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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Mike Epps

Roll Bounce (2005)

Is this what the kids nowadays call “blading”……yo?

After the death of his mom, Xavier (Bow Wow) has been having a bit of a rough go. His dad has hit a serious case of depression, his little sister needs someone to look up to, and yeah, he basically just doesn’t know where he wants to go, nor what he actually wants to do with his life. The only thing in his life that he is certain about is roller-skating, but even that’s hit a bit of a rough patch now with his local skate palace being torn down. Now, without one near by, Xavier and his buddies have to travel all the way uptown, where the people are richer, more priveleged, and oh yeah, whiter. Obviously, Xavier and his buddies stick out like sore-thumbs amongst this very rich and preppy crowd, but they make it all work by just being themselves, skating their assess off, and having a good time through it all. But with local skate legend Sweetness (Wesley Jonathan) back in town and looking to maintain his territory, Xavier and his boys are going to have to step up their games.

Both on and off the rink.

Lean with it….

Roll Bounce is pretty conventional and formulaic, but it’s also the kind of movie that gets by solely on the fact that it’s so sweet, so earnest, and so easygoing, that it’s easy to just forget about all of its issues and enjoy the time you have with it. Granted, there are plenty of problems and, if you’re looking very, very close, you can probably see more bad then good, but for me, Roll Bounce feels like the right kind of soft-hearted nostalgia that means well, isn’t trying to change the world, and just have some fun. In other words, it’s what every movie, ever made, should aspire to be.

But once again, there are those problems that keep Roll Bounce away from achieving some actual greatness. For one, its plot is a little flimsy and at times, doesn’t seem to really be making much sense of itself. While it’s not all that hard to do a coming-of-age tale, it’s also a lot harder to sort of screw it up, where your messages about growing up, becoming an adult, and figuring out just who, or what, you are, don’t fully come together. Xavier, on paper, is our traditional protagonist for a story such as this, and while it’s not hard to sympathize for a character who has already endured so much hardship, it’s not hard to sort of not care about any of it all.

Of course, that isn’t to discredit Bow Wow, or anybody else in this cast – the problem is purely a script issue.

….rock with it!

Director Malcolm D. Lee and screenwriter Norman Vance know how to set the mood and the tone for a movie taking place in the dog days of summer, where everything is catching up on itself, memories are being made, and yeah, people are getting a little tired of the damn heat, but when it comes to making a real compelling story out of it all, they sort of drop the ball. It’s just too melodramatic and cheesy at times to fully work; while it may appear to be a sort of sports movie, it is, in actuality, a family-drama that never gets all that interesting. Chi McBride is good as Xavier’s dad who has some real problems of his own, and had he been given his own movie, it probably would have worked, but put up against Xavier, his wacky and wild buddies, and whatever the hell they’re doing at the skating-rink, yeah, it feels odd.

That said, the tone here is quite infectious and it’s hard to really get past that. It’s close to two hours and yeah, it definitely doesn’t need to be; some characters get development and certain shadings that, quite frankly, don’t really matter, or even go anywhere. But the skating stuff, in and of itself, is what saves the movie, because whenever it seems like the story’s getting too far gone in its own head, thankfully, the bright colors, the loud music, the huge afro’s, and the constant rolling, take over and make things better.

If only for a small bit.

Consensus: Clearly an earnest and sweet piece of nostalgia, Roll Bounce gets by solely on its charm, and not anywhere near its story, or its sometimes odd script that doesn’t always have the faintest clue what it wants to be, or do.

6 / 10

Take the skates off and yeah, they’re just a bunch of punks! Get a job, ya damn kids!

Photos Courtesy of: Fox Searchlight

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Soul Men (2008)

How many times can you say “mother****er” and still have it be funny each and every time?

Louis (Samuel L Jackson) and Floyd (Bernie Mac) were part of a popular singing duo back in the day, but both went their separate ways and never spoke again. When the death of their former group leader (John Legend) reunites them and sends them driving cross country for a tribute concert at the legendary Apollo Theatre, they will have only five days to bury the hatchet on a 20-year-old grudge.

