Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Romeo Roselli

Baby Mama (2008)

Who doesn’t have baby mama drama?

Kate (Tina Fey) is a businesswoman who, for the most part, has been pleased with her life thus far. She has a good job, a nice apartment in Philadelphia, and generally considers her life simple and easygoing enough that she doesn’t have to worry about too much. Problem is, there’s one thing that she really wants to do with her life that sadly, she may not be able to do: Have a child. Due to her being infertile, Kate has not been able to, no matter how hard she has tried, to naturally have a child; so, she takes the next best step in the matter, which leads her to becoming apart of a surrogacy program. In the surrogacy program, for those who don’t know what that means, Kate’s baby will, through sperm injections and all sorts of other medical shenanigans, be conceived and born through some other woman. This other woman in question just so happens to be Angie (Amy Poehler), someone who is definitely not at all like Kate. Which is fine for Kate, so long as she can trust Angie to be smart about her body and realize that there is indeed a human growing inside of her. But after Angie runs into issues with her own husband (Dax Shepard), she begins to live with Kate, which is when the two begin to learn more about one another, even if they also have differences as well.

Tina doesn't need Greg Kinnear in her life, but hey, she'll take him!

Tina doesn’t need Greg Kinnear in her life, but hey, she’ll take him! And you know why? ‘Cause she can!

Of course, in Baby Mama, wacky hijinx ensue. That’s obvious from the very start, however, Baby Mama is a tad bit smarter than most of the other broad comedies out there that would have attacked this premise as dumb as possible. This isn’t, of course, to say that Baby Mama isn’t predictable, by-the-numbers, or at least, conventional, because it’s each and everyone of those things – but working behind all of those conventions and obvious story-structures is, for one, laughs, and also, a decent-sized heart that reminds you that you’re watching a female-lead comedy, that can appeal to basically everyone.

Sure, it may definitely help if you’re a woman or going through the same life event as the one depicted here, but regardless, it doesn’t matter.

Baby Mama is, first and foremost, a comedy. And a funny one at that. Most of that comes from the fact that both Tina Fey and Amy Poehler have such great chemistry between one another, that it’s hard not to get wrapped-up in the fun and enjoyment they clearly have playing side-by-side. Even though their characters are, obviously, general opposites, not just in terms of personality, but also in social backgrounds, you still get the feeling that Fey and Poehler can’t wait for that moment in this film where their characters start to put all of their issues aside, take some shots, get wild together, and generally, have fun together.

To say that Fey and Poehler are both funny here, is doing them justice. However, there’s also another element to their performances that factor in well and that’s that their characters are actually well-written, despite initially seeming like stupid and dull caricatures from the beginning. Like, for instance, try Fey’s Kate: While she appears to be a stuck-up, way-too-serious businesswoman who is all about her job and not much else, eventually, the story goes on and we see that there’s actually a lot more fun and excitement to her life. Heck, the reasons for why she wants a baby to begin with, regardless of whether it’s naturally or through agencies, are understandable; she’s gotten to that point in her life where she wants one, she doesn’t need one, but wants one.

It's set in Philadelphia, so of course the bell-hop is a token black guy!

It’s set in Philadelphia, so of course the bell-hop is a token black guy! Gotta love my city!

That is, most of all, perhaps the greatest distinction this movie makes and is truly a smart piece of writing. It shows that woman like Kate, whether they be successful or not, don’t need to have babies to make their lives feel fulfilled. Does that mean that they’re not nice to have around? Of course not, but Baby Mama doesn’t believe that in order to make sure that your life is great and superb, it needs to be so with a baby by your side. It’s a small piece of writing, I know, but it’s what sets it apart from most other female-driven comedies out there that are all about getting married and having kids, because of some ill-conceived notion from many, many years ago, that says women need a certain amount of requirements to make their lives great.

But still, seriousness aside, Baby Mama is still a fine comedy.

Like what I said for Fey’s Kate, can be said the same for Poehler’s Angie: She may seem a bit white trash-y, but after awhile, the movie just shows her more off as a wild girl who not only likes to have some fun, but also wants to be a bit more serious in her own life as well. She doesn’t need to be serious, but she wants to be. There are others in this movie that show up in this movie that are funny, charming and welcome, but it’s really Poehler and Fey who make the movie work the most.

