What’s wrong with a little money in your pocket?
David Ghantt (Zach Galifianakis) is stuck in an unfortunately very boring and plain life. While he doesn’t necessarily know this, he still knows that his life could get a whole lot better if he just took more chances, rather than just lying around and waiting for life to happen. That’s why when his co-worker who he more than just admires on a professional basis, Kelly (Kristen Wiig), brings up the idea of possibly changing it all, he’s all in. The plan, concocted by Kelly’s pal, Steve (Owen Wilson), is to get David to steal $17 million, and hand it over to the gang. Of course, because David and everyone else involved are a little more than just silly and almost complete idiots, the plan doesn’t go so perfectly. This leads David to have to travel halfway across the world, to make sure that the cops don’t get him, even though they’re looking for him anywhere that they can find him. And just to make sure that David doesn’t do any talking, Steve’s hired a hit man (Jason Sudeikis), who he believes to get the job done in a professional, easy manner.
Why so happy? Cause I’m not!
For some odd reason, Masterminds was supposed to come out nearly two years ago, but just didn’t. Normally, these sorts of things have to do with the fact that the studios got cold feet, didn’t trust the product, or there just wasn’t any big-named talent involved, but not with Masterminds. Despite a huge cast of comedic heavyweights and an interesting, if also, true premise, Masterminds sat on the shelves because Relativity Media, the distributors, were facing financial issues.
So why then, are we waiting nearly two more years for this movie? Is it because the money just wasn’t there to promote it? Or is it because the final product itself was so lame that everyone involved was just too scared to even show the world what it looked like?
Unfortunately, it’s neither. If anything, Masterminds is a mixed-bag in that it seemed like it was a messy movie to begin with, but because there was so much time dedicated and taken to fixing it in any way that they could have, it just comes off a lot more mixed. Writer/director Jared Hess is no hack and surely isn’t a work-for-hire director by any means, but honestly, it seems as if he just stood back and let alone of the movie film itself, with the cast making up the lines and situations as they went on, sometimes creating magic and other times, just seeming like they’ve got nothing to work with, so they’re just throwing whatever they can find, at the wall.
Does it all stick? Not really.
And that’s honestly, one of the biggest problems with Masterminds – it just has way too much going on that doesn’t work, or better yet, even connect. It’s a comedy that’s actually filled to the brim with humor and non-stop weirdness, yet, for some odd reason, that humor, nor weirdness ever seems to really work. There’s a few moments here and there where the movie actually offers something funny and, if anything, inspired (it’s hard not to laugh at Galifianakis mispronouncing Spanish), but they all come very few and far between/
Normally, I wouldn’t even mind this in a comedy, but because there’s so many good and funny people here, it makes me wonder what was really going on. Galifianakis is good at these sort of silly, almost idiotic roles and David Ghantt is not all that different from what we’ve seen before, however, it’s a gag that gets old a little too quick, once we realize that the whole movie is just making non-stop jokes on his behalf. It tries to give him some shading with his love for Kristen Wiig’s character, but at the same time, still likes to watch him fall down, hit his head, or do something so irresistibly stupid.
“Hey, man! It’s me! Remember? That guy who’s actually really funny, except for in this, for some reason?”
Once again, there’s not a problem with that in most movies, but it just has to be funny. Which in Masterminds, it never really is.
People fall, get shot, get hurt, and say all sorts of silly things, but does it ever really connect in a humorous way? Not necessarily. Surprisingly, it’s Leslie Jones who actually seems ready to play and willing to work with this material, even if, yeah, her role as an FBI Agent seems, at the very least, probably 90% made up on the spot. Same goes for the likes of Jason Sudeikis and Kate McKinnon, who all show up and, essentially, improv like the Dickens. They may have had a script and a direction, but it never really shows because whatever they make up, they just roll with.
Normally, when you have funny people, ad-libbing doesn’t always hurt. But here, when it seems like the worst bits and pieces of improv were chosen, it just does hurt; we watch as these funny people act in scenes with one another, try their hardest to do something crazier than what they did before, but in the end, just settle for being crazy, but without any humor. It’s like watching Tim & Eric, but not knowing how they construct their episodes or their humor – while that’s perhaps more jarring than watching Masterminds, it still deserves to be said that one’s act of weirdness, works a whole lot more than the others.
And if you don’t believe me, just stay for the credits. They show every cut-scene available to the movie, in hopes that people who didn’t laugh all that much, get another opportunity to do so by watching famous people goof-around with one another, forget their lines, and make more and more stuff up as they roll on along.
As I stated before: Still have no clue what happened with Masterminds, but I’m seeming to get a better idea.
Consensus: Even with the onslaught talent available, Masterminds still feels way too insane and made-up as it went along, to fully function as a well-thought out, actually funny comedy.
4.5 / 10
Yeah. My feelings exactly.
Photos Courtesy of: Indiewire