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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Jing Tian

Kong: Skull Island (2017)

If it’s not on Google Maps, chances are, you should stay away from it.

It’s 1973, the Vietnam War is close to an end, and Bill Randa (John Goodman) a senior official in a super secret government organization known as Monarch, finally sees his opportunity to capitalize on achieving one of his biggest missions yet: Going to the mysterious Skull Island and figuring out what sort of threat is out there. After much arm-twisting, the government finally gives Randa the tools and resources he needs to get there, which means that he gets the army, the weapons, as well as the experts to help guide him along on this possibly dangerous island. One person Randa seeks out and pays to help him is world-renowned traveler James Conrad (Tom Hiddleston), who doesn’t know what’s there on Skull Island, either, but doesn’t like the sounds of it, which is why he demands for his pay to be doubled. Meanwhile, on the mission, is anti-war photographer Mason Weaver (Brie Larson), who can’t wait to see what’s out there, and Lieutenant Colonel Preston Packard (Samuel L. Jackson), a member of the Army who isn’t too happy about what happened with the war and isn’t ready to let that go. Not even a gigantic, monstrous and incredibly violent ape known as Kong.

Kong best look out.

Kong: Skull Island is so entertaining, so quick, so visually impressive, and so fun that, even with all of its flaws, I’m willing and absolutely able to just let bygones be bygones and praise the film as it is. Because even though the script is silly, underwritten, and not at all up to the task of aiding and abetting this talented ensemble, the direction from Jordan Vogt-Roberts is so thrilling, it’s hard to care so much. After all, do you really go to a King Kong movie for the well-written, three-dimensional, and emotionally complex characters? Or, do you go to a King Kong movie for the vividly gigantic monsters beating the absolute hell out of one another and terrorizing any human that tries to stand in their ways?

Honestly, it’s not bad to have a little bit of both, but fine, Kong: Skull Island wants to stick with the later, so whatever.

Either way, Kong: Skull Island is still a very fun movie and a lot of that is credited to Vogt-Roberts because he takes what could have been a very soulless, almost boring job of rebooting the tale of Kong and instead, adds some life, flair (literally), and energy into it. One of the most notable and interesting aspects Vogt-Roberts adds here is that Kong: Skull Island is, on one hand, a monster movie, in which people run away and try to kill a monster, but on the other hand, it’s also a Vietnam War movie, in which some cold cut rock classics from the early-70’s blasts out from the speakers, everyone’s a little scared and paranoid, and yeah, the temperature is hot, sweaty and downright miserable. In a way, Vogt-Roberts wants to make the Apocalypse Now of monster movies and while he doesn’t quite reach those heights, he still shows us all something new and original can be done with the monster movie.

And because of this, there’s an energy to Skull Island that’s hard to resist and shove-off. Even though it’s absolutely clear from the get-go that the script is going to be shoddy, silly and downright stupid, there’s just something about the look and feel of this all that’s easy to ride along with and enjoy. Even those who want to see Kong in all of his finest form, will be pleased to know that he’s seen a whole bunch throughout and doing all the sorts of things that you’d expect him to do in a movie involving him; there’s smashing, crunching, chewing, roaring, pounding, beating, breaking, punching, kicking, throwing, eating, and oh yeah, crying. Kind of.

But not from these fools.

Regardless, those who complained about 2014 Godzilla not having enough of said title character, then sit down, shut up and feast your eyes on the creature that you’ve all been so desperately wanting to see.

That said though, like I’ve said before, the script is just, uhm, how should I say this? Lame. But it’s not terrible in that it’s hard to listen to, ruins the movie, and sucks all of the fun out of it; it’s more that it feels like a leftover script from the 90’s, right around the time Jurassic Park came out and all of a sudden, everyone wanted to make a big-budget, effects-heavy monster movie. Meaning, there’s a lot of cheesy one-liners; a lot of characters who have basically one personality-trait to them and it basically defines them; a lot of contrivances; a lot of scenes that need more explaining; and oh yeah, a lot of random bits of silliness that seem to literally come from out of nowhere.

And it’s weird, too, because the cast here is so well-done and impressive, that it’s a bit of a shame. No one’s bad here, honestly, but because the net has been cast so far and wide, no one true performance really gets to shine above the rest. The only ones I can truly think of doing this are probably John C. Reilly and Samuel L. Jackson, but that’s just because they get maybe two or three more sentences than the rest of the cast to explain themselves and allow us to get to know them a tad bit better. Others like Hiddleston, Larson, Goodman, Whigham, Corey Hawkins, Jason Mitchell, Toby Kebbell, John Ortiz, and an oddly miscast Thomas Mann, all fall by the waist side and it’s a sign that the movie may have cast a smaller net, or have been longer.

Still though, for a movie that clocks in just under two hours, it makes for a good time. Just don’t try and think too hard, like me.

