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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: In a World…

I Do…Until I Don’t (2017)

Marriage blows, get it?

Vivian (Dolly Wells) is a jaded filmmaker who believes that marriage is an outmoded concept that needs a reboot. Hoping to prove her theory, she begins to interview three couples at various stages in their relationships.

Even though it wasn’t a perfect movie, Lake Bell’s directorial debut, In a World…, proved that she had something more on her mind than just humor. It was a small, somewhat subtle look at women trying their best to get by, sisters trying to connect, and something of a showbiz-satire about how the men always get by, and the women are forced to stand back. It was a messy movie, but its ambitions and its cast was so likable and charming, it was hard to fully hate.

It’s why I Do…Until I Don’t feels like it’s made from somebody else entirely. Rather than being a funny, relatively heartwarming look at a bunch of different people, like her first movie was, Bell’s latest is so over-the-top, silly, and random, it almost feels like she made it on a whim. It’s as if she had been waiting so long to get a movie off of the ground, didn’t have a perfectly fresh idea in her head, but stumbled upon a bunch of money and thought that something would work anyway, regardless of how crummy the material was.

Oh man. How they’ve been in so much better.

And that’s where it all comes down to: The movie just isn’t funny.

It attempts to poke fun at marriage, its norms, and the sanctity of it all, but mostly comes down to making fun of a bunch of characters we never really get to know or care about, because they never come close to being human. They’re all goofy caricatures who are made so that Bell can set them up for whatever unfunny bits and pieces of comedy she chooses. It’s a shame to be picking on her, too, because in mostly everything I’ve ever seen her in, she’s constantly lovable and fun – but none of that shows here.

Not with her writing, her directing, or hell, especially not her acting. In fact, Bell’s performance is probably the worst as she totally over-does this character’s constant neurotic ticks, with all of the stuttering, flinching, and turning away. It’s like she’s doing a Woody Allen impersonation, but only saw one movie and decided to just roll with it. Same goes to Ed Helms as her husband here who, does what he can, but just feels like a typically dull husband who wants something more out of life and can’t quite perform in the sack. It’s actually a perfect role for Helms, but because he’s played it so many times before and there’s not much depth to this actual character, it doesn’t wholly work.

Bring back Doll & Em!

Instead, it feels like he’s slumming. And the same could be said for just about everybody else.

Dolly Wells plays the documentary film-maker who gets maybe one or two laughs, because her character seems like the voice-of-reason/bystander to all of this, but then she just ends up being a villain that the movie feels the need to bash; Amber Heard and Wyatt Cenac play a hippie-couple who are so formulaic in their ways, it already feels dated by the first instance we see of them; and Paul Reiser and Mary Steenburgen, try as they might, seem like they deserve a much better movie. They play an older couple who are running through their own little issues and trying to figure out what the other wants with their rest of their lives and it’s only here, in this one subplot, where it feels like Bell is touching at something interesting and compelling. But then, she drops the ball when she decides to focus on all of the other characters and their wild hi-jinx that, honestly, aren’t all that wild, nor all that funny.

They’re just annoying and ridiculous and it makes you wish that Bell stick with whatever sort of inspiration she had from her first flick.

Consensus: Even with a solid ensemble of likable people, I Do…Until I Don’t squanders all potential with a sitcom-y premise and even more ridiculous jokes and gags that go nowhere.

3 / 10

They’re like hippies, but in 2017. Ha! Ha!

Photos Courtesy of: The Film Arcade

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In a World… (2013)

Make sure to say the title the right way and don’t be such a boob.

The world of the voice-acting isn’t one that’s been particularly kind to women in the past, and for the most part, never will seem to be. However, Carol Solomon (Lake Bell) wants to change that once and for all, although it may be a tad bit difficult with her dad being the famous, highly-acclaimed Sam Soto (Fred Melamed). But, like I said before, Carol is inspired to be the first ever woman to ever narrate a trailer and she will make sure that she gets that chance, even though her father, as well as her father’s protege (Ken Marino), may sometimes get in the way of her dream. Also, Carol’s sister, Dani (Michaela Watkins), has her own dilemma of sorts, but with her marriage to Moe (Rob Corddry) and how she can’t seem to swat-away the over-bearing feelings of philandering around with this Irish guy who continues to keep on flirting with her. And yet, another story also happens to be around here in which Carol may possibly have a new boyfriend in Louis (Demetri Martin), one of the dudes who is making her dream possible. Or at least something close to that.

It’s hard to hate on a movie that’s as pleasant and joyful as this, because while there are many faults to be found here, they all mean well. For instance, one of the problems that I have with Lake Bell’s direction here is that not only does she seem to carry too much weight, even for her directorial-debut, but she doesn’t quite know what point or “message” to end on when the story’s supposedly all said, done and over with. However though, I can’t hate on that aspect too much, as each and every idea of a story that she tries to cram in here, do actually work; and in other ways, they actually add more to the movie’s overall charm that’s easy-to-like and enjoy.

