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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Simon Rhee

The Italian Job (2003)

If you’re going to pull-off a cool heist, your whole gang’s gotta be cool, too. It’s a known fact.

After a super, duper tricky heist in Venice, Steve (Edward Norton) turns on his partners in crime, and ends up killing skilled and legendary safecracker John Bridger (Donald Sutherland). Why? Well, Steve got greed and just wanted to keep all the gold for himself, and not try to cut in anyone else. The rest of the team that Steve ripped-off included leader Charlie Croker (Mark Wahlberg), driver Handsome Rob (Jason Statham), explosives man Left Ear (Mos Def), and tech geek Lyle (Seth Green), or, as he likes to be called “Napster”, now all vow revenge. But in order to totally get back at Steve and ensure that their heist goes down without a hitch, they enlist the help of Bridger’s daughter, Stella (Charlize Theron), so that they can get an inside-view into Steve, his life, and just where exactly he’s hiding all of that damn gold. But it’s known that Steve’s a tricky dude to mess with, and it’s why the gang’s really going to have to get their act together, in order for them to not just pull this all off and get the gold, but ensure that everyone’s alive by the end of it.

“Ayo Marky Mark, check this out. I’ll say hello to my motha for me, too.”

The Italian Job is a typical remake that’s modern, which means that it’s “hip”, “cool”, and totally unnecessary. But still, it’s also a bit of fun and when it comes to remakes of old-school classics, having a bit of fun means a lot, because most of the time, they’re just soulless, annoying and nauseating cash-ins. The Italian Job is different in that it doesn’t seem a whole lot of it was made solely for the money, but that it’s still got the same kind of look, tone and feel of all the other “gang-heists” movies.

Basically, think of it a more adult, somewhat smarter version of the Fast and Furious movies.

Which isn’t to say that the Italian Job is all that dumb of a movie, it’s just silly. But in that silliness, there’s a great deal of enjoyment to be had, mostly because F. Gary Gray knows that the best way to keep this material interesting, even when it’s silly, is to always be moving, never stopping and never focusing too hard on one aspect of element too much. We have a heist, we have a cast of characters, we have a baddie, we have a conflict, we have a plan, and that’s really all we need; Gray doesn’t get too bogged down in too many senseless subplots to where it feels like extra padding for a movie that does come a tad close to two hours.

But it’s a solid two hours that keeps up its energy throughout, so much so that you also realize that some of the key issues with the movie, like character-development, are left by the waist-side. Now, there’s a part of me that’s fine with the fact that each character sort of has their one characteristic/personality-trait and there’s not much else to them, but for some reason, it’s hard not to expect something a little more, especially from this well put-together cast. For instance, Statham’s Handsome Rob is pure Statham – silent, but scary, and that’s about all there is to him. Same goes for Seth Green’s “Napster”, who is just the goofy tech-y and yep, that’s it. Mos Def is also sort of like the comedic-support with Left Ear, but he’s got such stiff-competition from Green in that department, that often times, it feels like a lot of his stuff was cut.

And then, there’s the core trio of Wahlberg, Theron, and Norton who all, in any other movie, probably would have put on acting-class beyond our beliefs. But sadly, they’re stuck in a silly actioner that doesn’t quite care about how good of actors they are. As long as they are hot enough and can read lines, than it’s all that matters, right?

Honestly, public-transportation has been worse.

Well, yeah, I guess.

In 2003, it’s hard to believe that Wahlberg was still finding his inner-leading man, which is why his performance as Charlie Croker, while not bad, isn’t necessarily the strongest, either. Same goes for Theron’s Stella, who is basically there to be the hot romantic love-interest for Charlie to eventually learn feelings from. Theron was also in a weird spot in Hollywood where they knew she could act, but she was too busy getting these roles where she was just window-dressing because of her absolutely gorgeous-looks. Not that I’m complaining, but it’s obvious she was made for much, much more.

And of course, the same is clearly said for Norton who, even as the villain here, doesn’t get a whole lot to do. Still, Norton tries in what is, essentially, a paycheck gig that allow for him to take more risks with the smaller indie-flicks that he had always became so known and adored for. Even in the moments where we’re supposed to feel like this guy is a total and complete asshole, Norton’s not fully there and it’s weird, because it’s like we almost don’t care and just remember how effective he was in another good heist film, the Score.

