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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Ronan Summers

Guardians of the Galaxy (2014)

Yeah, those “other” Marvel heroes are just a bunch of pricks anyway.

After he sees his own, cancer-riddled mother die in front of his own very eyes, Peter Quill (Chris Pratt) is mysteriously captured by a spaceship. 26 years later, an older Quill, now sporting the name “Star-Lord” and dancing around to vintage pop-tunes on his Walkman, discovers a strange crystal ball that is apparently very dangerous and serious, considering it triggers off a group of evil people to come after him. So much so, that when he eventually gets into town and sell the thing for whatever money he can get, he ends up getting in a brawl with a woman by the name of Gamora (Zoe Saldana), as well as a giant tree named Groot (voiced by Vin Diesel), and a talking raccoon they call Rocket (Bradley Cooper). The stunt eventually lands the foursome in prison, where they meet all sorts of trouble and unlikely pals, especially in the form of Drax (Dave Bautista); but what they end up finding out is that the artifact they were all fighting over, is being sought out after by a very powerful, very evil Kree radical named Ronan (Lee Pace) and his noble band of trustees. Together, the five decide to put away their differences for the time being and do all that they can to save the galaxy, one David Bowie track at a time.

Going into this flick, I wasn’t expecting much. Honestly, that moreso has to do with the fact that every Marvel movie since the Avengers, has either been ranging from “mediocre”, to “hey, it’s fine and it’s fun, so what’s the harm, yo?”, and also the fact that it seems like, especially after this whole Ant-Man debacle, that Marvel is becoming more of a lackey-boy for the ultra, super, duper, powerful kingpins that are Disney and their ways of making people do what they want, when they want, and how they want.

“Don’t offend the kiddies!”, Disney may say. Or, something that seems to be more common, “Please do make sure that it ties-in with the AGENTS of S.H.I.E.L.D.! And by ‘please’, we really mean, ‘do it, or else we’re going to fire your ass and find somebody else who is willing to take orders and be happy with it!'”. And though some of this may seem overly-dramatized by yours truly, there’s something in me that feels like Marvel is just starting to become more and more like what others want them to be, rather than what they want to be, which, at first with Iron Man, seemed to be: A kick-ass, fun-as-hell, hilarious and exciting superhero movie that you could take the whole family too; as well as grand-mom and grand-pop if you got stuck with them over the holidays.

That's the thingy they need to find. That's all you need to know.

That’s the thingy they need to find. That’s all you need to know.

But that’s where James Gunn comes in and absolutely gives a big, old, flying “FUCKA YOU!” to Disney and Friends, and shows them that if it’s his movie, it’s going to be his rules and his ways of having fun. Which, for the most part, means we get a whole bunch of strange, slightly off-kilter gags and pop-culture references including Kevin Bacon; metaphors that aren’t metaphors; Jackson Pollack; the art of dancing; and, best of all, calling a raccoon, everything else that isn’t a raccoon. If that sounds very strange to you, then yes, you are at least somewhat sane. And if that sounds especially strange to you being that it’s all packed into a Marvel movie, then yes, you are even more sane and, would you like a cookie?

What I’m trying to get across here is that Gunn’s humor is a weird one and although some of it’s a bit tamer now so that the PG-13 can sit and stay with the movie, it’s still hilarious and nearly perfect for this world that he’s created. That this other “realm” (for lack of a better word without saying “galaxy”), is a wide, never ending and seemingly bizarre matter of space that seems to have a bucket of surprises waiting at every corner, shows Gunn is able to not only build on his characters and the action-sequences, but also this world that he’s created. Which, yes, for a Marvel movie, is very strange, yet, totally works.

Most of that has to do with the fact that each and every character we get here is likable, fun, vibrant and exciting in their own measly, little ways, but most of that also has to do with the fact that Gunn is the kind of writer and director that has a sense of humor that can work for practically anyone. Okay, maybe if you check out his first two movies (Slither and Super, which I definitely recommend), don’t necessarily back me up on that statement, but taking away all of those and just leaving this here movie as his one and only true example, then I’d have to say it’s a pretty impressive one.

Gunn’s funny, he knows he’s funny and he’s going to let us know about it every step of the way. However, whereas most of the other Marvel movies wink their eyebrows so much so that it seems like they’re going to have to be surgically put back into place by the end of its two-hour run-time, GOTG (short for the title, if you’re nitwit) is a different beast: It’s a funny movie, yet, doesn’t try to make you laugh in a charming way. It’s just weird and since it soaks up the sun and basks in its own weirdness, it’s hilarious to watch and listen to, as well as have an awfully fun time with.

Because, yeah, guess what??!?! Guardians of the Galaxy is a damn fun movie!

See, because while I’ve been going on and on so aimlessly about this movie’s humor and how effective it actually is, there’s an element to this movie that works, and can probably be shared among the rest of the Marvel crowd: It’s a fine action movie, if you want to look at it like that. There are hand-to-hand fights; spaceships flying throughout the sky and shooting each other; sword-duels; girls beating the crap out of each other; girls beating the crap out of the opposite-sex; raccoons shooting big-ass guns; walking, talking trees causing havoc; and etc. The only thing that’s missing was the only known wrestler in this movie giving somebody a Batista Bomb, but that’s for another movie, I guess.

