That guy pulling you over on the freeway? Yeah, he’s totally high on coke.
Terence McDonough (Nicolas Cage) is not the type of cop you want to mess with. And I don’t mean that in the sense that he’s a dangerous dude that will practically throw the book at you if you go past a stop sign and give him lip. Nope, I mean it in the way that he’s as crooked as a squiggly-line, is always perked-up on coke, oxy, heroin, whatever the hell he can find, and never seems to be in the right state of mind. Yeah, he’s that type of cop and the one that nobody wants to be around, nor be on the opposite end of the law with, hence why most of them just stay out of his way and let him do his thing, as insane as it may be. However, all of McDonough’s wild times of drugs, sex, alcohol, hookers, and all sorts of other debauchery finally begins to catch up with him once he has to get involved with the brutal murder of local family. Almost too involved, one could say.
Yes, I know. If any of you are long time readers out there reading this now, you will most likely come to know that I have indeed reviewed this back in the day when it first came out, four years ago. However, times have changed for me and this movie since those years ago, and I’ll tell you exactly what:
1.) For starters, I’ve become more in-tune with what makes a good film, actually considered “good” and all of the other essential parts here and there.
2.) I’ve seen more and more Nicolas Cage performances that I not only like, but came so far as to loving.
3.) I’ve seen more and more Werner Herzog movies, both documentaries and narrative-films that I not only like, but also came so far as to loving.
4.) And last, but sure as hell not least is the fact that I’ve actually seen the original, Abel Ferarra’s Bad Lieutenant, and needless to say, this movie swims laps, and then some, around that one.
“Pimp My Ride sucked. Hahahaahahahah!!”
I know that the original and this remake don’t really share so much in common, except for the general plot-line and a tad bit of the name, but overall, the two flicks seem to have some sort of connection that goes further than just same characters and plot-outlines; it’s more that the flicks show their directors, and their main stars at the peak of their game, with one combination doing better than the other. The one combination that really worked to it’s ability was this movie, and no cheap shots at the original or Harvey Keitel’s penis, but this movie is a lot better and a lot more worth watching, especially if you’re in a happy, average mood. If you’re a deep, dark, depressing, and spiritually-thoughtful mood, then give the original a shot and see how many times you never look at Harvey Keitel the same again.
Where this movie works the best in, is not through its conventional plot, or through the twists and turns it sometimes throws at us, it’s more how the movie paces itself and makes this more than just a standard, police-procedural where we see a cop who’s obviously battling some inner-demons of his own creation, also come to terms with the harsh realities of the world outside of him. Some of those ideas are scattered throughout this movie, but most importantly, it’s a movie that shows one man’s descent from hell, to total purgatory. It’s also about every step he takes closer and closer towards crime and paying-off his debts, he gets further and further away from what makes a person considered “moral” or “good”. Plenty of those discussions come up, but they never seem to be used in a heavy-handed way like we’re used to seeing. Herzog’s better than that and so is Cage.
Together, these two compliment each other a whole lot better the second time on seeing them. With Herzog, everything new, cool, or fun that he brings to this story and the screen, he runs with and never lets anybody, or anything get in the way of it. It doesn’t matter what people are used to seeing with plots like these; if Herzog has an idea in his head that he wants to use, he’s going to use it and you better be happy with it. Sometimes, the decisions he takes are a little goofy, and take away from what the movie’s whole “message” is supposed to be, but they’re never anything too far-out to the point of where I lost any idea of just what I was watching. Despite all of the P-O-V shots from iguanas, alligators, and fishes, the movie still makes sense and builds up to a cohesive, understandable story that’s not hard to follow along with, nor is it any less compelling to watch. You don’t need some slick twist or turns to juice up a story like this, all you need is an interesting enough central character to really keep your eyes glued, and with the character of Terence McDonough, and Nicolas Cage playing him, you couldn’t have asked for anyone better.
Most of you may already know this around, but I’m a Nicolas Cage fan through-and-through. No matter how many bombs the guy has made in the past; no matter how many random chicks he’s dated; and especially, no matter how many times he’s tried to be cool and just hasn’t let it work for him, the guy always gets a pass from me because of those one-in-a-million shots he gets, to where he is able to prove to us that he is indeed not just a talented actor, but one of the best working today. That’s what I love so much about the guy in everything he does, especially in this. He’s insane, nutso, bonkers-as-hell, high all of the time, and is always on the verge of a mental breakdown, whether it be the Nic Cage I’m talking about on-screen or off.
He and Herzog work well with one another because they do things together, that you’d never expect them to be able to pull-off, and do it so successfully.
Don’t be so quick to judge, they were talking shit on Knowing.
For instance, there are plenty of long, tracking-shots where it’s just Nic Cage’s face going through all sorts of emotions, and not a single one of them are here to be put in here. Even with lines like “Keep shooting! His soul’s still dancing!”, or “I’ll kill you all to the break of dawn”, where Cage’s sense of being off-kilter is almost ridiculous, you never lose respect for this character, nor for Cage and his ability as an actor either. Still, you laugh your ass off at him, but also with him as it’s made pretty clear to us that not only does Cage know what type of performance he’s giving, but so does the rest of the cast and crew involved. They are all just there to have a little bit of fun, and watch the master at work.
Once Herzog eventually gets back to filming actual movies with a narrative in force, I hope to see more of Cage get involved with them, because not only does Herzog know what to do with him, but he also allows him to run the show with total faith and trust thrown firmly in the dude’s grasps.
Even though it is totally Cage’s show from start to finish, the supporting cast actually helps him out as well. Eva Mendes is playing it surprisingly straight-laced as his coke-addled, hooker girlfriend that loves him, but also can’t stop whoring around to protect her life for the hell of it; Xzibit is surprisingly intense as the main drug-lord of New Orleans that Terence takes a liking to; Val Kilmer is fun and entertaining to watch, just because he always finds a way to bring out that pitch perfect comedic-timing of his; it’s always a joy to see Fairuza Balk back on the big-screen, especially with her supporting some pretty fine, sexy lingerie; and even Brad Dourif gets to have some fun as the exasperated bookie who just wants his freakin’ money, man!
Overall, everybody’s good, but it’s Nic Cage’s show, and you can’t ever fuck with that.
Consensus: Though it’s a very odd, very strange experience to go through, Herzog, Cage, and the rest of the cast and crew keep Bad Lieutenant: Port of Call New Orleans surprisingly grounded in a sense of emotional-reality where drugs is more than just a reliance for people; it’s practically life.
8.5 / 10 = Matinee!!
“Told ya life would get better after Ghost Rider.”
Photo’s Credit to: IMDB, Collider, Joblo