Dan the Man's Movie Reviews

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Tag Archives: The Silver Linings Playbook

Top 10 for 2012

I know, I know, I know! This list is way past-due, but it took me so long to rile-up every movie that I watched in 2012, count-down the top 10, and see exactly which ones did it the most for me. I’ve finally been able to get them altogether now, and needless to say: what a freakin’ year, man! 2012 was one of the finer-years of movie-going that I have ever had the pleasure of being apart of and definitely re-affirmed my love for the art of film and the joy of going out to theaters, getting some popcorn, a nice soda, plopping my rotund-butt in the seat, and just allowing the film to take me by surprise. Some movies were greater than others, but nonetheless, it goes without saying that 2012 was a great year for movie-lovers out there and let’s just hope that 2013, kicks as much ass.

Now, on with the list:

 10. Killing Them Softly


A movie that totally bombed-out at the box-office, but didn’t deserve to. It’s like an old-school thriller where the director was more concerned with building-up tension through classy-conversations about life, crime, drugs, guns, money, and most importantly: politics. The political-message was a tad overbearing at times and did take away from the final-product, but when you have a cast chock full of stars like Pitt, Gandolfini (who I think deserved an Oscar nomination), Liotta, Jenkins, McNairy, and Mendelsohn, then you can never, ever go wrong, no matter what type of ideas you may be throwing my way.

9. The Master


 Not as masterful (see what I did there?) as PT Anderson’s past flicks, but still pretty mind-boggling and enticing in it’s own right. Anderson always knows how to make any shot a work of beauty; Johnny Greenwood always knows how to make any type of object sound like a piece of music with tense and methodical rhythm  and Joaquin Phoenix, Philip Seymour Hoffman, and Amy Adams, always know how to give-off great performances, no matter what the material may be. Whether or not it’s about Scientology and all of it’s crazy, mumbo-jumbo, is entirely up to you. Just be ready to be totally and completely surprised by what you see Anderson swing at you.

 8. The Perks of Being a Wallflower 


Maybe the fact that I just got out of high-school is why I was so taken-away by this movie, but nonetheless: I still loved the hell out of this one. It reminded me of my old days where I would just slum around in the hall-ways, go to class and hope I got a good grade on that test I probably cheated on, walk with my friends to class, gossip about the new couples, see what’s going to happen on-weekends, and just get absolutely trashed in somebody’s basement. Yeah, you know, the finer things in life and if that sounds like a bore to you, then trust me: get ready to be surprised by this movie’s charm. It had me crying by the end, and I’m sure it will have you doing the same, as well.

7. Silver Linings Playbook


Being from Philadelphia and currently residing in the Delaware County area; this movie totally resonated with me for many reasons that may seem obvious by that last statement, but still hit me harder than I expected. It’s funny, witty, and very, very quick at-times, but in the center of all the craziness and madness that ensues and surrounds it, is a relatively sweet, and understandable romance between two nut-balls that you cheer for from beginning-to-end. If this doesn’t have you smile at least once, then I think you might just have to trade in your old soul, for a new one.

6. The Avengers 


Although I merely forgot about once the Dark Knight Rises came around town, the Avengers was still the movie that promised everything from about 4-years of build-up, and I still craved more. It’s fun, hilarious, action-packed, beautiful to look-at, well-acted, and filled with all of your favorite superheros that you have spent countless movies just watching, hoping that one day they would all get together for one, glorious cream-fest of nerdiness. Thankfully, that time came and it was freakin’ awesome.

5. Les Miserables 

Don't lie, you'd still tap that.

Musicals usually aren’t my flavor-savors, unless they are done right. However: this is what it looks like when a musical is done right. The performances are beautiful and the style in which Tom Hooper allowed his stars to sing, naturally and live, gave the movie a more realistic, if theatrical feeling. I teared-up many-a-times, and already have the soundtrack on my Ipod. But if anybody asks you about that, please: do not tell them the truth. I’m still trying my hardest to hold onto to some sort of my macho-man exterior.

