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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Q’Orianka Kilcher

Hostiles (2017)

Wish I could say we treat Native Americans any better.

It’s 1892 and legendary Army Capt. Joseph Blocker (Christian Bale) is coming closer and closer to retiring once and for all. He’s seen and done a lot of crap that would take its toll on any man in his own right, and for Blocker, who is no doubt messed-up in the head, he’s done. But, asked by his superiors, there’s one last mission for him to take out and it’s one he reluctantly agrees to on the basis of self-respect: Escort a dying Cheyenne war chief (Wes Studi) and his family back to their tribal land. Why does he not want to do it? Well, it’s the near-end of 19th century and let’s just say that Native Americans weren’t all that loved by practically anyone in the deep and dirty West. But still, orders are orders, which means Blocker, along with a great deal of his most trusted-soldiers, embark on a journey from Fort Berringer, N.M., to the grasslands of Montana. On the way, they encounter a young widow (Rosamund Pike) whose family was killed on the plains. But that would only turn out to be one small surprise, on a journey that would soon bring many, many more to come.

Give him a gun and he’ll run wild. Trust me.

Hostiles is the rare kind of Western that isn’t really a Western, at least not in the general sense. There’s not much gun-play, there’s not all that many trips to small towns, or even really that much conflict. It’s a movie that plays by its own rules and moves to the beat of its own drum, which is cool in a sense, but when it’s actually playing out on-screen, shocker, it’s kind of a bummer.

Like a huge bummer.

And coming from director Scott Cooper, it’s a bit of a disappointment, because even though he doesn’t have the best track-record around, he’s still a solid enough director to keep things interesting, even when they’re not. In Hostiles, the story is moving at such a slow, languid pace, it almost feels like it’s going to end up everywhere, but nowhere, even if we’re already told a clear-objective up front. Sure, it’s admirable that Cooper’s trying to make the anti-Western, in that there’s not many conventions and the movie’s much more about grief, sadness, and depression, but when you’re movie’s a little over two hours and feels like it’s about three, it’s a bit of a problem.

Which isn’t to say that there isn’t a lot of good stuff to find in Hostiles, cause like with Cooper’s other flicks, there’s always a few great sequences every so often. The only issue is that they’re strung along this rather long and melodic movie that never picks itself up. It can, often times, be gruesome, intense, and a little dramatic, but these scenes, how few there are, happen about ever ten minutes or so – the rest of the time is spent watching as these characters travel from one spot to another, all to a slow-tune. That may work for some people who are expecting a whole heck of a lot different from their Westerns, and usually I’m in that boat, but here, it just didn’t get me as involved as I would have liked.

Hitchhikers have never looked so beautiful.

The only real benefit to this direction is that there’s more attention on the performances, all of which are great, including Christian Bale in a shockingly un-showy role.

For one, it’s nice to see Bale dial things down, almost to the point of where he’s practically a mute. But his silence works well for a character who, we’re told early on, was a bit of a reckless savage in his war days and has done all sorts of hurtful, dangerous, and downright violent things. He gets celebrated and praised as a “hero”, but you can tell, just by looking into Bale’s eyes throughout the whole thing, that there’s something truly messed-up about him and the movie, as well as Bale himself, are both very subtle about that. It’s the kind of performance that saves a movie, because it makes you interested in seeing what happens next, if not especially to the rest of the movie, but to him.

And the rest of this ensemble is pretty good, too, although, it’s such a huge ensemble, there’s only so much love and praise that can go around. Rosamund Pike, like Bale, plays her role very grounded and quiet, to a devastating affect; Rory Cochrane has some truly powerful moments as a fellow-soldier of Bale’s who may be just as messed-up as he, if not more; and Ben Foster, about halfway through, shows up to be crazy and almost steals the show. The only disappointment of this cast is that the Native Americans here (Adam Beach, Wes Studi, Q’Orianka Kilcher), don’t really have all that much development to them, except that their stoic and in-touch with their spiritual side, or something. Maybe that was the point, but it seemed like a waste to just have them around, not give them much to do, and that act as if the movie truly cares about them at the end.

After all, it’s kind of their story, isn’t it? When will Hollywood ever learn?

Consensus: With such a slow-pace, Hostiles can take awhile to get used to, but with such a great cast, including a spectacularly subtle Bale, it’s hard to fully not be interested in.

6.5 / 10

Cry it out, Chris. Go for that Oscar.

Photos Courtesy of: Entertainment Studios Motion Pictures

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The New World (2005)

It’s basically Pocahontas minus the animation, cheesy love songs, and furry talking animals.

Set in 1607 at the founding of the Jamestown Settlement, Terrence Malick’s epic adventure chronicles the extraordinary actions of explorer John Smith (Colin Farrell) and Native American princess Pocahontas (Q’Orianka Kilcher). As English settlers and Native Americans clash, Smith and Pocahontas find their worlds colliding and their hearts entwined, but ancestral loyalty may tear them apart. Christian Bale and Christopher Plummer co-star.

When it comes to being secretive, Terrence Malick, is the master at it. There is probably only about 6 pictures of this guy actually in film, and he has had only one public appearance his whole life. But with whatever he’s doing, it’s working, cause he still knows how to make great films.

First of all, with all of Malick’s films, every single shot is just beauty. I mean the style of Malick is here: following a character from the rear as the action is going, frequent camera cuts, and overall just beautiful images. I think this film, visually wise is so much better than his war great, The Thin Red Line, and mostly because of the setting its in. Its placed in the early 17th Century, basically in this unknown land, where you can see everything a mile away, and most scenes are just technically brilliant, and add a lot of emotion to the natural theme of the film itself.

I enjoyed the screenplay cause it takes away all those cliche that people have about the story of Pocahontas. We always kind of got this feeling that the English were total savages when they came on their land, and acted like they ran ish, when they didn’t, and to be brutally honest the Natives weren’t any better. We see how these two totally different types of lifestyles can’t get along, and actually end up in some great war scenes. It’s more than just a corny love story, which the trailer has you thinking, it’s also about the struggle between these two opposing forces, and the connection they can’t make.

The only problem that Malick can’t seem to get away from, is that this film’s narration is over-bearing at points. There are scenes that are just astonishing to look at, the problem is that, its just a scene like that, and somebody narrating gibberish. Honestly, the narration of this film kind of had nothing to do with the film itself. I mean it was boring at some points, although the visuals did hold my eyes, but times I was starting to snooze off. The film begins mostly being about the romance between Smith and Pocahontas, while mostly focusing on Smith, but when Smith suddenly goes to Canada, it becomes all about her. And then  they switch the romance over to Christian Bale, and the poor guy is never given the light of day in this film, and never able to show his true talents.

Colin Farrell is great here as John Smith, even though not even speaking for the first 20 minutes he’s on-screen. He has this great sense of smart about his character that has us cheer him on, it’s just kind of a pity, that we never really see him being all that great other than, a bangin’ lover. The film has it’s best performance come from, Q’Orianka Kilcher, who is surprisingly perfect in this role. She starts out as the playful, but smart Pocahontas, who easily falls in love with this dude, but is taken into this new world, where she has to make a transition of how she acts, talks, and feels. She does almost every scene to the best of her ability, and shows off great talent for the future.

Consensus: The New World’s narrative gets very jumbled, as well as not quite as entertaining, but Malick’s inspired direction, including beautifully astonishing visuals, and good performances, make this film worth the while.

8/10=Matinee!!!