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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Kieran O’Brien

The Look of Love (2013)

The Look of Love (2013)

At one point in his life, Paul Raymond (Steve Coogan) seemingly had it all. He was a Soho adult magazine publisher and entrepreneur that seemed to have all of the money, all of the drugs, all of the women, and all of the fancy people around him to help him out. However, it wasn’t always like that. In fact, before he got on top, Raymond started with just a few adult burlesque houses, where nudity and sexual innuendo was a constant cause for controversy. Eventually, it all came to work out for him, because not only did people want to see naked women, they also wanted to be in the company of them, as well as Raymond, who was, in all honesty, a charming chap. And while he was closer and closer to becoming one of Britain’s wealthiest men, he had some issues to deal with, mostly those in his personal life with wife Jean (Anna Friel), who he can’t seem to stay faithful to, or his daughter Debbie (Imogen Poots), who seems to be taking all of the drinking, sex, and drugs a little bit to hard and may prove to be her ultimate undoing.

Life is good when you have Anna Friel on your arm.

The Look of Love is one of those glossy, glammy, and glitzy biopics about rich people having all of the fun in the world. It doesn’t really try to inform or educate us, nor does it ever really set out to change the nature of biopics as we know it; it has a subject, it has a story, and it has a sort of hook. That’s all we need.

But for some reason, coming from director Michael Winterbottom, something seems to still be missing. See, it isn’t that the Look of Love can’t be entertaining when its living it up with all of the excess of drugs, sex, booze, and partying, because it does, it’s just that when that is all said and done, it doesn’t have much else to offer. A good portion of this can have to do with the material just not working and Winterbottom’s rather lax-direction, but it may all just come down to the fact that Paul Raymond himself just isn’t all that interesting of a fella to have a whole movie about.

Or at the very least, a movie in which he is shown as a flawed, but mostly lovable human being.

And it’s odd, too, because Raymond definitely gets the whole treatment; everything from his success as a businessman, to his failure as a family man is clearly shown and explored. But for some reason, it still feels like the movie is struggling with what to do, or say about this man. Sure, he brought himself up from nothing, to become more than just someone, or something, but is that about it? What did he do to get to that? Who was he with? What was the rest of the world like? Any sort of conflict?

And above all else, why do we care?

Truth is, we sort of don’t.

It’s even better when you’ve got a fine ‘stache.

That isn’t to say that Winterbottom and Coogan especially, don’t seem to try here, because they do. As Raymond, Coogan gets a chance to be light, funny, and a little dirty, which is something the man has always excelled in. But when it does come to the movie showing us more to Raymond behind the lovable and wacky facade, the movie stumbles a bit and Coogan’s performance can’t really save things in that department, either. We see that he loves his daughter and is fair to his ex-wives and lovers, but does that really give us a total reason to have a whole hour-and-a-half-long movie about his life and successes?

Once again, not really. It helps that Anna Friel and Imogen Poots are good in supporting-roles, but even they feel a bit underwritten. Friel’s ex-wife character is gone for such a long stretch of time that we almost forget about her, until she shows back up, gets naked, gets drunk, and has some fun, and Poots’ daughter character, while initially promising at first, turns into a convention that biopics like these love to utilize. Granted, she was a real person and the movie isn’t taking any narrative short-cuts in this respect, but still, it just doesn’t wholly feel right.

Was there more to her? Or her mother? Or even Raymond? Once again, we may never know.

Consensus: At the very least, the Look of Love is an entertaining, if also by-the-books biopic of a man we probably didn’t really need a whole movie dedicated to in the first place.

5 / 10

And when you’ve got plenty to drink and snort. But that’s obvious by now.

Photos Courtesy of: Indiewire

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24 Party Hour People (2002)

PartyposterDrugs make everything better. Even annoying Brits.

Tony Wilson (Steve Coogan), from what most people thought, was just another TV anchor forced to do stories on wild animals and old people. But little did some of them know that, after all of the filming was done, Wilson was also a prominent agent for some of the biggest and best British bands of the early-punk and Madchester scene that spanned from the late-70’s, to the early-90’s. Not only did Wilson make the likes of the Sex Pistols, Joy Division, New Order, and the Happy Mondays big names in the music biz, but he also help pave the way for how most night clubs should be able to handle these bands while, at the same time, still make a profit. But aside from the business aspect, Wilson also encountered some issues in his personal life, whether he was bouncing from girl-to-girl, drug-to-drug, or band-to-band, he always remained focused on making the music his first and only priority. Even if, occasionally, the bands themselves were a bit too much to handle. But no matter what, Wilson always relied on something to get him through even the biggest hurdles: Drugs. And wow, a whole lot of them, too.

