Lil’ Jon should have at least scored the soundtrack, if anything.
For years, townsfolk have been terrified of the backwoods recluse known as Felix Bush (Robert Duvall). Then, one day, Felix rides to town with a shotgun and a wad of cash, saying he wants to buy a funeral. It’s not your usual funeral for the dead Felix wants. On the contrary, he wants a “living funeral,” in which anyone who ever had heard a story about him will come to tell it, while he takes it all in.
Simple movies are never that bad, and when you have an idea about a dude planning a living-funeral, it makes a simple movie seem pretty cool, yet still simple. Director Aaron Schneider definitely knows the type of material he’s working with as he sets the mood, sets the pace, sets the characters, and sets the ideas of what we come to expect with movies like these, but in the end, they are all simple and for some, that may not be so bad, but for me, it is. Well, sort of.
See, as much as I liked this flick and felt like it delivered on what it was going for, I also feel like a lot of what could have really hit me hard here, just didn’t. For instance, the script is pretty weak whereas not only does it seem like these people do the usual, “talk-like-a-bunch-of-goofy-Southerners”-speak, but they also try too hard to make people laugh and none of it ever feels like actual humor. I mean, yeah, watching a hermit who lives out in the middle of the woods, invite a dude from the town in for a nice pot of rabbit can be a tad humorous but it’s nothing new or refreshing we haven’t seen before and I think that’s what the deal is with this whole film.
We never get to see anything new or awesome that we haven’t already seen done before, and even worse, the flick doesn’t really bring much to the table to distract you, anyway. The scenery definitely looks good and has you feel as if you are in the South during this time-period, but that’s pretty much it. You can have a movie that looks all nice and dandy, but if you don’t have anything else to make up for it, then I just lose interest. However, thanks to a cast like this, I was paying attention enough times to relatively-enjoy myself. Not fully or totally, but relatively and I think that’s better than not enjoying myself.
Bill Murray is always a blast to watch in anything he does and his performance as the greedy, funeral parlor-owner is no different. His contemporary way-of-speaking definitely seemed a bit distracting for the first five-minutes of him on-screen, but as time went on, I just let it slide and love every-singe-bit of Murray’s performance and some may be surprised to know that he’s not the most hilarious dude in the movie. Murray does have the occasional zinger here and there for good sport, but he actually has an interesting dramatic arch that forms a dynamic between him and Duvall and it continues to go on through the whole movie. I don’t want to say that I loved the hell out of Murray, but I can say that the guy was a good character and showed that he can always balance out sleazy, humorous and likable, all at the same time.
“Wanna see my dead squirrel collection?”
Playing his lackey-of-sorts is Lucas Black, who is obviously still trying to have everybody forget his days in Sling Blade, but no need to worry, because the guy’s actually a solid actor as a grown-up. Granted, when he is side-by-side with heavyweights like Duvall and Murray, he definitely seems like the weak-link, but when he’s doing his own thing and that’s just about it: he’s good with it. I definitely would like to see this guy step-away from the dirty South and try his best with any other accent but for the most part, he’s fine with his own native tongue and I don’t think playing a Bawstan gangster would be the next best thing for him. Although, it’d be fun to see him try at it.
Sissy Spacek plays Duvall’s former-fling and as she gets older, seems to not only get more beautiful, but also even better as an actress. Seriously, I thought she was just going to be one of those females that showed-up and bitched about her life and why it never amounted to everything she wanted, but the gal actually has a nice arch to her as well, and it’s great to see the scenes with her and Duvall cause you can tell that there’s something powerfully and genuinely felt between the two, but you just don’t know what. Spacek never seems to age and as time goes on, she still knows how to deliver and that’s so great to see from a living legend like herself.
Then, of course, there is the one, the only, the Grizzly Adams-look alike himself: Robert Duvall. Duvall is such a classic actor, that roles like these where all he has to do is grunt, say weird things, and be his typical-self, he makes it so good that it almost seems like he’s not acting. After awhile, you start to forget that it’s Duvall and take him in as this strange, weird old man, and yet, you are never scared of him. You feel like he’s a good guy at his core and that whatever he did, no matter how disturbing or brutal it may have been, that he’s still a nice guy that deserves to have people around him. No matter what type of character Duvall goes for, he’s always good at it, and always knows how to make us give two shits about the guy, even if he may be a bit mysterious in his own ways.
Bill Murray, probably doing his best John Waters-look he could get himself to actually go through with.
However, once you get to thinking about the whole mystery of this flick and what it actually ends up being, then you start to feel a bit disappointed. Without spoiling the last twenty-minutes of the movie, Duvall finally gets a chance to break the ice and tell everybody what he’s been hiding-0ut for, for so long and the kind of effect that it has had on his life. Throughout the whole movie, I was ready to see what it was as each and every single little clue, came-up to the forefront and had me guessing a bit more. It gave what could be considered this simple, character-study a nice deal of mystery and suspense to it that had me playing-along for awhile, that is, until the actual “reveal” came out and ended on a total whimper.
It’s not the fact that what Duvall ends-up telling us is what’s a bummer, it’s that you just don’t really care and see how a guy could leave the rest of civilization for a thing like that. I guess when you take guilt and memory into consideration, then yeah, it could definitely eat you up inside, but leaving the people you know and may possibly love, to go out into the far woods, break logs, eat animal stew, walk around with a shotgun, hunt, and chase little kids off your property, doesn’t seem all that reasonable. It sort of made me feel like the flick had the central idea and premise, it had the characters, and it had the setting, but the most important factor of them all, the ultimate reveal, was something that they just didn’t have and felt like they just made it up as they went along. And if they did have it on, way before filming began, then when it actually came to filming this movie, they didn’t have a firm enough grasp to really make us care enough or feel like we are glad we spent so much time of our lives with these characters and with this story.
Consensus: Benefiting from a strong-as-hell cast, Get Low definitely has moments that keep you watching, despite the slow pace, but doesn’t have the best script in the world and that shows, especially when you take into consideration the final twist that gives you the feeling that this flick sort of lost itself, as it tugged along.
6.5 / 10 = Rental!!
“Give me a one-blade. All around.”