And since I just mentioned a certain character in this movie, I think it’s best to now use that as a segue into my next part of the review which, unsurprisingly, also happens to be about the best element to making this movie work as well as it does: The characters and the actors that portray them. Because Gunn’s movie/script is a rather odd one, not only does he need a cast that has a comedic-bone anywhere located in their body – he needs a cast is absolutely able and willing to go that extra mile into trusting that his every move, is not only a benefit to them, but a benefit to how this whole movie plays out. “Well obviously, Dan. You no-sense-piece-of-shit”, you might retort back to me, but I have a reasoning for saying this.

Take the idea of a-list stars such as Bradley Cooper and Vin Diesel doing voice-work here – not only are they big names that people flock out to the movie theaters to see – but you’d expect them to do more than what they’re given. In the case of Cooper, he voices Rocket as Brooklyn gangster, where it’s sometimes too hard to even recognize he’s doing the voice-work in the first place; as in the case of Diesel, all the dude has to do is say “I Am Groot” over and over again, and, occasionally, yell, scream and holler with that low-pitched bass we know he can do so well. Sounds crazy enough? Well, yeah, but that’s sort of the point. Also not to mention that Cooper and Diesel, with what they have to do, do it so amazingly well that I wonder just how the heck Gunn thought of them two in the first place. And even if he didn’t, then kudos to the casting-department on this decision!

Oh, and that he's the villain, too!

Oh, and that he’s the villain, too!

But an even bigger kudos should be given to them for giving Chris Pratt the star-making role the dude deserves, this time, as one Peter Quill. Or, as some of you may, or may not know him as, “Star-Lord” (and yes, that’s it’s own, whole joke, too). Pratt’s been a lovable presence on the screen for quite some time; rather it be the large one, or the small one, the dude’s shown us time and time again, he has the chops to not only give us a cool-as-hell character, that has a winning-personality. Here, Pratt’s able to utilize the warm, lovely charm he oozes so well on Parks and Rec., but is also able to use some leading-man prowess we have yet to see him do, yet still shows he’s capable of actually having it in the first place.

But he’s not a pansy of a character. He’s a bad-ass dude that knows how to get himself out of situations, even while he doesn’t always think them perfectly through. Same goes for Zoe Saldana as Gamora; not only does she get to be an ass-kicking lady with a mouth on her, she doesn’t let that be her only trait and has a personality that goes almost hand-in-hand with Quills’. And though people were initially rioting over the casting-decision of having Dave Bautista play Drax, needless to say, the dude’s great in it as he shows everybody he can definitely act, be funny and best of all, remind everybody why he was in the profession that he initially chose in the first place.

Altogether though, this movie mostly works because these characters, in their own, little, unique worlds, wouldn’t ever seem like they do fine together. That’s sort of the point, however, Gunn allows them to work off of one another and it’s probably the most fun-part of this whole movie. Sure, you can give me as many mind-numingly loud and outrageous scenes of stuff exploding, while other stuff is exploding elsewhere, and I’ll crack a grin or two. But if you can give me characters that I want to get know better, spend more time with, and just never leave the presence of, then you can count me in, take my money, sleep in my bed, bang my wife, whatever. As long as you can give me that, then I’m all fine and dandy.

And to have that spliced together with the best Marvel movie since the Avengers is, well, exactly all I could ever ask for and ever want.

More Batista Bombs next time, though. Please.

Consensus: Hilarious, exciting, and well-written, Guardians of the Galaxy is a downright good time that features some top-tier performances from a cast you’d be surprised works so incredibly well in the first place, yet, in the world of James Gunn, anything seems possible.

9 / 10 = Full Price!!

The best line-up in a "line-up" scene since the Usual Suspects, and it's not even in the actual movie!

The best line-up in a “line-up scene” since the Usual Suspects, and it’s not even in the actual movie!

Photo’s Credit to: IMDB, AceShowbiz

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Edge of Tomorrow (2014)

Just as long as I’m not apart of it, Tom Cruise can re-live any point in his existence that he wants.

After a mix-up that leaves him confused and totally out-of-his-element, Major William Cage (Tom Cruise) gets sent to the front-lines in a current war between humans and aliens known as “Mimics”. Cage clearly has no idea what to do with these new battle-suits the government has issued, yet, has no problem in taking out one alien on the battle-field. However, in doing so, he dies as well. But, moments later, finds himself woken-up, back to a moment in which he was getting brought into the war camp. He knows that he’s experienced this moment before and tries to plead his case to everyone around him, yet, no one wants to hear it and continues sending him out into the battlefield. And yet, time and time again, Cage wakes up, same place, same people, same situations, and same memory. Yet, during one of these adventures, a fellow, very respected soldier by the name of Rita Vratasky (Emily Blunt), wonders about Cage and tells him to, “come and see me when you wake up”. Cage does and together, the two cobble-up a master-plan in which, together, they’ll have to find the source to where all of these Mimics are coming from, where, hopefully, they’ll be able to stay safe enough where they can die and do it all over again. However, if they can’t and somehow get a blood-transfusion of any sorts, then the day will stop repeating, therefore meaning, everyone will die and never come back to life. Case closed.