Oh, to be young and trendy again.

Oh, to be young and trendy again.

What’s perhaps the most interesting element of 24 Hour Party People that not only sets it apart from the rest of the musical biopic genre, but also enlivens things, too, is the fact that every so often, Wilson turns to the camera, lets us know what’s going on, what legend has said about a certain incident and mostly, just given his own voice and opinion on things. Not only does this make the movie self-aware, but it also helps make us realize that Wilson, despite his many negative personality-traits, is an honest and relatively understanding human being. However, what’s most interesting about what director Michael Winterbottom does here is that he doesn’t ever give us the full focus on Wilson’s life, even though that’s kind of expected.

Case in point, try the one scene where Wilson meets his ex-wife and child; while we’re expecting it to be a heartfelt, albeit sappy scene trying to make us see and understand Wilson as this kind, loving and caring human being, Wilson then talks to the audience, lets us know that he does have a kid, but also reminds us that this story isn’t wholly about him. In fact, it’s about the music he helped discover and bring to the masses, the parties that constantly arose, and just why it all matters these many years later.

And for that reason, 24 Hour Party People‘s kind of a blast.

Though Winterbottom has a hard task of trying to get the whole Madchester music scene into a near-two-hour-long film, without making it seem like he’s forgotten about anyone important, he somehow is able to make it all come together. Most of this has to do with the fact that Wilson’s constant narration and breaking of the fourth-wall, actually helps us connect the dots; some may say that it’s spoon-feeding the audience and pointing out the obvious, but I look at it as a way of Winterbottom letting us know that, don’t worry, no matter how many bands or names come into the foray here, he’ll still help us out. After all, the Madchester music scene was a crazy one, and if you don’t already know all of the bands and acts going into it, you’ll more than likely get lost in all the havoc and craziness.

Thankfully, like I said, Wilson’s narration helps us all out. And due to this, the movie’s a whole lot of fun. As usual with Coogan’s productions, there’s a lot of humor that comes out of some very dark and serious situations, while at the same time, the movie doesn’t forget about the harsh realities that this music scene brought on. Of course, with the movie featuring Joy Division, it’s obvious that they’d shine a light on Ian Curtis and his suicide, but other than that, there’s still plenty of other sad things that happen. People break-up, people get back together, people gain fame, people lose it, and most of all, people lose sight of their humanity.

Ian Curtis dances weird? You don't say!

There goes Ian Curtis giving hope to all white people who think they can dance.

But no matter what 24 Hour Party People is entertaining.

Maybe it’s not as heavy as it should have been, but considering it’s a musical biopic that doesn’t try to preach any ideas about drug addiction, or fame, or money, it’s definitely “different”, for lack of a better term. Yes, it’s funny, but it’s also got a nice bit of insight into how the world of music works, how people get into place when a certain craze is beginning to take over, and just how easy it is for people to get wrapped up in all of it. Though Wilson loves good music, first and foremost, he also loves money and making plenty of it, which is why it’s neat to see his perspective on what one has to do to ensure that their nightclub makes as much profit as it should. While this definitely takes the movie away from the music, and more towards the business of what went on around it, it still adds up to creating this whole scene and why it was so great to be apart of.

And like I made a mention of before, Coogan is definitely a fine source for us to follow and see all of this happen around. Coogan’s great at playing level-headed a-holes, but here, there’s a bit more to Wilson that makes him seem more humane than usual. Still though, this movie isn’t a biopic on his life, as much as it’s about all those countless bands and people he met, which is why the ensemble has some of the finest heavy-hitters in England. The likes of Paddy Considine, Sean Harris, Andy Serkis (not in mo-cap gear), Lennie James, Shirley Henderson, and of course, plenty more, all give their two cents here, are fun, lively and round out a party worth being apart of and checking out.

Even if, you know, you didn’t get an invitation to it in the first place.

Consensus: With a smart, attentive eye to detail and facts, 24 Hour Party People isn’t just an insightful piece, but also a very funny, exciting film that perfectly captures the Madchester scene, the bands and all the other people who are alive and well during its reign.

8 / 10

Steve Coogan? Happy! You don't say!

Steve Coogan? Happy? You don’t say!

Photos Courtesy of: Stand By For Mind Control, Now Very Bad, VH Corner