If there’s any reason as to why you’d bother with Soul Men, it has to be because you want to see one of Bernie Mac’s final movies. Apparently, Samuel L. Jackson and Bernie Mac were friends for a couple of decades before this movie came out and just wanted to be in a film together for the longest time, and you can totally tell why because they have amazing chemistry here. Every chance they get together on-screen, it’s like magic working between two buddies that never seems to end and they always have something to say to each other, no matter how crude or rude it may be.

Move over, John. Let Sammy and Bernie take over!

Move over, John. Let Sammy and Bernie take over!

Which is to say that a lot of it is definitely ad-libbed as they go on non-stop rants using “mother****er” about 50 or so times (that is not an exaggeration either, people), and that’s what adds a lot of comedy to this film. There were many times where I found myself laughing really hard, other times I found myself chuckling, and other times I just felt myself smiling because I was seeing two buddies work together like they always wanted to, and having an absolute blast with it. Seriously, if it wasn’t for these two guys, this movie would have totally, and I do repeat, totally would have sucked, but because they’re together and making an absolute blast out of it, it’s worth watching.

But it’s not always these two guys together and that’s perhaps the biggest issue with Soul Men.

Since Soul Men is a tale about two older dudes on the road to a concert, we get a lot of blabbering, yelling, screaming, hootin’, and hollerin’ between the two which is relatively amusing at first because it’s these two guys doing it and they always make it entertaining to watch, but then it just goes on and on and on until the film really seems like it’s running out of ideas. A good boner joke is nice to have about two or three times when you have a movie about old dudes that are trying to stay hip and with it, but seriously, when you get to the point of when you have it up to a total of twelve jokes in a 90-minute movie, then you’re just shooting more for the teen-comedy crowd and not the type that would actually venture out to see a Mac/Jackson comedy about two old guys.

As with most movies that revolve around a band, and or, music in general, the soundtrack here is pretty solid with a couple of memorable tunes that pop in and out from time-to-time, as well as some original ones that sound like covers and are all pretty nice and fun to listen to, but don’t really do anything for the movie. Most of them sound unoriginal and although Mac and Jackson sing all of the songs with their terrible voices, they’re never actually played-up for laughs. Instead of the songs actually being a bit goofy and humorous at how bad these guys blow, they play it too seriously and every song-sequence goes on for way too long without any jokes involved whatsoever.

Jackets don't get any prettier than that!

Green suit-jackets don’t get any prettier than that!

It gets even worse once the film begins to get sympathetic by the end and the really lose itself as it just feels uneven. If a comedy wants to play it nice and sweet by the end, there’s no problem with that. However, with Soul Men, it felt forced. Revelations come out as if they were working their way into the story the whole time and a certain character that’s supposed to mean something to both of these guys, doesn’t really do anything and is sort of forgotten about once that character leaves the screen.

I’m not trying to spoil anything, but does it really matter?

Probably the strangest fact about this movie is not only how Bernie Mac died after filming just wrapped-up, but also how Issac Hayes, who also shows up here, died exactly a day after him. That’s right Chef was a goner right after Mac, and at the end of the movie they sort of touch on this fact in a very well-done, and emotionally-charged tribute to the two and it actually got me a bit misty-eyed. This tribute was probably the highlight of this flick and definitely seemed like it got more attention to it, than the actual film itself and it’s shame that Mac and Hayes had to go out on something like this because even though the movie’s not horrible to watch, you still can’t help but feel like these two deserved something better to use as a swan song and have people remember why they were so loved in the first place.

Either way, R.I.P you two soul men.

Consensus: Despite there being a great chemistry between Samuel L. Jackson and Bernie Mac, Soul Men still flounders underneath its own weight of sentimentality and a lack of actual fun, interesting ideas to roll with its story.

5 / 10

RIP you two on the left. You on the right, however, keep doing what you're doing. Like cursing. A lot.

RIP you two on the left. You on the right, however, keep doing what you’re doing. Like cursing. A lot.

Photos Courtesy of: Aceshowbiz

The Hangover Part III (2013)

What happens in Vegas, should always stay in Vegas. This included.

Phil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifiankis), and yes, even Doug (Justin Bartha) reunite for one last adventure in Vegas. However, it isn’t the type of fun-filled adventure they expected to begin with. Rather than living up the night with drugs, sex, booze, women, and Mike Tyson’s tiger, Doug gets kidnapped from a powerful drug-dealer (John Goodman), who wants one thing and one thing only in return: Mr. Chow (Ken Jeong).