4. Zero Dark Thirty 

1134604 - Zero Dark Thirty

One of the more controversial flicks of the year, but all of that hubbabaloo aside: this movie is freakin’ awesome! Bigelow’s direction takes it’s time with it’s story, where it wants to go, it’s characters, and it’s history, and always allows there to be tension in even the slightest-bit of scenes. Everybody complains about it being too talky, too long, and too much about a bunch of people without any, actual character development, but in all honesty: who gives a shit? It’s a powerful flick that encapsulates an entire decade into a near-3-hours, and leaves you with a sequence where we all know the outcome to, but yet, still takes you for a ride regardless.

3. The Invisible War


One of those documentaries that does everything right in it’s precision, it’s ideas, and it’s delivery, but still left me wanting more. That’s not a bad thing, either, as this flick goes through all of the motions of presenting it’s subject, and giving us a total hammering of why it’s so messed-up and how freakin’ stupid the legal system can be, especially when it comes to the Army. The review I posted was more of a rant, with some critiquing here and there, but regardless of what you may take away from my words, know this: what this movie speaks about and approaches, is still happening and it’s an absolute nightmare to think about. Will there ever be an end? Who the hell knows! But what I do know is that this documentary was a total eye-opener and really had me angry, upset, sad, pissed-off, and determined to do something about what’s wrong with the world we live in.

2. The Dark Knight Rises 


In the past 7 years, Christopher Nolan’s Batman trilogy has taken what we have come to know and expect with the superhero genre, and absolutely spin it on it’s side. That being said, we all knew this time would eventually come and no matter how many tears were shed (mine included), it was all time for us to say bye-bye to Master Wayne, Alfred, Commissioner Gordon, and all of our other favorite Batman characters we have come to know and love throughout the years. But still, what a way to go out! Even though some will say that it wasn’t as good as it’s predecessor, I think it absolutely accomplished that promise, if not more. It’s just about as epic as you’re going to get with a movie, let alone a superhero movie, and as the final scene rolled-in and the trilogy was about to be over, tears came streaming down my face as we saw Batman ride-away, one last time. One of the more memorable, movie-going experiences I had last year and was definitely numero uno for the longest time, that was until I saw….

1. Django Unchained


Quentin Tarantino has, and will forever be a favorite of mine and his latest, is probably one of his best (if that even means anything, anymore). The look, the feel, the characters, the dialogue, and the story is all original, but the real joy and delight of this movie was watching the cast just absolutely have a freakin’ ball with each, and every one of their roles. Jamie Foxx does a great job as the titular-named Django, where he turns the charm, on-and-off whenever the plot needs him to, and definitely never shines away from being the main character. Christoph Waltz is adorably witty and hilarious as the sympathetic  yet brutal bounty hunter, Dr. King Schultz, and shows that there is more to him than just playing an angry Jew-hunter. Samuel L. Jackson plays Stephen and comes-off like the total and complete Uncle Tom-like character we see in all of those old comics and cartoons, but in the end: turns-out to be more of a smart and menacing character that does not deserved to be fucked with and shows Jackson at his loudest, his craziest, and also, his most sinister. And last, but sure as hell not least, is Leonardo DiCaprio as the evil, but charming-as-hell slave owner; Calvin Candie. DiCaprio gives great performances, year-after-year, yet never seems to really get the type of recognition he deserves. Hell, some could ague that maybe his performance here hasn’t gotten him that type of recognition either (mainly because he was terrible snubbed at the Oscar’s this year), but still: the guy is amazing here and is in top-form, unlike anything we have ever seen him do before. He’s funny, bad-ass, cool, slick, smart, but also very, very scary in the way he can just change his look and person in a matter of seconds and the way that DiCaprio toys with your mind, is just another way to show you that Tarantino knows the type of people he chooses for his roles and what makes them so damn fit for his writing-style. Controversy aside, this was my favorite and most enjoyable flick of 2012 and one that I ventured-out to see not once, not twice, not even three times, but four times! And yet, I still have not had enough.

