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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Jay Wesley Cochran

True Adolescents (2009)

Grow up, or don’t. Just don’t stop listening to indie.

Sam Bryant (Mark Duplass), for lack of a better term, a bit of a loser. He’s jobless, homeless, and oh yeah, his hopes and dreams of one day breaking it in the music-business seem to be dwindling more and more each day, but for some reason, he just doesn’t seem to know, or understand that just yet. And now that he’s getting up there in his 30’s, it’s time for him to do a bit of growing up, even if he’s too stubborn to ever figure out how. Which is why when he ends up staying at his aunt Sharon (Melissa Leo)’s place, he thinks he’s got it made. He tries to get a job, he tries to clean up after himself, and oh yeah, his younger cousin, Oliver (Brett Loehr), he gets along with quite well, even if there is a bit of an age-barrier and different understanding between what’s “cool”, and what isn’t. Then, they head out on a small hiking trip along with Oliver’s friend Jake (Carr Thompson), who seems to be really close with Oliver, and Sam doesn’t want to get in the way. Until, well, he feels that he has to.

Always stick with the hipster bands.

The “man-child” subgenre of movies, or better yet, indie movies, is a bit old and slowly, but somewhat surely, beginning to die. There is, of course, every few exceptions to the rule, but for the most part, it seems like watching a tale about a mid-30 dude not holding down a job, having a place to sleep, and just never allowing himself to grow up is, well, a tad bit boring. That’s not to say that it isn’t true and isn’t definitely the case with most dudes out there, but as far as indie-movies go, yeah, they can tend to be a bit repetitive.

But True Adolescents is a small and somewhat rare exception to that rule, if only because it seems to have a tad bit more something to say about these man-children; instead of getting down on these people and showing why they’re losers, writer/director Craig Johnson does realize that there’s more to these kinds of people than we initially expect. For one, they’re not all terrible people – immature, sure, but definitely not immoral, evil human beings who have no clear mind about the law, or how to exist in a governing society. If anything, they’re just sort of babies, the kinds that need to be coddled and cared for, as opposed to kicked out and thrown onto the streets.

And in a way, this makes Sam Bryant a tad bit more sympathetic, than we’d normally expect.

It does help that Mark Duplass is great in this role and can practically play this character in his sleep, but it’s interesting to watch someone like Sam develop over time, as we begin to realize more and more that he’s just a total tool, and less of an actual baby. Okay, maybe he’s a huge mixture of both, but still, Duplass never makes him unlikable – he’s always someone we enjoy watching and want to see more over time, whether he’s learning a thing or two about the world, being nicer to those around him, or even getting a job. No matter what this character does, or says, Duplass is always there to pick up the pieces and remind us that, oh yeah, he’s one of the most likable presences on the screen today.

Coolest aunt ever? Probs.

In a pre-Oscar role, Melissa Leo is also quite charming as the smart, understanding, and stern Aunt Sharon who doesn’t really take much of Sam’s crap, but also knows to listen to him more and not judge him for who he is, or what it is that he represents. Even the two kids, played by Brett Loehr and Carr Thompson, are good, too, but their characters is where the movie starts to confuse itself and get a little odd. Without saying too much, there’s a small revelation made about halfway through that doesn’t necessarily come out of nowhere, but also doesn’t seem pertinent to the story and what we’re going for, either. Johnson seems to start True Adolescents out in a familiar way, then puts more of a focus and attention on the characters and their relationships, only to then, halfway through, make it about something else completely.

Which is hard for me to say, without spoiling a whole lot about this movie.

It just seems that Johnson was fond of throwing us for a loop, did just that, but also as a result, forgot to keep his story cohesive. It becomes a whole entirely different beast in general and honestly, lost me a bit, almost as much as it seems to lose itself. That said, a solid first and middle half are fine enough, so whatever.

Consensus: True Adolescents loses itself after the halfway-mark, but still keeps itself interesting with good performances and a smart approach to the whole nauseating “man-child” subgenre of indie flicks.

7 / 10

I’d hike for days with Mark Duplass. Maybe not Jay.

Photos Courtesy of: Now Very Bad…., Filmwax Radio

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Laggies (2014)

I don’t wanna be told to grow up! Or get a job! Or get married! Or hate my life! Or, okay, it’s not all that bad, dammit!

28-year-old Megan (Keira Knightley) has come to realize that her life isn’t really going anywhere, but nor does she want it to. She’s happy staying with her high school sweetheart (Mark Webber), even if that means that they never get married; she doesn’t care about not really having her own job and just holding up signs for her dad (Jeff Garlin); and she especially doesn’t care about getting hitched and settling down like her best-friend (Ellie Kemper) has just done. But that all hits her head-on when she gets proposed to, finds her dad cheating on her mom, and has a few verbal-spars with her bestie. So, like what any other responsible, full-grown adult would do, Megan decides to run away and ends up hiding out with 17-year-old Annika (Chloe Grace Moretz) who says it’s cool for her to chill out at her place, so long as so as her divorced dad (Sam Rockwell) doesn’t get in the way of the fun. But, sooner or later, he does, but here’s the strange thing: It doesn’t bother Megan. Which makes it easy for them to hit it off, which also causes a lot of problems for Megan and the life she’s trying to escape from, yet, has to confront sooner or later.