The first Hangover, as we all know, was a smash-hit. It was funny, broke box-office records, and even won the Golden Globe for Best Musical or Comedy (against (500) Days of Summer, which still, to this day, is bullshit). So, obviously, it seems like the next, big step for the franchise would be to have a sequel that not only capitalized on the first one’s charm, but enhanced it in a way as well. By the word “enhance”, I mean to just substitute certain aspects of the story out, for other parts like a brother-in-law nobody gives a shit about, for a hubby-to-be that’s Justin Bartha. Yup, I am indeed talking about the second movie that not only pissed off critics, but pissed off audiences as well. Apparently, it didn’t piss them off enough considering that the movie still kicked ass at the box-office and assured that yes: there would be a third, and final one, whether or not anybody actually wanted it.

This is what we have here ending the series, and that’s some joyous news. The movie’s not the joyous news, the fact that it’s the last one in the franchise is the joyous news.

I guess Doug was granted "hanging out with the guys" privileges. Then, killed off several seconds later...

I guess Doug was granted “hanging out with the guys” privileges. Then, killed off several seconds later…

Before I get any further into the nuts and bolts of this movie, I’m just going to put it plain and simple: the movie is just not funny. Yes, the occasional chuckle occurred here and there, but other than half-a-handful of times, nothing really made me laugh, smile, or happy that I was watching these guys go out with a bang. Instead, all I got was a movie that tried to recycle the same old jokes from the first two, and if they didn’t bother doing that; they didn’t even try to be funny. Todd Phillips and the rest of his crew obviously seem to love these characters and all that they go through more than us, so rather than letting them do what makes us love them so much in the first place (be funny), he steps in the way, puts a way-too complicated plot in place, and knocks down any chance for a hilarious moment to occur.

I get that this is the last movie in the series and that Phillips wants to end on a high-note that has us remember these characters for all that they are and what they were, but he tries way too much by just adding lame-ass drama. Lame-ass drama that, by the way, totally brings down the energy and the tone of the movie, giving us a movie that doesn’t know whether or not it wants to be a comedy with streaks of dark, or a drama, with streaks of dark comedy. It ends up being neither, and watching it be slapped back-and-forth by what it wants to be and accomplish, just is not entertaining to watch, no matter how much plot or story Phillips wants to add on. Not even his trademark cameo can make this movie worth watching. In fact, it’s the exact opposite as it seems like the dude was just trying to pull-out any stop that he could, and seemed to fail at doing so.

That’s the real problem with this movie, other than not being funny: it tries ridiculously hard and does not work a bit. There comes a point where you really feel as if this movie is going to take the high-road, hit us with a genius situation that not only makes us laugh, but understand why we love the Wolf Pack for all that they were in the first movie, but we never get that. However, what we do get is a bunch of dudes that bicker about random shit that’s better left unsaid or not acknowledged in any way, running errand-to-errand, and switching more cars than a South Street hooker. None of this is funny to watch, even if Phillips and his crew seem to set these guys up for moments of pure-hilarity, only to have the mark missed and fall right on their toes, without them knowing what the hell to do.

And shame on Todd Phillips for not knowing what to do with these three guys, because if anything, they were the only ones saving that last train-wreck from collapsing to it’s painful, memorable death. In fact, while I’m at it, shame on Todd Phillips for not being able to take advantage of the cast and crew he was able to get back to return for this (hopefully) last installment. You got Mike Epps as Black Doug, Heather Graham as the hooker-wife of Stu/mother of “Carlos”, and even newcomers like John Goodman and Melissa McCarth. All can be funny as hell when they are allowed to go bonkers, but just get held-back by a script/direction that doesn’t seem all too concerned with them. Hell, it doesn’t even seem all that concerned with the Wolf Pack, and instead, diverts most of it’s attention to Mr. Chow!

Listen here, Mr. Chow was a pretty funny-ass character in the first movie because he showed up every once and awhile, did his goofy-Chinese thang, showed his weenie, simulated ejaculating all over people, and let it be left at that. However, this whole movie seems to not only include that, but more and more of it, which is not only unneeded, but it’s stupid because the movie is more of his, rather than the dudes who started the franchise in the first place. It isn’t like Ken Jeong isn’t capable of playing this character well, it’s just that the character has been played-out beyond belief by now, even though nobody working on the film seems to realize that after the first ten times they show him up on-screen. Seriously, this movie could have been without Bradley, Ed, and Zach, and nobody would have noticed. It’s basically Chow’s show from beginning-to-end, and it’s never funny to sit around and view.

