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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Marisa Coughlan

Gossip (2000)

These 21st Century kids make millennials look like babies.

Sex, deception and rumors run wild amongst a group of university students and roommates when Derrick (James Marsden), Jones (Lena Headey) and Travis (Norman Reedus), collaborate on their new journalism class assignment: Identifying the link between news and gossip. But when their class project goes frighteningly out of control, it puts friendships, the future, and their lives, in total jeopardy.

Looking at Gossip from afar, you’d expect it to be your normal, by-the-numbers teen-beat thriller that features a good amount of stuck-up, rich, good-looking kids all running around, drinking, having sex, getting crazy, and saying all sorts of mean, ugly things behind one another’s back. And considering that the film stars many actors/actresses who were, at the time, nearing-30, this makes the movie actually seem like a whole lot of campy, unintentionally-silly fun. And it sort of does, which is why it’s weird to see this being directed by Davis Guggenheim; someone who is most known for directing important, finger-pointing documentaries (An Inconvenient TruthWaiting for Superman).

Not even Kate can take James seriously with that cut.

Not even Kate can take James seriously with that cut.

Pretty odd, right?

Well, what’s even odder is that Guggenheim seems to take this material a whole lot more serious than it probably needed to be. But, like I expected, there’s something fun about the fact that it revolves so much around bullying and gossiping, and doing so in such a straight-faced, no-jokes manner. And because everybody’s a lot older than who they’re playing, it’s a lot more entertaining to be watching 30-year-olds go on and on about rumors of who cheated on who and where at.

One would expect a film titled Gossip, to be one hard-hitting morality tale on how people lie with their words, only to extract revenge on that other person for something they may have done, or to just see that person being talked about, feel pain and hurt. While they touch on that a bit in this film, it’s never materialized into being anything more meaningful or smart. Instead of actually digging deep into how gossip affects us everywhere we go (jobs, media, relationships, etc.) the film takes a left-turn to silly land and becomes a “he said, she said” argument that’s not nearly as smart or as defined as it may think it is. You have to give points to the movie for at least trying, but for the most part, I just wanted them to go back to the screwing, drinking, partying, and gossiping.

Then again, who doesn’t want to watch teens do that for an-hour-and-a-half?

Like I said before, too, the cast is filled with all sorts of recognizable faces who, in plenty of other work, show that they’re more than willing to do great things with the material given to them. However, because everything is so cheesy here, they’re sort of limited to just having to go through the motions. Even if, you know, some do try to step apart from the rest of the group.

Still Pacey, bro.

Still Pacey, bro.

That one, key performance would probably have to be from James Marsden, playing some asshole named Derrick. Marsden is a good-looking guy; there’s no doubting that, no matter who you are, what’s your sexual orientation, or what your taste is. Where Marsden works well with here is that he plays against that fact and shows that, yes, while he may be awfully handsome, there’s not much more to him than that. He’s rude to girls, treats them like used-tissues, and will, on more than a few occasions, make himself feel better regardless of how it makes another person feel. Yes, he’s so deuchy and annoying, that it makes Marsden’s performance all the better and more enjoyable to watch because he’s not backing down from it one bit. Sure, it’s hard to imagine what sorts of wonders Marsden could have done with a better movie/character to work with by his side, but for what it’s worth, the dude gave all that he could.

And what else could you ask for?

That’s why when I look at everybody else in the cast, while I’m initially impressed, I see them in the film and it’s a bit of a disappointment. Nobody, much like with Marsden, is given all that much to do, so they’re sort of just left with being around and servicing a lackluster script. Lena Heady is most definitely pretty, but her character is flat and seems like she’s in a whole other movie completely; the incredibly talented Norman Reedus is fine as the art-weirdo that seems to be a bit too obsessed with all of this gossip-talking, but seeing what he does now on TV, really makes me think that this type of character doesn’t really suit him totally well; same goes for Joshua Jackson who, with the Affair, seems like he was primed and ready for a good role to come his way, he just wasn’t getting it just yet; Kate Hudson despite not being around nearly as much as she should is good in a rare dramatic role as the rich girl, Naomi, because the verdict is never fully out on whether this character is as good of a girl as she says she is, or is as raunchy and vindictive as others say, too; and Eric Bogosian seems so randomly-placed here that it’s actually pretty awesome. He definitely took this as a nice paycheck gig, but still: When was the last time you could say you saw Eric Bogosian in the same film as Cyclops, Daryl, Pacey, and Cersei?

Never! So yeah, see it for that, if anything else.

Consensus: Gossip wants to be, at certain points, a trashy, over-the-top and wacky teen-thriller, while at others, wants to be a melodramatic, soap-opera-y message movie about the affects of false rumors and never makes perfect sense of either, but is still occasionally entertaining to watch because of the cast involved.

5 / 10

Teenagers. Literally never get old.

Teenagers. Literally never get old.

Photos Courtesy of: Movpins

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Space Station 76 (2014)

Being up in space can make a lot of people upset. And horny too, apparently.

