding, and the constant flairs of all these different colors hitting the screen, put you in this world where bloodshed is everywhere and only the strong will survive. This provides some beautiful shots, with some even better cinematography that seemed so hard to pull off, but somehow they did.

The one thing that some people may not actually see about this film is that it is about 40 minutes long, if it were to play in real-time. But instead Zack “Slow-Mo” Snyder makes almost every single action hit, stab, cut, kill, etc. it slow-motion which didn’t bother me at first, until I realized that almost everything is like this, and bothered me because I just felt like it was lazy directing to create a cooler look to the action.

However, despite that, I must say that the action is freakin’ awesome! Since this is a guy’s film you got non-stop shouting, bleeding, beheading, delimbing, swords going all over the place, shields being destroyed, and most of all you have those male-bonding scenes that may seem like a GLAAD parade with all these half-naked dudes in sweat and dirt, but as soon as you see the first action sequence that’s all off your mind, and you just wanna see some more people get thrashed to shreds. If you look away at one scene because this is too graphic for you, you are not a real man, I should know too (site name).

The script is full-on machismo with these one-dimensional caricatures talking like WWE wrestler’s. Honestly though, who cannot forget “THISSSS ISSS SPARTAAAA” or “Give them nothing! But take from them everything!!!!”. The dialogue may seem all a bit laughable, but in the end, the action just holds you over for good, and you will find you and your bros quoting this long after.

Gerard Butler is the freakin’ man as Leonidas, and perfectly captures that look and spirit that we image the Spartan warriors to have been. It’s just a shame that all he does is shit now, but we can always look back at the days when he was actually good. Lena Headey is also good as well as beautiful as his beautiful wife Gorgo. I also liked seeing Dennis Rodman as Xerxes. Oh…that wasn’t him…..could have had me fooled. It was also nice to see other stars in this such as Michael Fassbender, Dominic West, and David Wenham.

Consensus: Not to be taken too seriously, 300 is a more of an orgy of violence and gore, rather than an actual history document, but will entertain the hell out of all dudes, as well as provide plenty and I do mean plenty of beautiful visuals.


Gamer (2009)

God, I wish I was playing a video game instead of watching this crap.

It’s 2034, and humans can control and kill each other in a large-scale online gaming world. But Kable (Gerard Butler), a wrongfully convicted soldier forced to join the violent competition, tries to free himself by taking out its evil architect, Ken (Michael C. Hall). While being controlled by a rich kid (Logan Lerman), Kable must also save his wife, Angie (Amber Valletta), who’s trapped in her own avatar world.

Looking at the plot and trailer from a far, I was thinking it looks really cheesy, but at the same-time, bat-shit crazy which is always good. However, it’s not good here.

The problem with this film is that it really is all over the place, with no sense of logic or control whatsoever. I get the satire and what the film is trying to say, by saying we’re to feel guilty for what the world has become in exploiting violence and death on TV, movies, and even in video games, but the problem is that the film focuses on this by showing us loads and loads of amounts of violence and death. The script also tried too hard to be witty or funny at points, and it just ended up being weird or dumb really.

Sometimes when you have crazy, slam-banging action thrillers, you don’t have to really rely on the story because the action is always there to keep you busy. However, this film doesn’t even do that so well, and that’s all blame on writing and directing team Mark Neveldine and Brian Taylor, known for the even crazier Crank films. The problem here is that all the violence just looks terrible, and the way they film this just makes it look low-budget, and a cheap indie film. The action is OK I guess, but that shaky cam gets way too annoying for points, and you don’t even feel like you’re watching a movie anymore, you almost feel like your on a LSD trip. Make sure you just take yourself some mushrooms before you go in.

Also, what the hell was up with all those titty shots? It was like almost every time this film cooled down, they just decided to show some big boobies. Usually, I don’t mind this, but this film literally over-does the whole “boob shot” thing for me, which I thought I’d never have to say….ever.

Gerard Butler is alright in this role as Kable. I have always had faith in this guy, and I do believe he will eventually get that role that will bring him back up, but as the main hero in this film, he is OK. Michael C. Hall does his very best to do a Southern accent as the villain, Ken Castle, and this really doesn’t work probably because they make him seem so cheesy, but this film probably made that on purpose. I still don’t know what Kyra Sedgwick was doing here, and why the hell she accepted this piece of crap! There are also others in this film that need new agents such as Logan Lerman, Amber Valletta, John Leguizamo, Ludacris, and a totally jacked-up Terry Crews. Also, Keith David shows up too! What the hell is wrong with these people!?!? It’s not the cast’s fault as to why these characters suck, it’s the damn film itself.

Consensus: By taking a glorious amount of psychedelics beforehand one could actually have an enjoyable time with this crazy, all-over-the-place action thriller, but if sober, you may find yourself totally bored, annoyed, and just not entertained one bit by this dumb piece of failed satire.