It's funny because he's just a little Asian dude acting like a sheriff!!!

It’s funny because he’s just a little Asian dude acting like a sheriff!!!

It’s a real shame too, because Bradley, Ed, and Zach still seem to have some sort of dynamic between one another that would be perfect for a movie that cared more about them, but that’s not this movie. Here, they are given the boot to the side, just so Chow can say dirty and inappropriate things in a “funny” Chinese-accent. Individually, they all seem fine, but it also feels like a lost cause since they aren’t given many chances to be funny or pal-around with one another. They’re pretty much serious the whole time and it never seem to end, even if this is the shortest out of the whole franchise (hour and 40 minutes).

Bradley seems like he’s bored with the material and knows that he’s got better shit coming his way; Ed just looks nervous and awkward the whole movie, and occasionally yells for shits and gigs (because you know, yelling for the sake of yelling is hillurious!); and Zach is just being himself, but it isn’t funny. It’s more random this time around where it seems like Philips gave him the cue to just improv his ass off, which is hit or miss if you’re familiar with his stand-up. Sometimes it hits so hard that you can’t believe you’re laughing as much as you are, and sometimes it misses so bad and noticeably, you wonder if anybody even paid attention in the editing-room.

It’s obvious that nobody did, and were more concerned with getting this movie out there for all to see, hopefully spend a shit-load of money on, and give them the possibility of another sequel down the pipe-line. But since everybody involved seems to be considering it “the last”, lets hope that they stick to their word and allow it to truly be the last. If not, I think I’m going to have to burn my Carlos T-shirt up at the next, local bonfire.

Consensus: If you were there for this franchise when it took an odd-turn for the second movie and stood by it, then the Hangover Part III might just be the perfect good-by you need to calm all of your wonders and nerves down for good, but if you didn’t care for the second one at all: don’t even bother. All of the charm that was once alive and well, is all lost for the sake that a little Asian man can pull down his pants, and ejaculate all over it. So funny, right?

3 / 10 = Crapola!!

If the killing of precious, wild animals doesn't at least make you chuckle, you, my friend, have a soul in tact.

If the killing of precious, wild animals doesn’t at least make you chuckle, then you, my friend, have a soul in tact.

Sparkle (2012)

Where’s Kevin Costner when you need him?

Set in the 1960’s, three sisters form a Motown singing group, but fame has a heavy price, and Sparkle (Jordin Sparks) is seeing her family fall apart right before her eyes. While Sparkle is writing her songs, it’s her sister, named Sister (Carmen Ejogo), who has center stage.  The other two sisters are backup for her, but she is a troubled soul and could make all their hopes and dreams come crashing down.

Being one of the only three white people in a crowd full of black people, I went into this expecting nothing much except for good music, some good times, and also, something that may have not necessarily been targeted towards me. Thankfully, I got both with just a bit more than I expected and yes, it was for me.

I never saw the original Sparkle, and to be honest, I have no plans on doing so since it seems like this one takes that story, adds nothing new, but somehow still makes it work. I think a lot of that credit has to go director Salim Akil who actually generates a lot of nice touches here and there with rich human moments that sometimes ring true, and plenty, and I do repeat, plenty of great music to listen to and even dance along to. The Motown sound is one of the best and this film remembers it all in the best ways with a lot of of fine tracks you may have, or may have not heard before but regardless, you’ll be tapping your toes and fingers. Now maybe if the Motown sound isn’t your bag, then this probably won’t be the best film to jam around too but since it’s mine, I enjoyed that aspect of this movie. Hell, I already listened to the whole soundtrack so you know it got me going!

But once you get past all of the exhilarating and fun musical numbers, you get what is none other than your usual, predictable story of a bunch of gifted singers, trying to make it big but end up falling short due to some terrible occurrences. Yeah, it goes down the road you would expect it to within the first 5 minutes and it’s a shame because this film could have really shown off some real twists and turns that would have gripped me a lot more had they decided to go down the road less traveled with musical flicks. You get wives being beaten, race cards being pulled, felonies committed, and racial politics being discussed, and it just gets to be the usual cliché-ridden tale you would expect from a story about a bunch of singers in the 60’s and 70’s.