Even though the movie does admittedly get a bit syrupy and sentimental by the end, Poehler and Fey still feel fun and fresh, adding another sense of enjoyment to the proceedings. The plot does eventually get to be a bit too much and be about things happening, one after another, with random twists coming out left and right, but regardless, Baby Mama can still be funny and at times, relatively insightful. It may not be trying too hard, but in its own way, it sort of is; it’s taking the female-driven comedy and doing something with it that isn’t revolutionary or game-changing, but normal.

And hey, there’s nothing at all wrong with that.

Consensus: Predictable and lightweight for sure, but regardless, Baby Mama still offers up plenty of laughs and enjoyment courtesy of Poehler and Fey’s lovely chemistry.

7 / 10

Does this tend to happen? Ladies?

Does this tend to happen? Ladies?

Photo’s Credit to: IMDB, AceShowbiz

The Wrestler (2008)

I’m sure Hogan really does know what’s best.

Mickey Rourke plays Randy “The Ram” Robinson, an aging professional wrestler who continues to wrestle matches in an attempt to cling on to his 1980’s heyday despite his failing health, while also trying to mend his relationship with his estranged daughter (Evan Rachel Wood) and find romance with a stripper (Marisa Tomei).

Some of you may not know this (and if you do, mucho brownie points go out to you), but back in the day, I used to be a hardcore wrestling fan. Yeah, I knew it was fake. Yeah, I knew that the two guys dressed-up in speedos that were beating the shit out of each other didn’t really hate each other outside of the ring. And yeah, I knew it was a bit childish for a kid that was in 8th grade, but you know what? I watched it and loved it all for the same reasons I watch and love movies so much: entertainment-value. That’s what’s so fun about wrestling that you don’t need to have a brain, a PHD, or even a job to enjoy wrestling, you can just watch it and have a good time. Seriously, if you don’t watch a single match of professional wrestling, then you my friend, are totally lying to yourself.

However, as much as I may patronize the other people out there who don’t feel the same as I do when it comes to half-naked men rolling around and beating each other up, I still feel the same about this movie as any other professional wrestling fan in saying that I love this movie, not just because it shows some legitimacy and real-danger to a piece of entertainment that has been the butt of every joke since the 80’s, but because it shows us what wrestlers are when they aren’t in the ring: real people. Maybe that’s nothing new we haven’t already heard from countless other stories of the same-nature, but what I think makes this approach so different and timeless, is the fact that director Darren Aronofsky makes us feel as if we are there, along for this depressing, dark, and tormented ride.

Nothing says family-daughter bonding more than aimless walks on a deserted New Jersey Boardwalk.

Nothing says family-daughter bonding more than aimless walks on a deserted New Jersey Boardwalk.

This is probably the most normal piece of material that Aronofsky has ever touched and to be honest, you would not be able to tell from watching this that this was the same guy who made a movie where people get sped-up high for an hour and 40 minutes. There’s nothing flashy that Aronofsky pulls off here with the camera but what he does do with the camera, is actually make us feel as if we are there, in a sort of documentary-style way. The camera literally follows Randy wherever he goes and it’s sort of like a TV news crew just found the guy, decided to put the camera on him, and just let real life roll for the guy. It gives us a very candid, fly-on-the-wall look at this story and makes us feel as if everything we see, hear, feel is as natural as it can get. That’s not just from Aronofsky’s end of the spectrum, that’s from everybody else involved, especially you know who.

In case you couldn’t tell by the “you know who” I was just referencing in that last sentence, I was talking about Mickey Rourke in his perfect-performance as Randy “The Ram” Robinson. It’s obvious that Randy is based-off of the likes of such wrestling-stars like Hulk Hogan, Ric Flair, Ultimate Warrior, and so many other famous-faces of the squared-circle from the 80’s, but don’t let that get to you, because Rourke makes Randy his own piece of originality and thank heavens for that. Seriously, I think Mickey is in every single shot of this movie and in some movies, to some people, that would probably be torture that you would have actually had to pay to see for 2 hours, but instead with this movie and this performance, it’s the total-opposite. You will never want to take your eyes off of Mickey and all of the subtle nuances he pulls-off with his facial-expressions. You can tell that there is a battered and beaten soul underneath all of the tanned skin, blonde hair, and chiseled-up, but aging muscles, and you never forget that you’re watching Randy, even if Mickey totally takes over the whole-movie.

