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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Michael Massee

Lost Highway (1997)

Sometimes, you’ve just got to get off the road. Like, way off the road.

Cool and happenin’ jazz musician Fred (Bill Pullman) lives a pretty fine life with his lovely wife (Patricia Arquette). But for some reason, he constantly keeps on thinking that she’s having an affair, driving him to go a little bit nuts in the head. However, he is shocked when he discovers that she’s dead and is being framed for it all, without he himself knowing whether or not he actually did it. Meanwhile, I think, there’s a young mechanic named Pete (Balthazar Getty) who is suddenly drawn into a web of deceit by a temptress (Patricia Arquette) who is cheating on her gangster boyfriend (Robert Loggia). Are these two tales linked? And if so, by what?

Uh. I’ll take my chances at a Motel 6.

Lost Highway is, no surprise, another one of David Lynch’s mind-benders that probably takes more time to watch and decipher it, again and again, than is probably necessary. However, there’s also some fun to be had in that, what with the movie not forgetting to constantly throw small hints, clues and little bits and pieces at us that may or may not tell us the whole story, or may just lead us down a path towards more darkness and confusion than ever before. Then again, there’s some fun to be had in that, especially when Lynch himself seems to know of the maze he’s taking us on, rather making stuff as he goes along, as he can often sometimes seem to do.

And in Lost Highway, there’s some fun to be had, but also some annoyance, too. In a way, it’s hard to really pin-point what it is about this movie works and what doesn’t, as much as it’s easy to say what’s hitting its mark the way it’s intended to, and what isn’t. For Lynch here, it seems like he’s got the mood down perfectly; there’s a creepy air of neo-noir mystery, coldness, and darkness that actually makes it more interesting to watch, despite the slow pace and sometimes meandering story. But Lynch clearly put a lot of effort into the way the movie look, felt and sounded, with all aspects being top-notch and creating a very paranoid, sometimes eerie aura of danger lurking somewhere underneath, and it pays off.

Then, you get to the story and well, there’s a lot to be desired.

It’s not that Lynch made a mistake in telling these two different stories and demanding that we make the connection in our times, by ourselves, it’s just that they aren’t all that interesting to watch. Bill Pullman’s story has some interest-factor because of it seeming like an attack on the male-psyche, whereas Balthazar Getty’s seems to sort of go nowhere. It’s as if Lynch was so enchanted with Arquette in the first place, that he didn’t really care how much mileage he could get out of her – so long as she was willing to act in two, somewhat different roles, then so be it.

Like, is she even real?

And well, there’s not a problem with that, either, because Arquette is quite good in both roles, playing up her beauty and sweetness, as well as her possible viciousness and danger, too. Arquette’s dual roles, while showing her off as being both sleek and sexy, also give her a chance to fool around with the audience, not allowing us to know whether or not she’s a good person, a bad one, or even a person at all. After all, she could just be a figment of these two guys’ imaginations, as well as our owns. The movie doesn’t always make that clear and while it’s a solid job on Lynch’s part for keeping that guess up and about, it’s also a solid job on Arquette’s too for never losing our attention.

But it does deserve to be noted that Lost Highway, by a certain point, at least, does seem to have painted itself into a corner that it can’t get out of and when it’s all done, there’s a big question-mark left. While you can say that about practically every other Lynch flick, it feels more frustrating here, where it’s as if Lynch himself didn’t have the answers or conclusions, but instead, just wanted to take his good old time, going wherever he oh so pleased. Sure, that’s fine, mostly because it’s an entertaining and compelling watch, but sometimes, a little help here and there could definitely help.

Actually, I know they do. But hey, that’s why I am me and David Lynch is, thank heavens, David Lynch.

Consensus: Odd, creepy and downright freaky, Lost Highway highlights Lynch at his most subversive, but also shows that his knack for storytelling doesn’t always pan-out as well as he may intend.

7 / 10

Yeah, don’t ask.

Photos Courtesy of: Jay’s Analysis

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The Crow (1994)

Just wait till Kurt wakes up from his sleep. There’s gonna be some hell to pay.

Eric Draven (Brandon Lee) was a young, hip, cool, and happy dude that lived his life to the fullest with his fiancée and the local kid that they would watch over from time to time. However one night changes all that when a band of thugs stroll in, kill him, and rape and murder his girl. Fast forward to a year later, on the same night, Eric resurrects from the dead only to get revenge on the people who caused his death in the first place, as well as the powerful kingpin who may have been behind it all along (Michael Wincott).

I don’t think I’m sharing any shocking news to anybody out there reading this, but as you know, the leading star of The Crow, Brandon Lee, son of Bruce, tragically died on the morning of March 31, 1993, because of a gunshot wound that was supposed to be a dummy bullet, but was instead a very, very real one. It’s news that I don’t think is necessarily “new”, but it’s something you should definitely know about before seeing this flick as it puts a darker spin on a movie that, hell, was already pretty dark to begin with. But being a film-viewer and one that acknowledges tragedy and what could have been, I will admit that it’s very sad to see something as upsetting as a wrongful death happen to a star that seemed to have so much promise going for him.