But at the end of the day, everything is predictable and obvious but you never once get left out the story. There’s a type of sensitivity that Akil brings to this material where he spends times with these characters, allows us to get to know where they come from, and where their dreams are headed. I wouldn’t go as far as to say that this is a rich character drama that takes time with it’s story and characters, but at least it gives us something to hold onto and make us root behind these people when their lives really seem to go to shit. But it wasn’t just Akil’s direction that made these characters work, a lot of that has to be because of the ensemble cast of characters on-display here that make every one-dimensional character, seem like a hell of a lot more despite what’s on paper.

American Idol hopeful Jordin Sparks does a fine job as Sparkle because as cliché and obvious this character’s motivations can be, she at least makes her appealing and cute to the point of where she’s at least someone we like to watch on-screen, even if everything she says and does is pretty much calculated. Carmen Ejogo kicked ass as her sister, aptly named Sister, who is the obvious Beyoncé of the group who’s live eventually starts to go down-hill once too much fame and drugs come into play. I’ve seen this Ejogo gal before in other stuff before but whatever it was, it doesn’t matter because she did a great job giving a character that is pretty two-dimensional, more of a heart and soul that feels battered (literally) and bruised due to all of her problems with breaking out of normality. Maybe I gave the character more to chew on than this flick actually did but at least she kept me interested and I wouldn’t have minded seeing a whole film about her.

As for the dudes in the cast, they all do fine with a certain somebody, once again, stealing every scene he was in. Mike Epps did a phenomenal job as the hated comedian, Satin Strothers, who just disrespects everybody he comes around and doesn’t do a nice thing throughout the whole movie, but yet, you still want to see more of him. Epps is one of these actors that can use that perfect blend of seriousness and comedy to his advantage, which he does in-fact show here very well, but there’s a type of intensity to him here as well that makes his character so damn scary whenever he’s on-screen. Yeah, the dude is pretty much your essential dickhead that doesn’t do anything pleasant throughout the whole movie, but with Epps playing him, it’s all fine and dandy.

The real shame of this movie was that this was going to be Whitney Houston‘s big comeback and sadly, as everybody knows, she died about three months after completion for it and what a freackin’ tragedy that is man because she does a great job here as the girls’ strict momma. Houston has never been an actress to write home about but at least she gives it her all and this flick as the momma that is never, ever allowing them to make the same mistakes that she did and you can feel her love and emotional support from her the whole movie. It also helps that when Houston belts out one song, she tears down the house, as you would expect from her and it’s just another sign that she could have really came back after all, and tore it down once again. Sadly, that did not happen and it’s a total disappointment.

Consensus: Sparkles features little or no surprises when it comes to its story, but features a great load of nostalgic music that takes us back to the Motown days, some fantastic performances from the cast that actually elevate these characters, and a couple of nice touches here and there of melodrama that work more than they should.

6/10=Rental!!

Jumping the Broom (2011)

I thought black weddings were a lot more fun.

It’s a comedic clash of African American cultures when the hoity-toity clan of bride Sabrina Watson (Paula Patton) and the proudly blue-collar family of groom Jason Taylor (Laz Alonso) gather on Martha’s Vineyard to celebrate the couple’s nuptials.

A couple of weeks ago I got these chicken fingers from ACME and inside of them there was this one free coupon for a One-Night DVD Rental from Redbox. Sadly, I used it with this.

What I liked about this film is that there are the occasional little laughs here and there and this film does have a nice heart in the right place. We also see the culture-barrier between high class African-Americans and low class African-Americans, which I haven’t really seen brought up in many films let alone black rom-coms.

However, all of this was taken away once the actual script started to come in play and by God, did it really ruin things. None of this here really seemed real at all and just seemed very tacked on for humor. There’s this character named Amy, played by Julie Bowen, and she has never really been around black people. So she starts to mutter her curiosities about chicken, sunscreen, race, and so many other things that I guess were supposed to be funny but instead just felt forced.