But still, all of this talk about performances and characters, guess what? It doesn’t matter. The Italian Job gets the job done it set out to do, right. It doesn’t slow itself down and it sure as hell doesn’t try to appear as anything more than it already is – it’s just a fun, sometimes way too silly flick, with hot, talented people, being hot and cool.

And in that sense, yeah, it’s fine.

I just like to complain.

Consensus: Though it’s disappointing to see such a waste of a good ensemble, the Italian Job still delivers the right amount of fun, thrills and humor to have anyone happy.

7 / 10

As usual, the bro’s don’t know what to do when a tall, beautiful and smart woman comes around. Except Marky. He knows everything.

Photos Courtesy of: Cineplex.com

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The Gambler (2014)

Albert Camus and gambling. How could I have not seen the similarities before?

Literary professor Jim Bennett (Mark Wahlberg) doesn’t seem like he’s happy about his life. For one, his grand-father just died and has practically left him little-to-no money. Bennett also happens to have a gambling problem, that gets him into all sorts of trouble with powerful kingpins of the underground poker world. And, to make matters slightly worse, he has a job that he absolutely hates, where all he does is practically yell at each and everyone of his students, telling them that not only are they “not great”, but they’re also wasting his precious time. So yeah, Bennett doesn’t necessarily have the best life in the world of all person’s lives, but he does have a possible-girlfriend (Brie Larson), a very rich mom (Jessica Lange), and nearly seven days to settle all of his debts before it’s too late. But a week isn’t so bad if all you have to do is cobble up a couple hundred thousand dollars, right? Well, wrong.

One of the main problems with the Gambler lies solely within the lead character himself, Jim Bennett. For starters, he’s not a very likable, nor sympathetic one to say the least, but he also is quite repetitive without hardly any rhyme or reason. And then, there’s the fact that Mark Wahlberg, of all people, was cast in this role as a literary professor at what seems to be a very prodigious university somewhere in California. Both go hand-in-hand with what makes the Gambler a poor movie, but they’re both hard to describe to a person who hasn’t seen the movie. It just feels, while watching it, very mis-matched and awkward. Almost like a blind date you set up between two mutual friends; you know that they may have similarities and be a nice match, but you’re not sure how they’re going to approach one another.

I would make a joke about the lack of resemblance between these two, but the movie already does that for me. So whatever.

I would make a joke about the lack of resemblance between these two, but the movie already does that for me. So whatever.

It’s a bad simile, I know, but it’s all I got to work with since this is a very frustrating movie.

First off, the lead protagonist of Jim Bennett isn’t a very likable one, which is fine and all if a movie at least shows us that there is something to him that’s not only interesting, but turns him into something of a tragic-figure. However, the writing for Bennett is too repetitious and simple to make him as anything but; Jim Bennett is, simply put, a dick. But he’s the worst kind of a dick – he’s that kind of rich, self-entitled, whiny dick that you see at a dinner-party, who everybody crowds around and listens to all because he seems like a smart, know-it-all dude, when in reality, he’s just a bone-head who pisses, moans, and cries about everything in life, when he doesn’t really need to. Everything’s been practically handed to him on a silver spoon and the only problems that he ever faces in life, are ones that are completely made because of him and nobody else.

Yet, the movie makes him out to be some sort of martyr that we’re not only supposed to feel bad for because he’s so pissed off and angry about life, but also because he apparently has a gambling problem; one that’s never really brought out well enough to be classified as such. What I mean is that while you see certain movies about people with addictions, mainly gambling addictions, you know that they are, the way they are, is because they love the trill of winning whatever big con it is. In the case of gambler’s, they love the excitement of winning a bet and absolutely chase that for as long as they can. Here though, with Bennett, we never see his utter joy and/or pleasure for winning; we just see him bet a lot of stupid hands in the game of Blackjack, lose, and then continue to dig himself in a deeper-hole for no other reason other than, well, he can.