Oh, look at Tom Cruise still thinking he's over six-foot tall.

Oh, look at Tom Cruise still thinking he’s over six-foot tall.

Pretty sure that I could have summed all of that up by saying it’s “Groundhog Day meets Independence Day“, but there’s more to this movie than just that. See, it’s a gimmick-movie in which it’s a war movie that just so happens to repeat itself, time and time again; but then again, calling it a “gimmick movie”, would give one the impression that this a movie that relies solely on that gimmick, without barely anything else substantial made in the process.

However, that’s not the case with Edge of Tomorrow, because while it’s a premise I’m sure we’ve all seen done before, there’s something special about it being used here. For instance, that movie Source Code had the same Groundhog Day-gimmick going for itself, yet, where that movie seemed to try almost too hard to where it fell on its feet more times than it should have, Edge of Tomorrow really feels like a movie that has everything perfectly planned-out to where they’ll be no confusion from anybody, at anytime whatsoever. Sure, there’s a lot of sci-fi gibbery-goo that gets spouted out on more than a few occasions, but that just acts as simple exposition; it’s only real purpose is to give us a reason to believe what it is we’re seeing in this movie, as well as to move the plot along. That’s it.

If you care about not being able to believe anything that happens in this movie, then don’t watch it, because it is relatively goofy. Then again, the idea that a person could live one day, over and over again, without any real, life-long consequences, is goofy in and of itself. However, this movie knows that and really runs wild with the idea that somebody could experience the same battle, over and over again, while simultaneously, still finding a way to end it all. It sounds like it could be easily convoluted and messy, but director Doug Liman gets through most of it all by just having a great time with this material and realizing that audience-members want fun with premises like this.

Everything you’d expect this Cage guy to go through, emotionally and physically, while “graced” with this talent, he goes through and it’s always believable and interesting. Not to mention, it’s also pretty fun to see a deuche bag, played by Tom Cruise, get his ass handed to him on more than a few occasions. But Tom Cruise being Tom Cruise, he’s a good sport for whatever this material allows him to do and once again, I can hardly find a problem with this guy’s performance, which is mainly due to the fact that he’s playing a character who is well-written as is.

What’s so neat about William Cage is that, early on, we get the idea that he’s a total prick; he’s the kind of guy who will dedicate mostly all of his life to getting that desk-job, just so that he doesn’t have to worry about getting his hands dirty. We find this out early on and it makes us see him as nothing other than an a-hole who deserves to be taken off of his high-horse, by any means necessary. It’s great to see Cruise play somebody that’s a tad unlikable again, as well as somebody that’s allowed to grow over time. Because “grow”, is exactly what Cage does and it’s all pretty believable too. Cage does grow a conscience over time, and though the advertisements may have you think otherwise, it isn’t because he wants to get his bone jumped by Emily Blunt’s fine British rump; it’s more because he actually wants to save humanity and doesn’t want to let his powers go to waste.

She just had a child, mind you.

She just had a child, mind you.

Speaking of Emily Blunt, she does a very great job as this bad-ass soldier Rita Vratasky. Blunt got pretty ripped-up for this role and while we don’t necessarily get too many shots of her in all her lovely, sweaty-form, we do get to see her beat the hell out of these alien-like creatures, and it’s pleasing to watch. Also the more pleasing is that she isn’t a female character included to just be Cruise’s on-screen love-interest; she serves the plot and actually brings a lot of heart to material that can be pretty grim at times. She does that “sad-but-sort-of-angry-face” very well and that’s displayed on more than a few occasions here, yet, builds her character more and more into making her someone we can get behind, even while her decisions may not always be the best for herself or Cage.

I know that sounds all very corny and too “hurrah! hurrah”!, even by my standards, but this is what can happen to a moviegoer like me – a person who has seen more movies in his life than he can probably count. If you give me a premise that’s well thought-out and doesn’t noticeably trip over itself more than a handful of times, then yeah, count me in for the ride baby! That’s not to say there aren’t a few problems here and there with this movie, but honestly, I didn’t let too many of them get in the way of a movie that wanted to treat me to some fine, thrilling, and action-packed summer fun. And heck, if a movie can throw in a nice helping of “smart” in there, then hey, I’m all for that.

In fact, bring more of it. Please.

Consensus: While Edge of Tomorrow has a gimmick we’ve all seen done before, the circumstances are different, therefore, we’re treated to more excitement, fun, wit, and a movie that is at least smart enough to know when to joke around, and when to lay down its cards and be serious as well, without hardly ever losing its audience.

8 / 10 = Matinee!!

"So uh, after all of this war stuff, you want to grab a bite to eat or possibly convert to a different religion? You know, or whatever you want to do."

“So uh, after all of this war stuff is over, you want to grab a bite to eat or possibly convert to a new religion? You know, or whatever you want to do.”

Photo’s Credit to: IMDBAceShowbiz