How To Train Your Dragon (2010)

Now instead of a dog and a cat that I have, I want a dragon.

As the son of a Viking leader on the cusp of manhood, shy Hiccup Horrendous Haddock III faces a rite of passage: He must kill a dragon to prove his warrior mettle. But after downing a feared dragon, he realizes that he no longer wants to destroy it. So, he befriends the beast — which he names Toothless much to the chagrin of his warrior father.

This film was probably one of the biggest surprises of last year. Jeez, now I can say last year, whenever I talk about 2010. Anywho, this film grossed about half a billion dollars at the box office, and was one of the best-reviewed films of the year. Never would have I expected that from an animated film starring Gerard Butler, and Jay Baruchel.

The screenplay is what took me by surprise with this film as it has a decent amount of good comedy, but the dramatic depth is what really takes you over. There is a montage in this film that is used with no dialogue, and it really does tug at your heart. Showing you that sometimes no words spoken at all, can sometimes be the most effective. The film has a message about being pro-animal and how we should treat all species with respect, but they don’t hammer us with that message, and it feels fresh.

However, it’s the visuals that take over this film. There are plenty of flying scenes that will strike you in awe, as you are taken on this beautiful, fun ride, and the visuals are just breath-taking. It looks pretty, but it also has the action to back it up, and keep you watching, and sit in amazement.

The only problem I had with this film was that it just wasn’t as memorable as I was expecting it to be. Yeah it’s got a good story, and awesome visuals, but will I be buying this for my kids 20 years from now, telling them about my experience with this movie as a kid? No, and it is very good, just compared to other DreamWorks animation films it’s not as good.

Jay Baruchel‘s nerdy, awkward-voiced way of delivery actually is works here, and his character is a your typical softy, but a lot of the timing from his delivery, brings out a likability within his character. Gerard Butler is actually in a film that doesn’t blow! He plays the viking father, with his native Scottish accent, and does a good job for once. Wish I got to see more of this, but something tells me I shouldn’t get my hopes up. America Ferrera doesn’t really have that many lines in this film, but her character is strong, and we think shes actually pretty cool. Others in this film are Craig Ferguson, Jonah Hill, Kristin Wiig, and McLovin.

Consensus: Although not as memorable as other animated films that have came out in the past couple of years, How To Train Your Dragon still impresses with its great story, that has effective emotional depth, and enchanting visuals, that keep you watching.


RocknRolla (2008)

Guy Ritchie doing what he does best.

Thandie Newton and Gerard Butler co-star in director Guy Ritchie’s crime thriller about crooks from London’s underworld who set out to nab millions of dollars left for the taking when a Russian mobster’s real estate scam falls apart. Tom Wilkinson plays a powerful crime boss, with Jeremy Piven and rapper Ludacris appearing as record producers who get strong-armed into looking for a drug-addicted rock star.

It’s good to see Guy Ritchie get back on the horse with this smoothly crafted tale of greed and deceit among thieves. Seeing the cast selection made me feel like Ritchie was a magical pizza-maker who somehow knew my favorite toppings without having to even take my order. Each ingredient combined for a perfect medley to my movie taste buds.

Now for me I loved Guy Ritchie’s previous gangster-comedy films, Lock Stock and Two Smoking Barrels and Snatch, are my two favorites of all-time. Now RocknRolla, is like those two but with a little less flair and charm that his last two have held up so well.

The film’s jokes aren’t as funny until you actually think about them and then you finally get them. This is a lot of different humor from Guy Ritchie, as the jokes are far more blatant and obvious, at some points. I never thought thought that Ritchie would go for the gay jokes, but in this film I guess he does, and there actually pretty funny.

The best thing about all of Ricthie’s stories is that no matter how confusing they can get, they seem to all come together by the end. At times watching RocknRolla, I was wondering if or even how this was all going to come all together. It does and I was really shocked and overall I thought it was a good turn out.

I just felt like this film could’ve been a lot more dynamic and different from Ritchie’s others. Still, it isn’t better than them two and it really isn’t that different. I’m glad that Ritchie went back to his London-based roots cause obviously he’s amazing at them, but I just wanted something new and a little bit more than what I got.

I liked the cast a lot. Gerard Butler does a great job here, and he and Idris Elba, actually do have great chemistry as two crooks. Thandie Newtown’s character wasn’t that interesting and I thought she could’ve been a better character. But the one that really shines here is Tom Wilkinson, who really does make a great villain, that we all want to see dead but also we kind of like because of his smart way of business making. Never would I have thought a film with Ludacris and Tom Wilkinson together actually be good.

Consensus: RockNRolla goes back to Ricthie’s roots, and is a credible caper gangster comedy. It just doesn’t feature anything new and seems like overall this genre may be soon to die out.