They're one pair of Chuck Taylor's away from being "full-on hipster".

They’re just one pair of Chuck Taylor’s away from being “full-on hipster”.

Thus, there’s my dilemma of sorts with this movie: While at times it definitely seems to be a sweet and entertaining piece of Hollywood-fiction, it still doesn’t know how it wants to say anything that is on its mind. Maybe I’m looking a bit too far into this movie than I possibly should be, but I can only allow myself to smile for so long, up until I finally realize that there is some nastiness at the bottom of the barrel, and I found some of that here. Even despite it being made with, once again, good intentions.

Anyway though, I could rant, and rave, and go on and on and on and on about this movie without really getting anywhere, so let me try and keep my mind at ease here and get down to the basics of this movie.

For her first time not just behind the director’s chair, but behind the writer’s, as well as the producer’s, Lake Bell does an alright job at keeping up the pace with this flick to make sure that it doesn’t linger on anything too heavy, for too long, as well as not trying to be too funny, for too many instances. She actually seems like she knows a thing or two about how to give us a good gag, and have it continue on throughout the whole movie, without ever seeming like it’s already been done-to-death. For example, Demetri Martin’s character is a very nervous, twitchy guy that always ends-up saying the wrong things, at the wrong time to Bell’s character, and gives us the idea that he really likes her, but doesn’t want to seem too weird or forward with the feelings he’s trying to get across. We’ve seen this idea done a million other times, in many other comedies out there in the world, but here, it feels fresh, vibrant and fun every time it pops-up, as if Bell herself knew what people would expect with a character who’d be written like this, so she decided to spice things up a bit.

But Martin’s character isn’t the only one she does that – she practically does this for each and every character that shows up here. Even down to the smallest, tiniest role, we get a sense that Bell actually took some time out of her busy day, to give us rich, well-written and charming characters that could be the same type of people either you or I would meet at a party someday. A lot of this credit goes to the cast, but it also goes to Bell as well for at least making sure that nobody is put to waste here, nor really as one-dimensional as they could have been in a lesser movie. These characters are also the main reasons why most of this comedy works, and keeps on surprising, even at what seem to be the most random moments.

Though, like I just said, most of this comes down to what the cast is able to do with these small, unimportant characters – all of whom seemed to be in Lake Bell’s mind the first day she took her pen to a piece of paper. Even for the character she herself plays, Carol, the type of slightly off-kilter, yet smart and witty girl that we usually see movies done about, but never as charming as she is done here. I don’t know if Bell meant to do this on purpose, as to give her a role in which everybody would see the talent she truly is and was never able to show before in the numerous supporting roles she’s done, but either way, it works for her and it works for this movie. She’s funny, sweet, kind and a bit of a smart-ass when she needs to be, but only to the people that deserve it, and it makes us feel a lot more for her, even when it seems like Hollywood, as well as everybody is working against her and her voice.

I don't blame her for not being able to see that huge, silver tape-recorder located right near he right-eye.

Whatever it is that’s on that computer-screen must really grab her attention away from the big, silver block tape-recorder near her right eye.

The rest of her family-unit is pretty solid, too, with wonderful character actor Fred Melamed getting a lot of moments to shine as the cocky, slightly arrogant father that thinks he is better than anybody, all because he’s been in the business for so damn long. While he would definitely seem like the type of guy you’d automatically hate in any other movie, he’s actually very charming here and sometimes, even seems like, at one time, he was a really nice guy that loved his wife, his kids and his whole family, but has been through this hard-hitting business-world we know as Hollywood, and it’s taken quite a toll on him so far. Even the actress who plays his much-younger, strange girlfriend, Alexandra Holden, doesn’t seem like the type of annoying, obviously idiotic gold digger we tend to see a lot in these movies depicting a relationship between an older, famous guy, and a younger gal; she actually wants him to reach-out towards his kids and as a result, be a better man that she can be proud of being with in the future.

And even Carol’s sister isn’t all that bad either, it’s just that her story may be the weakest one here, and practically expendable. However, Michaela Watkins is good, as well as Rob Corddry, as they both get a chance to show that they can actually act and emote quite well when they want to. But there’s plenty more where that came from along the likes of Tig Notaro, Nick Offerman, Ken Marino, and even surprise cameo’s from both Geena Davis and Eva Longoria, with the latter even going so far as to portray herself in a light that’s actually a bit mean. But hey, she’s the one who’s doing it, so it’s not that bad, right? I guess not! Good for her! Tony Parker should be sad.

Consensus: May not stay in your mind long after it’s over, but considering how much love, fun and pleasure went into making this, I don’t think that will bother anybody who decides to check-out In a World…, especially if they want to see just who this “Lake Bell person” is all about.

7.5 / 10 = Rental!!

If only Lake Bell let her beard grow-out and maybe then I'd be able to buy into the notion that they're biological father and daughter.

If only Lake Bell let her beard grow-out and maybe then I’d be able to buy into the notion that they’re biological father and daughter.

Photo’s Credit to: IMDBColliderJobloComingSoon.net