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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Sarah Snook

The Glass Castle (2017)

Every family’s a little crazy. Obviously some, more than others.

Though Jeannette Walls (Brie Larson) grew up to be a smart, tough and powerful gal writing for a column, she had quite a rough upbringing. Her parents, for lack of a better word, were hippies in the sense that they didn’t care too much about certain materialistic things. You know, things like a house, or bills, or even school. This led Jeannette and her relatives to having to grow up by themselves and save up money, day in and day out, in hopes that they’ll one day make it out. And the father, Rex (Woody Harrelson), was probably the biggest problem of them all. Not only did he love himself a drink, but he was so controlling, he wouldn’t let anybody out. The mother, Rose Mary (Naomi Watts), was just always there, painting, and trying her hardest to ensure that her family stayed together. Honestly, it was a lost cause which is why, when Jeannette grows up, she doesn’t really want much to do with her parents. But the older she gets, the more she realizes that no matter how hard she tries, her parents and her family’s legacy is something that she can never, ever avoid.

Daddy’s little girl. So long as daddy ain’t drinkin’.

The Glass Castle is an odd movie that felt like it should be a whole hell of a lot darker, meaner and more disturbing, than it actually plays out. It’s literally a story about a drunken-deadbeat of a father who forced his family to stay in poverty, not really depend on anything but him, and as a result, sort of scar them for life. And that story, as is told, kind of works; the Glass Castle has an honest way about telling its story where we get the sense that no matter how many years go by, the scars will still always be there.

But that’s only one aspect of the story. The other aspect is this notion that the movie also wants to praise the drunken-deadbeat father for being charming, thinking for himself, and always being able to provide an argument in a justified manner. It’s almost as if we’re supposed to hate him for all of the awful, almost unforgivable actions that he commits throughout the two hours, but also love him for these faults, too. Once again, it’s odd and it never quite works together, and it’s all the more disappointing considering that this is coming from director Destin Daniel Cretton who, a few years ago, shook the airwaves a few years ago with Short Term 12.

Which also starred Brie Larson who, for some reason, feels wasted here, as does everyone else.

She turned out all right. Right?

The only person in the cast who gets to do the most is Woody Harrelson and oddly enough, even he feels like a problem for the movie. Though it’s not entirely his fault – the writing’s too confusing – it still shows us that no matter how hard he tries, even Woody Harrelson’s charm can’t save a character who is, at the end of the day, an asshole. We get constant flashbacks of him being something of a nice father, who tells his kids to inspire more, but we soon find out that he only says that because he can’t support them in any other way. We also get constant flashbacks of him connecting with Jeannette and we get the sense that they truly did have a loving relationship growing up, and constantly depending on one another, but then we also find out that the father didn’t want her to leave the nest and sabotaged her career, at one point.

It’s really weird, honestly. And it feels like the movie never quite makes up what it wants to be about, or hell, what it even wants to say, about us, about this family, and about family as a whole, in general. The story itself is compelling and, on occasion, we’ll get some small glimmers of material that could have been further explored, in a much darker, much more adult-oriented movie, but the Glass Castle also feels like it’s playing very much for the made-for-TV crowd. It looks and has better acting than one of them, but it’s just as messy and uneven, making it a missed opportunity on all fronts.

Go back to indies, Destin. Please.

Consensus: While the original source-material leaves plenty of room for promise, the adaptation of the Glass Castle is a confused, mish-mash of melodrama, sap, and mixed messages about family, alcoholism, and coming-of-age.

4.5 / 10

“Who needs gas? Or electric? Or water? Or school? Or hell, anything else! We got family!”

Photos Courtesy of: Aceshowbiz

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Predestination (2015)

First film from 2015 reviewed and so far, this year’s looking very “meh”.

A Temporal Agent (Ethan Hawke) who is constantly travelling through time in hopes to stop certain tragedies from happening, may have finally met his final case. There is a new terrorist going around Boston by the name of “the Fizzle Bomber” and it’s up to the agent to find out who it is, for what reasons, and whether or not he’s even able to stop it in the first place. Somehow though, he ends up tending bar at some random dive place located all the way in New York City. Whatever the reasons may be, he doesn’t know, but he’s just going to try and get on with the night. That’s when a strange customer (Sarah Snook) comes walking through the door, orders a whole bottle of Scotch, and starts chatting it up with the barkeep. As they get talking, the conversation gets deeper and deeper, with one side telling their whole life’s story up until this point, whereas the other is just sitting by, taking notes on what that other person is saying. It all means something, but what, is the real question at hand here; the same question these two are getting ready to figure out on their own.