As sad as this character may be, Mickey brings out so much fun, excitement, and joy within this guy that you just can’t help but feel like you too would want to share a beer and play Nintendo with him as well. You can tell that a lot of the scenes here are totally ad-libbed from Mickey and it just gives this movie more of a natural feel, as if Mickey decided to walk into the shoot everyday, do his part, but also have a lot of fun with the rest of the cast as well. As I said before, you are never going to want to take your eyes off of Rourke here because he always has something to show you, always has something to surprise you with, and best of all, always has something to make you fell more and more for this guy, no matter how much he screws-up.

If more strippers looked like Marisa Tomei, I'd probably be broke.

If more strippers looked like Marisa Tomei, I’d probably be broke.

There is so much about this character that just screams, “PREDICTABLE, PREDICTABLE, PREDICTABLE!”, but Mickey is above that and makes this guy feel like he has more of a heart than you could ever expect from a low-life like him. Every chance that Randy gets to make life happy for himself and the others around him, he finds his own way of just screwing it up and rather than being pissed at this guy and losing all hope in him, you’re still pissed at him but feel as if he can change, and feel like he just deserves a break. That’s the work of magic from Rourke, because he is able to give us a character that is so selfish, so idiotic sometimes, and so burnt-out without ever admitting it, but yet, still have us love the guy to death and feel as if we are cheering him on, just as much as his wrestling fans are. It’s one of the best performances I have ever seen and it’s one that Rourke was freakin’ robbed of and without Mickey, this film just would have not succeeded. Yeah, if they went with Nic Cage like they had originally-planned, things would have been a hell of a lot different come Oscar-time.

Another character that is basically Randy “The Ram” but with tits and more naked than he is throughout the whole movie, is Marisa Tomei as Cassidy. Tomei is playing the usual, “hooker with the heart of gold” role, but knowing Tomei and what she can do with any role you throw at her, she changes it up and makes her feel more raw than you’d ever expect from this gal. Cassidy is a lonely, sad, and aging piece of work, just like Randy, but still feels the need to push the ones away from her that still may make a difference in her life. Watching her and Randy interact with one-another, shoot the shit, and pretty much start to connect with each other more than they have with anybody else, is a thing of beauty and I think all of that is mainly because of the chemistry between the two. Evan Rachel Wood is good as Randy’s estranged daughter, Stephanie and even if she may be the weakest-link out of the three, that still doesn’t mean jack shit because she is still so good, providing us with great insight into a character that wanted to be loved and held, just as much as Randy does now.

Still fake, right?

Still think it’s fake, right?

These three performances are mainly who tie this film together with it’s neat and nice little bow at the end, but I’m telling you, this flick will take you down a dark, sad road you may feel very affected by. Now don’t get me wrong, it’s not totally depressing and in-fact, will actually have you laughing a good, couple of times throughout. However, when the film wants to make you feel any type of emotion that has to do with sad, heartfelt, or touching, it hits the spot right away. You can say that’s because of Rourke, you could say that’s because of Tomei, and you could that’s because of Aronofsky, but I say it’s every single piece of this puzzle is what makes it so damn near-perfect, and yes, after 4 years and seeing it just about 5 times, I still cried my eyes-out like a big freakin’ baby and you know what? That’s alright with me, because once Monday Night hits, I’m watching RAW baby!

Consensus: Whether or not you’re a fan of professional wrestling, won’t matter because The Wrestler is about more than just a bunch of guys fake-fighting in a trampoline/ring. It’s a perfectly-acted, somber-look at the life of a broken and depressed old-man that is starting to come to terms with where his life is going, why it’s headed there, and what he can do to make right again. It’s an emotional-trip that still hits me where it hurts all of these years later.

9.5/10=Full Price!!

Sad to say, but at this stage in Ric Flair's career, Mickey Rourke probably has more wrestling-skills than him.

Sad to say, but at this stage in Ric Flair’s career, Mickey Rourke probably has more wrestling-skills than him.

Follow

Get every new post delivered to your Inbox.

Join 3,533 other followers