Hope you all liked what you saw, and let me know what you think about the list! As always, stay cool, peeps.

P.S. That’s not a new slogan I’m trying-out, it’s just what came to me first. Unless you want it to be a new slogan of mine, then we could definitely see that happen more and more from now on. Either way, let me know!


Rust and Bone (2012)

You never could trust Shamu, now could you?

The story itself centers on a penniless man down-on-his-luck (Matthias Schoenaerts) and his fateful encounter with a beautiful young woman (Marion Cotillard) who ends up losing her legs in a horrific accident at a marine park.

Going into this movie, knowing it’s from the French and knowing it’s about a complex relationship between two human-beings, will have you think many happy and lovely things. However, the words “lovely” and happy” do not fit with this film at all and is instead, every bit of sad, depressing, and dark as there is to be seen. Being a movie that’s sad, depressing, and dark doesn’t necessarily make a film that I want to watch on a Lazy Sunday when my thoughts are already upsetting as it is, but it still does make a flick that I want to see when I’m in the right-mood for it, right?

Well, watching a depressing movie when you’re sort of feeling down in the dumps, isn’t always the best-option, but in my case, I thought it was and I was actually pretty wrong. I went into this flick expecting to be sad, especially after I had such a shitty night as it was (didn’t get lucky, not at all), and I ended-up coming up pretty happy. Did I get to see some of Ms. Cotillard in all of her finest glory? Yes, but that’s not the point, the point is that the flick definitely won’t bring your hopes-up, but it will have you look at things around you in a more clearer, happier-way, than maybe before you hadn’t before. It’s not like watching a movie about two people’s lives that are pretty sad as it is, won’t make you feel better about yours, but watching a movie that pokes at the idea of making yourself happy by realizing that it’s not so bad out-there and that you can always make things better for yourself, in terms of situations or surroundings, definitely resonates with me, especially, after a crappy night. I’m sorry that I keep going back to it, but it’s the truth: my night blew and this flick made it a bit better, so what else can I say?

Why the hell is Marion Cotillard in a club and no guy is at least TRYING to dance with her?!?!?

Why the hell is Marion Cotillard in a club and no guy is at least TRYING to dance with her?!?!? If only it was a club in America.

Director of A Prophet, Jacques Audiard brings a very down-beat sense of style that shows the utter horrors of life that some of these people descend to, but also the beauty of it as well that may have you looking at the glass half-full by the end of this. For instance, there’s a big-contrast between two of the very-different worlds out there when you take into consideration what these characters actually do for a living and how they make it that way. Schoenaerts’ character part-takes in a life where all he does is fight and fuck, and that’s the way he lives it, despite being a pretty shitty father and almost never knowing how to actually handle the nonsensical-acts that his 5-year-old son does. The scenes with this guy are pretty brutal, especially since all of his fights feel real and are as bloody as you are going to see any, other UFC fight for the rest of the year. Probably doesn’t help that we have less than 2 weeks left of the year of 2012, but still, if you need a quick-fix of bloody-fights, check-out the scenes from this movie and your need will probably be cured. Just don’t watch the rest of the movie, or you just may have the need for jumping off of a bridge.

Whereas Schoenaerts’ character’s life is filled with utter sense of grit and ugliness, Cotillard’s is filled with happiness and light, even if she seems to be the one who has it worse. She finds it really easy to look on the bright-side of things, really quickly after her incident happens and you see how she comes to terms that she’ll never get her legs back, she’ll never be able to swim with the Killer Whales again, and she’ll never be able to walk again on her own, two feet. This is a beautiful-aspect of the flick that rarely comes out, but when it does, it hits you hard and very well, and doesn’t feel cheap in the least-bit. What’s even more surprising is that the two most touching scenes of the whole movie is one that’s played in absolute silence, and another one that’s played to the track of Katy Perry’s “Firework”. Yes, it sounds cheesy, but it isn’t and it’s a real surprise that at the end of the flick, this is the one track that may be stuck in your head long-after. Next time I hear that track, I’m going to be thinking some weird, weird things, man.