Basically, this whole premise could be simplified down to being, “growing up is hard to do”, and there’d be nothing wrong with that. Which yes, I know may bother some of those far more thought-provoking, complex individuals out there who want a little bit more meat on their one, but for someone such as myself who just goes to the movies to have a good time, be interested in what I see, believe it all, and most of all, learn a lesson or two in the process, it’s time well-spent.

"Just make sure that you don't get stuck doing pirate movies. Especially not the ones where the lead pretends to be Keith Richards!"

“Just make sure that you don’t get stuck doing pirate movies. Especially not the ones where the lead pretends to be Keith Richards!”

And that’s exactly what Laggies is: Well-time spent. Don’t expect anything else, and you won’t get anything less.

That said, being that this is in fact a film from Lynn Shelton (she’s directing a script from Andrea Seigel), who, in recent years, we’ve all come to know as a very interesting indie director who takes something which looks, on paper, obvious, simple and almost too contrived for its own good, and turns it on its head and makes you expect the absolute unexpected, I can’t help but feel a tad disappointed that this isn’t as deep as I feel it could have gone. Not saying I would have wanted something as deliberately as cloying as Touchy Feely, but maybe something refreshing and breezy along the lines of Your Sister’s Sister, would have been a bit better. But the fact remains, we have a Lynn Shelton movie here on our hands and it’s a lot more polished than we’ve seen her do before.

So, with that, she’s dropped the hand-held cameras, hidden away the natural-lighting, and even let somebody else take over script-writing duties for her, which gives us a slightly mainstream-ish movie. But not mainstream in that it’s going to sell-out loads and loads of crowds, but moreso in the way that Shelton’s name will probably be heard of and/or discussed more because of the larger-amount of people seeing this. Which I’m happy for and hopeful actually happens; Shelton’s been a favorite of mine for quite some time and if this is the movie that gets her name out there out there to some who aren’t already familiar with her enough, then yeah, I’m all down for her “selling out”.

I just hope that she doesn’t make a habit of it.

Anyway, Shelton’s film may not be as deep as some may want it to be, but that’s okay; it’s still pleasant, funny, and smart in the ways that it presents these as-old-as-time coming-of-age themes, and spins them in a way to make them slightly refreshing. Not saying that I didn’t expect our main protagonist to learn some valuable life-lessons about being responsible, growing up, or keeping one’s promises, but the way in which the film presents these small moments, are well-done and surprised me on a few occasions. It’s totally predictable and conventional-as-hell, but if anything, Laggies proves that you can get by those problems by just putting a smile on, wearing your heart on your sleeve, and just trying to laugh it all off.

In fact, that’s exactly how I felt Keira Knightley’s character Megan was: Funny, ditsy, and immature to a fault, while also not caring about what happens to her life next, so long as she doesn’t have to grow up. And while, to some, this may not seem like the kind of character Knightley excels in (with an American accent, no less), it’s a role that actually works for her and her bright, bubbly screen-persona that sometimes shows in movies, yet, has never been utilized as perfectly as it is here. Because while it may have been easy for us to dislike a character as irresponsible and as narrow-minded as Megan, there’s still a feeling that we want to be like her; not care about getting old, or having to conform to certain ideas about being an adult. Yet, the movie never fully sympathizes with her, her actions, or how she can sometimes do certain things that hurt others around her. For that, we care more about her, and whether or not she does actually “grow up” at the end.

Swag doe.

Swag doe.

Same goes for Chloe Grace Moretz’s character, although she’s a bit more standard in that she’s another one of those wild child teenagers that’s sassy, rebellious, and chock full of angst. Not saying Moretz doesn’t do well in this role, because she totally does, it’s just not as rich as I think it could have been (with the exception of an angle the movie throws on us about the character’s not-present mother). But thankfully, to pick up all the pieces is Sam Rockwell who, as usual, is playing his cocky, fast-witted, and constantly lovable-self. Except this time, there’s a bit of a twist on this kind of character: He’s a daddy, with responsibilities. Still though, it’s a role that sees Rockwell using his lovely screen-presence to brighten the mood of any scene and, in ways, even add another heft of dramatic-weight to a scene that’s already full of it. He’s just that talented of an actor that no matter what he does or shows up in, he always makes better.

Please don’t stop doing what you’re doing, Sam. You’re too good at it.

Consensus: Predictable and obvious to a fault, Laggies mostly gets by on its lovely cast, pleasant feel, and relateable themes about growing up, making the right choices when you’re called on to do so, and sometimes, making sure you put somebody else before yourself.

7 / 10 = Rental!! 

Don't worry, Keira. You look great in no matter what you wear.

Don’t worry, Keira. You look great in no matter what you wear.

Photo’s Credit to: Goggle Images