Somewhere all the way up in space, lies Space Station 76 a refueling outpost that is being currently used in the 70’s. Aboard the 76 are a bunch of sad and lonely people, most of whom don’t really seem to understand that there’s more to life than just what’s given to them. Like, for instance, try the ship’s mechanic (Matt Bomer), who can’t seem to get a grip on his emotions, or even his philandering, constantly pill-popping wife (Marisa Coughlan). Then, there’s also Captain Glenn (Patrick Wilson) who, because of a secret he’s holding near and dear to his heart, is slowly dying inside and is contemplating whether or not this life that he has is worth living after all. But, soon, both of these men’s lives are changed once Jessica (Liv Tyler), a new second-in-command to Glenn, shakes things up. Not to mention, she comes around during the most joyful, happiest time of the year: the Holidays! What’s so sad about that?

"What did I tell you about singing, "Walk this Way" in my presence?"

“What did I tell you about singing, “Walk this Way” in my presence?”

On the surface, Space Station 76 seems like an over-the-top, campy-farce that wants to make fun of 70’s fashion, ideas, and conventions that they can’t even contain themselves on the very retro-looking poster. And pretty much, for the first thirty minutes or so, that’s exactly how it all plays out. It’s definitely over-the-top and campy as one would expect, but also incredibly weird, with random, almost shocking scenes of sex and masturbation, and an overall tone that was so bizarre, I couldn’t help but feeling like I stumbled upon a late-night special from Adult Swim. That’s not to say any of what I’m saying is actually a bad thing, as much as it was just a thing that I was enjoying, but wasn’t too sure about how well it would still hold-up for the next hour and ten minutes.

Then, things got weird. But again, in a good way.

See, where Space Station 76 really pulls the rug from underneath its audience, is in the way that it slowly, very tenderly-like, reveals itself to be something of a dark, intimate drama about some very sad, emotionally-troubled people. It still has an odd sense of humor placed in throughout, but for the most part, once the second-half rolls on by, it becomes clear that we’re not dealing with a sci-fi camp-fest – in fact, we’re dealing with a rather interesting dramedy. But it’s not that because the movie plays with its audience’s expectations is the reason why this is interesting, it’s mostly because the characters put into it, as much as they seem caricatures, are mostly all well thought-out, three-dimensional human beings. Sure, they have some weird stuff going on with them, but tell me, what person doesn’t?

With each and every character here, we get a few that we know we’re supposed to like and actually care for, even if we don’t really know them fully well; all we do know is that they’re sad and want more out of life. Because of that, the movie works best as a way to figure out which characters deserve our attentions the most, but here’s the real kicker – even the characters who initially seem to be just plain old, immoral a-holes, they actually turn out to be more human than you’d expect. It’s a wonder that a movie can make us sympathize with Marisa Coughlan’s wife, considering that she constantly cheats on her dedicated, honorable husband (with a character portrayed by Jerry O’Connell no less), then comes home, only to bitch at him for not doing something she wanted, or whatever, but that’s what co-writer/director Jack Plotnick is able to do and it works for every other character here.

Matt Bomer’s lonely hubby character, not only makes you’d want to give him a hug, but hope that whoever does give him said hug, is a person he can spend the rest of his life with. I didn’t expect Bomer to work for me here as the down-and-out mechanic, but he works well in creating a character wants our sympathy, but doesn’t demand it; he’s just wholesome enough that you appreciate his nice tendencies, but isn’t a perfect human being either. So when Liv Tyler’s character walks in and changes thing around for Bomer’s character, not only does he feel happiness and hope for his future, but it also makes you, the viewer, feel the same as well. What I said about Bomer is the same thing for Liv Tyler, the kind of actress who has left me quite cold in the past. She’s fine here in that she’s allowed to be a bit of a sweetheart, albeit, one who may not be exactly who she presents herself as being from the first appearance of her in this flick.

Tee-hee. 70's clothes are funny.

Tee-hee. 70’s clothes are funny.

But the one character who really kept my interest the most was Patrick Wilson as Captain Glenn, a character who’s secret dilemma I called from a mile away, but still didn’t affect him, the character. Because, as he’s written, Glenn too is a very sad individual, but Wilson does something neat with him in that he makes him rather insufferable in certain spots of this movie. Whereas the movie wants us to be a bit creeped-out by his appearance and actions towards those around him on the spaceship, Wilson still can’t help himself to make him the least bit likable, although he’s still not fully as trustworthy as Wilson’s characters have been before. Still, as it is, there’s something inherently sympathetic to this character that makes him worth standing by and, ultimately, rooting for. For lack of a better term.

While mostly all of these characters are strong in their ways, there’s still a feeling this movie could had been a lot better, placed as just an ordinary drama as was. Sure, the spaceship-setting probably was done so on purpose to divert its attention away from the other dramedies of the same nature, but it still seems unnecessary at times, especially considering it’s the 70’s and there are a little too many jokes made at the expense of the fashion, the look and the feel of those days and ages. Don’t get me wrong, I always have a little chuckle whenever I see somebody spotting a silly, 70’s-era porn-stache, but for something as smart and well-done this, I felt like it was a little too cheap for its own good.

Oh well, guess you have to please everybody.

Consensus: Though it pulls a bit too many lame jokes, Space Station 76 surprisingly works best as a drama, and one that pays plenty of attention to its well-written characters.

7 / 10 = Rental!!

Okay, this little guy was kind of funny.

Okay, this little guy was kind of funny.

Photo’s Credit to: Goggle Images