But when the comedy isn’t working so isn’t the drama, and this is even worse. Everything here is a bunch of soap-opera melodrama cliches where everybody talks like their about to cry one minute or start making out the next. There’s all of these little sub-plots that I could keep up with but the problem with this film is that these two big climactic moments within the script come and they just feel like total cliches in and of itself. I guess this film really wanted to bring out some tear-drops from the audience that went to go and see this but here it just made me laugh at what everybody here was saying.

There’s also this big theme about how God is big in all of these people’s lives and to me, it seemed stupid and a bit preachy because all of these people are acting like assholes but when something bad or horrible goes wrong, they started holding the bible praying to “God”. Give me a damn break! There is just some religious themes I can, and then there are others that just make me laugh at the utter stupidity that lies within them.

Although the script blows, I actually did have some fun with this cast. Paula Patton is endearing and sweet as Sabrina; Laz Alonso is pretty charming and believable as Jason; Angela Bassett is pretty good as the stuck-up mother of Sabrina; and Loretta Devine is funny but a little annoying as Jason’s mom, which is probably because her character is such a bitch about the whole wedding cause they want to jump over a broom. Come on! The real revelation of this whole cast is Mike Epps as Uncle Willie who pops up every once and awhile with his hilarious one-liners and brings so much energy to this film every chance he gets.

Consensus: Jumping the Broom has moments of sweetness, much ado to the good cast, but the script here is filled with melodrama cliches, shallow writing, and religious themes that just all forced upon the viewer for no reason.

3/10=SomeOleBullShitt!!

PS Everybody I will be gone for the next three days until Saturday because I’am going to this retreat for my school. So, I won’t have anything new until then but feel free to check any review you want, comment, and even send me some e-mail love for when I get back. I don’t know, just surprise meee! Hope everything is all good when I’m gone and if you need me, you know where to reach me. I think that was a pretty good line right there.

Peace everybody!

Lottery Ticket (2010)

I wonder what would happen if this occurred in my “hood”.

Kevin Carson (Bow Wow), a young man living in the projects, dreams of having his life changed by winning the lottery — as do all his neighbors — but when Kevin finally hits it big, he must keep his good luck secret until he can claim the prize. Thrilled to be in possession of the $370 million ticket, Kevin endeavors to keep his scheming and sometimes hostile neighbors at bay.

Looking at this premise, it actually looks like Friday stretched out over an entire weekend, but sadly it’s nowhere close.

The one thing I must say about this film is that it does have some fun moments. The humor here is short and sweet, and it’s overall generally harmless. I didn’t find myself being offended by any of this (probably because I’m white), but if I was black, I don’t think I would be offended by this either.

My main gripe with this is its tone is all-over-the-place. The problem is that it’s social-political commentary isn’t very smart, it’s humor isn’t hilarious, and it’s drama isn’t thought-provoking. There’s a huge struggle with tone issues here because there’s some real shocking gritty realism, but then at the same time it still has that over-the-top ridiculous humor. For instance you can’t have a slimy preacher talking about some girl he thinks is hot, and then in the next scene talk earnestly about giving back to the community, just be a comedy.

Let’s not also forget the huge amount of stereotypes, and cliches that are within this script. This film is very shallow, showing these people walking around with guns as if it’s nobody’s business, everybody going crazy after this one kid for his money, and there’s actually a girl who just wants to be a baby daddy. I have no idea why there would be so many tired stereotypes in a film that tries to show that the hood isn’t such a bad place after all.

However, the cast is what really brought this film all together in the end. Bow Wow is not the best actor, but there is something magnetic about him on screen where he actually looks like he’s having a good time. This a more adult lead role for him, and I can see that he has got enough charm to carry a film. Ice Cube (who also produced) plays Mr. Washington, and makes a good acting choice as he brings out that distinct coolness about him, and he really commits to being this old man which I surprisingly bought. Naturi Naughton plays Bow Wow’s best friend, Stacie, and has one of the most endearing and likable performances of the whole cast. The rest of the ensemble is filled with plenty of stars such as Brandon T. Jackson, Keith David, Charlie Murphy, Loretta Devine, Gbenga Akinnagbe, Terry Crews, Bill Bellamy, Mike Epps, and the marvelous thespian that is, T-Pain. All do fine with their little jobs but are never fun enough, and aren’t really given much of a shot to be as hilarious as I know they can be. Still, they add a lot of fun to this film.

