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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Jennifer Wachtell

At First Sight (1999)

Eyes open or closed, we all know Mira Sorvino is downright beautiful.

Young architect Amy Benic (Mira Sorvino) needs a break from the busy high-life of Manhattan and decides to go out to the country-side, relax, and get her massage on. While she’s getting that on, she falls under the spell and hands of the masseur Virgil Adamson (Val Kilmer). She instantly clicks with him and realizes that there’s something between the two that’s as rare as it can be. Rare, because Virgil’s also blind and has no idea what she looks like, or anything else for that matter.

Watching all of these sappy, romantic-dramedies can honestly do a number on a person. Nicholas Sparks has dulled the senses so much, that even when something relatively sweet, sort of nice comes around, it’s hard to fully embrace it. For someone like me, I’m just so used to saccharine, annoying romantic-junk that yeah, it makes you forget about actual solid romantic-flicks out there in the world.

Sort of like At First Sight. But also, sort of not like At First Sight.

Let me explain.

Well, close enough.

Well, close enough.

Granted, it’s nothing special, but it works at being a piece of romantic-drama that you can root-root-root for the couple, and just hope that they end up together because you can see that they’re good people, have the best intentions for one another, and most of all, love each other like silly. Isn’t that what we all want to be reminded of when we watch sap-fests such as these? Well yes, as well as the ability to love and be loved is still out there and if you have a heart big enough to allow that into your soul, that even you can come under it’s spell? I think so, and I think that’s why I actually didn’t mind this movie as much as I was planning to.

Val Kilmer is a nice fit as our blind man for the two hours (way, way, way too long for my liking!), Virgil Adamson. Despite how he may be behind the scenes, Kilmer has always had a certain cool, suave charm about him, which is what works well for this character here, who could have easily just been a later-day saint who also happened to be blind. It’s also a nice refresher to see him play a much softer, more romantic-side, even though the movie surrounding him is, yes, corny and undeniably syrupy beyond belief.

But like I said, the guy’s so charming, he makes it work.

Daredevil totally ripped this movie off!

Daredevil totally ripped this movie off! Damn Ben Affleck!

Playing his love bird for the two hours (once again, way, way, way too long for my liking!), is Mira Sorvino as Amy. Sorvino is always a charmer and is as cute-as-a-button that whenever she smiles, it’s so easy to just feel all warm and gooey inside. She’s got that beautiful look to her that works to her advantage and it’s just great to see that in an actress that can make bad material like this work, even if we do see it coming a hundred-upon-a-hundred miles away. You actually believe that she could fall in love with a guy like this, knock down all of the problems of being blind, and just look at the person instead. It’s obvious stuff, but Sorvino and Kilmer make it work together and if it weren’t for these two in the roles, it’d be really hard to get through this thing.

Then, there’s Kelly McGillis who eventually shows up as Vrigil’s sister that is always there for him and watching over him and is okay, but also where the movie really starts to go off-the-rails. The first hour, while cheesy, is sweet, soft and enjoyable enough to where it’s a nice piece of time passing-by, because it’s never taking itself all that seriously. But then, miraculously, as soon as McGillis rears her head in, everything gets a bit bonkers and far too serious. It certainly doesn’t help the fact that she’s always yelling, upset, and crying about something going on. Thankfully, Nathan Lane is here to save the day and as usual, use his comedic-charm to his ability and have us love the guy like never before.

So when in doubt, just trust Nathan Lane.

Consensus: Is it predictable? Yes. Is it obvious? Yes. Is it long? Hell yes! Is it at least entertaining? Ehh, sure. At First Sight may not throw you any curve balls you won’t see coming at you miles away, but Kilmer and Sorvino at least make the material seem more than just your average, run-of-the-mill romantic-drama, even if that’s exactly what it is.

5 / 10

Correct me if I'm wrong, but aren't you not supposed to pet those dogs or something?

Correct me if I’m wrong, but aren’t you not supposed to pet those kinds of dogs or something?

Photos Courtesy of: Metro-Goldwyn-Mayer

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The Royal Tenenbaums (2001)

Best way to coax your family into loving you again? Fake your death. It’s working for Andy.

The Tenenbaums aren’t your ordinary family, but then again, they don’t pretend to be either. The hierarchy of this family is Royal Tenenbaum (Gene Hackman) who isn’t necessarily the nicest, most up-front, or responsible guy in the world; in fact, he’s kind of an ass. This is why (or from what we know of) he gets kicked out his own house by his wife Etheline (Anjelica Huston), leaving behind his three children – the adopted oldest Margot (Gwyneth Paltrow); the over-achieving; ambitious middle-son Chas Tenenbaum (Ben Stiller); and the relative-favorite of Royal’s, Richie Tenenbaum (Luke Wilson). For years, Royal doesn’t speak to them or see them at all, which leaves them to grow-up full of angst, disappointment and all sorts of mistakes that make them resent him a whole lot more. However, Royal wants to change all of that as soon as he can once he realizes that he might just be dying of cancer, and is given six weeks to live. Though his kids and even his wife, have all moved on with their lives, they somehow find their way back into the house they all once lived in, which is where all of the various ego’s and heads start to clash.

He may be too old for some shit, but slaying white women isn't one of them.

He may be too old for some shit, but slaying white women isn’t one of them.

It’s pretty known among fans of him, that if you’re able to get past all of Wes Anderson’s various quirks and just accept his style for what it is, then you can actually find there’s a lot more rewarding-features to what he does. Not just with a story, or in the way he puts so much effort into the look, but to the actual characters he has in the story, as miserable and as unlikable as they sometimes can be. But I like to think of the characters he creates, as not just being considered “unlikable” or even “loathsome”, but maybe just “human”, with all of the nasty, dirty features added-on that we don’t always want to see or be reminded of actually being capable of having. Maybe it works for me and has me go to bed easier at night, but that’s always my advice to anybody who wants to watch one of his movies, especially the Royal Tenenbaums – aka, my long-time favorite of his.