To me, this not only makes him an unlikable, nearly insufferable character to watch and have to stick with for two hours. Not to mention, it also wastes the talents of Mark Wahlberg, an actor who, when given the right material to work with, is strong and impressive, but seems like he is way out of his depth here as, get ready for it, a literary professor who may have reached his mid-life crisis already. I know it sounds like a joke, but judging by how this movie portrays Bennett, as well as the rest of its story, it isn’t. It’s pure, unabashed drama, and it’s hard to take in as fact or compelling.

You’d think that casting-directors would think twice about putting Marky Mark in roles of teachers, but oh well.

Though, to be fair, I have to hold back on the hate of Marky Mark’s performance, because he’s not all bad; you can tell by the fact that he lost about 60 pounds, that he truly is trying with this role. But the problem remains that he’s just not believable enough in this role as a professor who just preaches about the monotony and shit-heap reality that is life. There are some instances in which we see the good, old school Marky Mark come out (mostly in scenes where he’s acting smarter than the person he’s talking to and/or ready to brawl), but overall, it’s a mixed-bag of a performance, that could have easily been avoided, had Wahlberg not been cast in a role that clearly doesn’t suit him well.

Then again though, it all comes back to this character of Jim Bennett; he’s not nice, not interesting, and sure as hell isn’t compelling enough to make this movie work. He’s just a blank-slate, that’s made even worse by the dumb, idiotic decisions he makes in life that not only impact his own life – one that he’s already made pretty clear he doesn’t care for. But, even worse, he impacts those around him who love him, care for him, and actually care about their own, relatively pleasant lives as human beings. He doesn’t care, so therefore, we’re supposed to care.

And because we don’t care about him, or the actions he makes, there’s hardly any tension to be found in the Gambler. Sure, some of the scenes where Bennett’s betting his life away on what seem to be ordinary games of Blackjack, do have some real suspense to them, but it’s only because of the way they’re filmed. It’s not that we’re held in suspense because Bennett may actually die if he loses whatever hand he’s playing with, but because director Rupert Wyatt actually seems to care for how this film looks and feels. Even if his lead character is terribly-written, he’s still trying and that, for the most part, at least made it watchable.

"The King stay the King." Shit! Wrong Wire reference!

“The King stay the King.” Shit! Wrong Wire reference!

Although, Wyatt isn’t the only one trying here. It’s the rest of the supporting cast that show up every so often to not only make things a little bit brighter, but make a lot of these self-important speeches the script frequently lapses into actually interesting. John Goodman has the brightest end of the stick as a bald loan shark that Bennett meets with on a few occasions, and talks about how America is build on “fuck you”. It’s a lovely bit that adds some flair to this film, but also counts as one of the rare speeches here that actually works and doesn’t seem like the writer behind it is just trying his hardest to sound smart.

The one’s who don’t really come away as nicely as Goodman does with his speeches, are Michael K. Williams, Alvin Ing, and Anthony Kelley; with the former two playing actual mob bosses who Bennett runs into conflict with, and the later just being a student of his, who is constantly on the discouraging end of Bennett’s many rants about paying attention in class and not trying to get by in the academic-world because of athletics. None of these characters really seem believable, and it’s even more evident once they open up their mouths and start going on about stuff we either don’t care for, or have much of a foundation to really build our own feelings on. We’re just sort of sitting there, wondering what it all means, and end up not caring at all.

The only impressive part about this supporting cast is that the two female roles, played by Jessica Lange and Brie Larson, actually feel pertinent to the story and add some dramatic-heft to a piece that definitely needed it. Lange plays Bennett’s mother and has maybe two dramatic scenes where you can definitely tell she loves and cares for her dastardly son, but wants to be rid of his problems and hopes that he does to. And Larson, who I’m glad was cast here, at least makes some sense of her character’s motivations, especially when we’re supposed to believe somebody as lovely and chirpy as hers would fall for someone as downtrodden and inexplicably depressed as Bennett. They are two fine performances in their own rights, that go a long way.

Especially for something as disappointing as this.

Consensus: Occasionally entertaining and interesting, but mostly, where the Gambler loses points in is because its lead character is terribly-written, and suffers even more from a miscast Mark Wahlberg playing it.

5 / 10 = Rental!!

Ladies, don't act like you aren't impressed.

Ladies, don’t act like you aren’t impressed.

Photo’s Credit to: IMDB, AceShowbiz