What’s even sadder however, is how damn ironic this flick is, especially when you know that Brandon Lee is dead and is in fact, playing a dead guy who comes back alive, only to ponder the questions of living life, being dead, and the after-life.

"Hahahaha! I laugh at you soft, PG-rated superhero movies!"

“Hahahaha! I laugh at you soft, PG-rated superhero movies!”

Yup, it gets pretty shaky at times when you look at this movie in hindsight, but there’s something about this movie that still stays cool and fun. That’s all thanks to director Alex Proyas who, as you could probably tell from the first shot of this movie, had a background in music videos prior to this. Proyas gives us a style that’s as unrelenting and seedy as the underworld it takes place in and around, while also speeding things up when we need it to. There’s a certain sense of energy and quickness in the tone of this movie, but it’s also very somber and it never lets you forget that, no matter how crazy the story may turn out to be with it’s ghosts and all.

That’s why a movie like this would usually scare the hell out of audiences by having them think it’s “uncool” to see something as goth and evil as this, but the movie walks a fine line between being strictly for the geeks, as well as for the action-audience as well. It’s a fine line that they cross a couple of times when it decides to get a bit in too over it’s head with all the questions and thoughts about remorse, death, and how we all approach grief, but still kept me intrigued. I’ve probably watched this movie about three or four times by now, and it’s only gotten better for me once I realized that there was more to this direction than I’ve ever noticed before. Proyas is a flashy guy, but he never loses his sense of wonder and allowing people to join in on that wonder and look around for a bit if they like. I looked around, and I liked what I saw, for the most part.

What I didn’t like when I looked around is the story itself which, if you take into consideration what it’s really about, is pretty weak in trying to convey emotions. Without sounding too harsh, if it wasn’t for the real life fact that Lee died, the story probably wouldn’t have been as emotional and hit harder, because it’s pretty standard stuff. Dude wakes up from death; dude wants revenge; and dude his revenge in the bloodiest, most unabashed ways possible. So standard, that when the movie tries to get us to feel anything, anything at all, it loses complete control of what it’s really about and brings into question whether or not this movie had a second-agenda to itself, or is it really just trying to be a darker, R-rated version of a superhero movie that gets the baddies, exactly where it hurts? The answers never really come, because the movie never knows what it wants to be, but at least stayed interesting because Proyas gives us so much eye candy to taste on.

And also the real-life fact that Lee died.

Okay! I’m just saying!

While I’m on the subject of Lee, the dude does fine as Eric Draven, but it’s honestly not something I’ll remember for the rest of my days and wonder “what could have been?” It’s more or less a performance that is amazing when it comes to the physical attributes of it and what he had to do in order to kick ass and make it look realistic, but when it comes to giving this character a heart or a soul (I’m guessing that’s a pun), Lee doesn’t really seem to hit his mark. He shows joy and wonder in messing with the dudes he’s set out to get, but everything else, whether it be to emote or show some sort of heartfelt feeling in the pit of his head, he seems like he’s trying a bit too hard, or isn’t trying at all. It’s a shame too, because I feel like Lee would have gotten better and better as time went along and he had more roles come his way, but for what he left us on, I can’t say I was colored impress. I was saddened to not see more of him, but life will go on and I’ll probably think about him, his life, or what could have happened to his career, less and less as the days go by. That’s not me being mean, that’s just me telling it like it is.

Since it's the dirty and dark streets of Detroit, I guess hair-trimming is out of the question?

Since it’s the dirty and dark streets of Detroit, I guess hair-trimming is out of the question?

Despite Lee not being the electrifying-presence the movie may have needed to really tune itself up, the supporters are energetic and fun to watch, even if the movie seems more concerned with Lee and Proyas’ style. Michael Wincott is a bunch of fun to watch as the main baddie of them all who shows that he always has the upper-hand on everybody, whether it be because of his control of the city, or because of the skills he has to kill people in most unexpected ways. Whatever it may be, the dude provides an equal-villain against the Crow and doesn’t allow himself to get out-shined once him and Lee share the same screen together. Other detestable character actors like Jon Polito, Bai Ling, and David Patrick Kelly show their fine faces and give us the type of baddies we want and desire from a movie like this, and keep it fun and over-the-top, just like it needed to be, in order to be taken seriously.

Strange to say, but “over-the-top”, seemed like the right way to go for this movie to ever be taken in as a smart meditation on life and death, even for those 15-year-old kids who probably went out, saw it with their parents’ money, went home, and told them both how much he/she hated them and couldn’t wait to live out on their own after high school.

And then they didn’t, and felt like a bunch of a-holes; like we all do at age 15.

Consensus: The personal, on-set tragedy of what happened to the Crow, may overshadow some of the movie’s obvious faults, but taken in as a movie and a swan song for Brandon Lee, it shows that there was talent here and there, it just never got a chance to shine away like it did for his daddy.

7 / 10 = Rental!!

Best solo of his life, now he's done. Forever. RIP Brandon Lee.

Best solo of his life, now he’s done. Forever. RIP Brandon Lee.

Photo’s Credit to: Goggle Images