You know he's cool, once he has the 'stache.

You know he’s cool, once he has the ‘stache.

Notice how by the end of that plot-synopsis, things got a little shaky for me? Well, that’s because a lot of Predestination is up to be seen by the viewer, because giving anything at all away would be a bit of a disservice to the film itself. That said, there is something to this movie that makes me wonder if I was supposed to like it, or just absolutely despise the ever-lovin’ crap out of it.

See, while I was one to automatically think that Predestination would be a time-travel thriller and nothing more, something in the movie actually switched gears and it had me totally blind-sided. While the first ten minutes or so is chock full of people shooting one another, getting showered in some sort of acid, and grabbing onto guitar-cases to actually complete the action of time travel (I know, please bear with me here), suddenly, after a little bit of exposition between characters we’re not to familiar with, it all changes. Somehow, somewhere, it becomes something of a drama, and a very interesting one at that.

But once again, this is something that I do not want to give away a bit too much to ruin other viewer’s chances of possibly enjoying this, so I’ll try to stay as vague as possible.

Anyway, co-writers/directors Peter and Michael Spierig do really well with this story is introduce something that comes almost completely out of nowhere, but somehow, still very much works in its own right. A certain character comes into this piece and begins to delve into their back-story – where they were born, how they were brought up, what they did in life, how they got to this one point in time, etc. And it actually becomes something of a compelling drama, one with a central character we can care for, yet, also one that still leaves plenty up to the viewer’s and their minds. We’re told that this whole story is going to eventually have an end game that’s going to wrap the whole picture up with a neat, tidy little bow, yet, it’s easy to forget about that and just focus on this story that we’re being told; one that, according to the person who is telling this story will “knock us out”.

A good portion of this credit deserves to go to the Spierig Brothers for actually throwing a curveball at us, and so very early on in the movie, but another good portion of the credit also has to go to Sarah Snook. Snook is an actress I haven’t seen too much of, actually, but I feel like, if this movie plays in front of the right eyes, that may all change and with good reason, too. Not only is Snook a compelling presence on the screen, but the way she plays her character in so many different shades and personalities is something to be admired. Not all of her performance works, which is mostly due to the fact that some of the make-up and hair she’s forced to wear is a bit goofy, but altogether, it’s a performance that begs for a better movie.

60's fashion. Hararar.

60’s fashion. Hararar!

Because, as good as Snook’s part may be for this movie, there’s still a feeling that the Spierig’s can’t help themselves enough from steering away from some of the more confusing, albeit predictable twists and turns that most sci-fi flicks of this nature linger more towards. This is where Ethan Hawke’s character comes into play and it never made full sense. That’s not to say Hawke isn’t good in this role, because he definitely is; it’s just that, when compared to Snook’s character, he seems poorly-written and with hardly any motivations at all. He’s a cool dude, like most of the characters Hawke loves to play, but he also seems like the kind of hip, sarcastic hitman-character we’re supposed to root for and it’s just never made clear enough to us as to why.

You can also tell that while the Spierig’s had a fun time concocting up this whole subplot, but that they also have a way better time with the sci-fi shenanigans that eventually take place in these sorts of movies and it doesn’t quite work. That’s not to say some of it isn’t fun, it’s just all too confusing and forced on. Where one part of this movie was a drama, focusing on one person’s sad, and very tragic life, the next part ends up becoming a totally wild, loose, and bonkers sci-fi thriller that jumps through travel a bit too many times for it’s own good.

Once again, wasn’t like it wasn’t fun, it was just unneeded is all. Especially when you’ve already introduced a story that yes, knocked me out. All until the next story came back to me into place and make me upset.

Consensus: There are two movies battling one another in Predestination, and while one totally works, the other one keeps it away from being as fun, or as effective as it could have been.

6 / 10 = Rental!!

Still bearing with me?

Still bearing with me?

Photo’s Credit to: Goggle Images