Basically, don’t be me.

Consensus: Even with an awfully wacky script, Kong: Skull Island gets by solely on the pure energy and fun from its direction, as well as an interesting take on the monster movie genre itself.

7 / 10

Oh wait. Never mind. He can’t be stopped.

Photos Courtesy of: Aceshowbiz

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The Great Wall (2017)

Monsters are everywhere you look. Except the literal ones. Yeah, those things don’t exist.

While on a long, far-reaching search for black powder, mercenaries William (Matt Damon) and Tovar (Pedro Pascal) hold-up one night and encounter something strange, mysterious and deadly. They are able to chop off a piece of its arm, carrying it around with them everywhere they go, even if they don’t fully know just what it actually is. Then, they stumble upon the Great Wall and are taken prisoner by Chinese soldiers of a secretive military sect called “the Nameless Order”. Led by General Shao (Zhang Hanyu) and Strategist Wang (Andy Lau), the Nameless Order has been making it their mission to taking out any sort of threat that has come their way, but as of late, it’s been these odd, very vicious and disgusting monsters that, are also of the same kind that William and Tovar ran into that one night. That’s why, rather than killing the two, the Nameless Order decide to take the guys in, asking them for a helping hand in taking down these monsters, once and for all. It’s easy for William, but for Tovar, not so much.

White.

White.

There’s been a lot of controversy surrounding the Great Wall for a rather understandable reason: Matt Damon’s casting in the lead role seems like, yet again, another instance of Hollywood being too scared of casting any sort of minority in a lead role, that they just give it to the next big name, who also happens to be white. Hey, it’s happened before and it will definitely happen again. However, in the Great Wall, it’s not all that justified for a few reasons:

  1. Damon’s character in the movie is actually supposed to be white and isn’t supposed to be Chinese, therefore, making him a suitable actor for the character’s supposed race.
  2. Nobody really seems to have gotten all that mad that, included in this movie’s large international cast, Willem Dafoe (a white guy), is here, as well as Pedro Pascal (an Hispanic man) – two people who, last I checked, aren’t actually in the least bit Chinese.
  3. The movie itself is not meant to be taken seriously under any circumstances and because of that, it’s really hard to get mad at it for anything, let alone its casting decisions.
  4. And yeah, it’s just a silly movie.

Which is to say that, despite all of this, the Great Wall is still an enjoyable movie, although yes, incredibly stupid once you realize that it’s actually about a bunch of warriors, facing-off against a bunch of nameless, literally brainless green monsters who don’t really look like anything we’ve seen before, but they’re still not all that original, either – they’re like a weird cross between a dinosaur and a rat, but even then, I’m not so sure.

And coming from director  Zhang Yimou, you’d probably expect a little something more, but just like he proved with House of Flying Daggers, Yimou doesn’t always care the most about story and character-development, as much as he cares about what looks cool on the big screen, in 3D, and what’s fun. Sometimes, too, that’s all you need; the Great Wall is the perfect example of Yimou having so many toys at his disposal and getting an opportunity to play with each and everyone of them. Could he have gone deeper with the plot, these characters, and the overall message of the tale?

Nope. Still white and this time, a little Hispanic.

Nope. Still white and this time, a little Chilean.

Sure, but he doesn’t and it helps the movie not feel like all that much of a slug to get through.

Because when the movie does try and dive into the stuff like that, well, it doesn’t always work. We don’t really get to know anyone here, nor do we ever fully understand the plot itself, so when it takes time to explain itself, it just takes away from the movie and almost makes you wish for more monsters to show up. The characters themselves don’t have anything interesting to really say or do, either – sometimes, it seems like a lot of it was just filmed with the hopes that it would make it into the final-cut, but with no obligation whatsoever. Granted, we don’t always need clear, pitch perfect and three-dimensional characters in goofy monster movies such as the Great Wall, but it certainly does help us feel like there’s more at-steak, than just a bunch of lifeless, bland things getting killed on screen.

It also helps because you’ve got such a good cast here, with not much to do. Damon’s working with an odd accent the whole time, making him sound like he’s straight from Canada; Pascal’s character has all of the witty one-liners and laughs, as corny as they can sometimes get; Dafoe’s character is shady and mischievous, for reasons never made clear; Jing Tian gets to be a bit of a bad-ass when she isn’t trying to get some sort of spark flickering between her and Damon; and everyone else who shows up, well, they try, too. Mostly, the Great Wall doesn’t care about this stuff and for once, it’s sort of okay.

What it does prove is that it’s sometimes best to just take in and accept a monster movie, for exactly what it is.

Consensus: Even with the weak characters and story, the Great Wall still mostly gets by on the action, the look, the feel, and the surprisingly great deal of eye-popping 3D.

6 / 10

Ah, yes. That's more like it.

Ah, yes. That’s more like it.

Photos Courtesy of: Kenwood Theatre