I could start this review off pretty obvious and just start diving into Anderson’s sense-of-style, but I think I’ve done that more times than I ought to. Instead, I’m just going to dive right into what makes this movie kick, push and feel: The characters. Wes Anderson, although he doesn’t always look too fondly at the world, or those around him, definitely appreciates the people he places into the world of his own. It’s small, contained, quirky, heartbreaking, funny and full of all sorts of spontaneity that even the most hyper-active person may not be able to handle. That’s why the characters he creates and invites to be apart of this world of his own creation, aren’t just ones we have to pay attention to, but are filled to the inner-core with all sorts of small, tiny moments where we see them for all that they are, and who it is that they show the others around them as being.

The perfect example of this would definitely have to be Royal Tenenbaum himself, played with perfection by Gene Hackman. We’ve all seen Hackman play an asshole in a movie before, but here, as Royal, he really gets the chance to stretch that image of his own making and give us a glimpse inside the life of a man who realizes that he’s just too lonely to carry-on in this life without anybody around him any longer. Well, that, and the fact that he’s gotten kicked out of his apartment, may have him thinking of his family as well, but the fact remains that he now knows what it is that he wants with his life, and that’s just to remind those around him that he not only loves them, but wants to actually be with them for once in his life. He may not always say, or do the right things; hell, more often than not, his actions are quite reprehensible to say the least. But once we see Royal for the man he wants to be and clearly wasn’t for the most part of his life, you can’t help but want him to be happy and be loved by those around him, even if they can’t quite bring themselves to having that feeling for him. Instead, they’re more content with just being “fine” towards him; but so is he, so no problems whatsoever.

But what makes Royal such a lovable guy, is that Anderson knows he isn’t perfect and definitely deserves to have life slap him in the face a couple of times, but also doesn’t forget to let him have those small moments of victory where everything in his life that’s possible, seems to be working out for him. Same goes for everybody else in this movie though, as you can tell that Anderson and co-writer Owen Wilson, really did put all of their efforts into making each and every character somebody worth remembering, or caring about, especially once emotions, as well as tears, are shed.

Even the character of Etheline, who could have easily been an angry, vengeful ex-wife, ends up being a woman that not only loves her family, but also wants to be able to move past all of the problems they’ve faced in the past (which in this case, there are plenty of ’em). Also, the same could be said for Henry Sherman, the guy who wants to marry Etheline, who does show various bouts of jealousy on more than a few occasions, but also doesn’t want to lose the lady he loves, especially not to a swindler like Royal. But, like I said, he’s still a guy that’s backed-up by plenty of human-emotion, that never ceases to show itself in some hilarious, yet brutally honest ways.

I guess in this case, we can all make an exception for incest.

I guess in this case, we can all make an exception for incest.

And that’s mainly where Anderson’s writing really comes to perfection. Not only is the guy hilarious with many of the deadpan, over-the-top one-liners he has his characters deliver, but he makes them seem so damn serious and down-trodden, that you can’t help but laugh at them. They are all human beings, yes, but ones that may take themselves a bit too seriously, despite being absolutely surrounded by all sorts of light, vibrant and pretty colors. That’s why a character like Eli Cash, played wonderfully and ever-so charmingly by the aforementioned Owen Wilson, sticks out amongst a group of sad-faces like Margot, Richie and Chas. Doesn’t make them any less likable or anything, because Anderson appreciates their sadness towards life and all of the perks that come along with it; and even when they do smile, or laugh, or decide to just let life’s wonders work its magic on them, it doesn’t just surprise us, but makes us happy that they themselves are actually happy as well. It makes us feel all the more closer to them and gives this story an extra oomph of emotion, that so clearly comes into play by the end.

Even when you do think that Anderson is going to get too big for his britches and get almost too dark with the possibility of suicide, he somehow comes out on-top, showing us that life, despite all of the heartbreak to be found, is still worth living, mainly due to the company you surround yourself. I mean, sure, Margot may rarely ever crack a smile, and the only time she does is when she’s around the man she loves, her brother Richie (although they do claim, on various occasions, “they aren’t related by blood”). Yeah, sure, Chas may never seem to live his life with a sign of hope or happiness, despite being surrounded by a bunch of people that do love him. And yeah, sure, Richie may look at life with a frown, despite not really having an understandable reason to. But what all of these characters have in common, isn’t just that they are apart of the same family, it’s that they have lives they don’t feel too gracious of having and most of the time, take it all for granted. However, once they realize that everything with life isn’t as bad as they unreasonably make it out to be, or that there are people with worse conditions in their life, then they can’t help but shut up, move on and crack a grin or two.

Those moments are mainly when Anderson shines the most, as well as the brightest. Making this family one you can’t help but love, although you can still take note of them being a dysfunctional bunch. Although, I for one have definitely seen worse. Just saying.

Consensus: Wes Anderson’s sense of characterization is what really makes the Royal Tenenbaums a heartfelt, hilarious, lovable and near-perfect delight to sit-through, although you never lose the sense that these are people, and not just characters written completely and totally for-the-screen. Okay, maybe that’s a bit of a stretch, but you get my drift.

9.5 / 10 = Full Price!!

Who doesn't remember the days when grand-pop used to take them on trips on the back of a garbage-truck?

Who doesn’t remember the days when grand-pop used to take them on trips on the back of a garbage-truck?

Photo’s Credit to: IMDBCollider