Consensus: There’s an amount of fun here that isn’t wasted, especially not on its cast, but Lottery Ticket suffers from a tipsy-turvy tone, non-stop stereotypes, and tired cliches. However, you will enjoy yourself if you’re looking for a fun story that all means well in the end.

5/10=Rental!!

The Hangover (2009)

The film that almost every teenager in high school quotes.

When three friends (Ed Helms, Zach Galifianakis and Bradley Cooper) finally come to after a raucous night of bachelor-party revelry, they find a baby in the closet and a tiger in the bathroom. But they can’t seem to locate their best friend, Doug (Justin Bartha) — who’s supposed to be tying the knot. Launching a frantic search for Doug, the trio perseveres through a nasty hangover to try to make it to the church on time.

This is a film I have seen numerous times, and each time I have always laughed more and more than the other, but never have I actually had the time to write down a review for this. Finally, I got it all down on paper, or computer.

The film is directed by Todd Phillips, of Old School fame, and I must say he hasn’t lost that comedic touch but here he put’s a spin on premise that has been time and time before, and make it something hilarious but also interesting. This has a sort of Reservoir Dogs feel to it, where you don’t actually see the event that the whole film centers on, until later on, but that makes you apart of actually piecing together what happened, which is really a lot of the fun.

Though, it’s not all about the plot really, it’s more about all the non-stop jokes that go on throughout this whole film, that has had people quoting it for the past 2 years now, and when that will ever stop is something I don’t have the answer to. The best thing about this screenplay is that it knows what it is, it’s not trying to do anything different, or smart,  it’s just raunchy, gross-out, and sometimes smart dude humor that always works. Almost every single line here is instantly quotable, and will have you laughing about it for days.

My only complain for this film is that the whole resolution to this film seemed a little dumb. When the ending happens, this whole sweet little message comes into place, and I didn’t buy it one bit. Maybe it’s just me who actually cared about this, but I don’t know this part just seemed a little forced for me.

The whole cast here is what made this adventure through Vegas the laugh-out-loud riot that it is. This is one of the first films that put Bradley Cooper on the map, and with great reason because he’s awesome here as the slime-ball, sexy man Phil. I like how the film relies on Cooper for his good looks, but he still has that charm that makes his lines so much funnier than they may seem. Ed Helms basically plays the same dude he plays on The Office, but I must say it doesn’t fail here one bit as Stu. He starts off as this totally whipped, nerdy moodle (check it out on Urban Dictionary), but then after the party something changes within him and he’s almost like a bomb for the whole rest of the film. He’s just tick, tick, ticking away until he finally breaks loose and breaks out some of the funniest lines within the whole film. The real showcase in this film is Zach Galifianakis as the strange, and possibly-brain-damaged, Alan. I love all of Galifianakis’ stand-up, and his stuff on Funny Or Die, and watching him here bring out some of the most insane, and possibly funniest lines of the whole movie had me finally understand why he is in almost everything now. I just hope he goes back into that little cage, and stop being so over-exposed appearing in crap all over the place, especially ones like Due Date. I still want my money back by the way Zach! All three of these guys play off each-other so well, and create a realistic bro-mance that actually seems like three opposite individuals like these could actually come together on a crazy trip like this.

There is also a whole bunch of funny side acts/cameos here that will have you laughing even more once you see them. Heather Graham is just so stunning in almost everything she does, and she is very funny here. I also still do not know how she still looks like Rollergirl from Boogie Nights. And that was about 13 years ago people! I was disappointed Justin Bartha didn’t get more screen-time, because he’s always hilarious in everything he does. I laughed my ass off at every time Ken Jeong was on the screen, and is by far the best Asian gangster in film history. Also, who can forget Mike Tyson drumming out to Phil Collins? There are also some nice cameos from the likes of Mike Epps, Jeffrey Tambor, and The Dan Band.

Consensus: The Hangover is exactly what everybody says it is, a laugh-out-loud riot, with instant quotable lines, and crazy situations that will have you laughing for days on end. The perfect guy’s film with an amazing cast, that will keep your interest the whole adventure. Let’s just hope this second one, doesn’t blow as much as I think it will.

9/10=Full Pricee!!