And if we were to be talking about what really makes this flick work as well as it does, it is in-fact, Marion Cotillard’s character and the performance she gives for her. Cotillard, as we all know, is a beautiful woman that has the look and grace of an old-school, leading-lady that took the men by storm, and the audiences rushing to the cinema’s to see them. However, all that beauty and grace is rarely ever showed here and instead, is used to cover-up the fact that this character is pretty damn drab to look-at. Definitely not the type of Cotillard we all know and love to stare-at (Am I right, men?), but she uses that to her advantage and gives-off a performance that says so much, without saying anything at all. Just a look of her face tells you exactly what’s going through her mind, at that case in-point and there’s a couple of scenes that really have you feel this girl’s pain, sadness, but also, her out-look on life and how positive it gets over time. Cotillard is getting a lot of looks and praise for this performance, and as she should, mainly because it’s the first time I have ever heard her speak in her native-tongue, and also, because she’s not afraid to get down and dirty with her characters, no matter how damn gorgeous she is.

Can totally see the resemblance.

Can totally see the resemblance.

Also, special nods go-out to whoever did the CGI on her legs and made it seem like she really did lose them. Honestly, I kept-on staring at them in every scene she was in, just to see if I could spot a mishap or fake-spot in the film, but I just couldn’t find it. We can get a legless Marion Cotillard right, but we still have yet to master the art of motion-capture performances and not having every character with the dullest pair of eyes?!? Step up your game, Hollywood, the French are finally picking-up for a change.

Even though Cotillard definitely steals the show in this one, Matthias Schoenaerts doesn’t do such a bad-job for himself, neither, but definitely comes-off like the weakest-link out of the two, mainly because his character is so lame and unlikable. I get that there are people out-there in the world who shouldn’t be parents, shouldn’t have responsibilities, and shouldn’t be trusted as a nice, knowing human-being, but this guy is just downright idiotic. Throughout the whole 2 hours (and it’s a pretty long 2 hours, may I add), the guy never seems to do anything right or nice for anybody around him, except for maybe giving Cotillard the D, whenever she wants it and whenever he feels like it giving it to her. And seriously, that’s debatable because there even comes a point where he just seems to be playing with her heart and emotions, and how dare ye do that to one Marion Cotillard?!?

He’s not a nice guy, he definitely stands up-there pretty high in the ballot for “Worst Daddy Ever”, he takes happiness in beating the shit out of guys, he doesn’t like doggies (what is wrong with this man?!?), he definitely has an anger problem, and the only type of pleasure or good-deed he does for people to make them feel better about themselves, is when he’s banging chicks and I think that’s just about it. I feel bad for Schoenaerts because underneath this dry and distasteful character, there lies a pretty solid performance that’s more fully-realized than the arch for this guy, but it never comes-out and just feels more like the type of movie that shows-off the gal for being the stronger and smarter-one of the two, not the muscle-bound freakazoid known as the male species.

"Check Marion later. Beat the shit out of the guy who did this to her beautiful face first." That should always be the plan right away.

“Check Marion later. Beat the shit out of the guy who did this to her beautiful face first.” That should always be the plan right away.

The relationship between the two that begins, is what really kept me watching the flick but whenever the focused away from it, or got off-track and decided to throw in a bunch of manipulative moments where it would toy with both character’s emotions and decisions, then the flick began to lose me and my interest. Their relationship seems to be strictly about sex and making the other person happy, with little to no repercussions involved whatsoever. It’s a nice change-of-pace to see that in a flick and to see that handled so seriously, because as we all know, Hollywood hasn’t been able to do that for the longest-time (*cough* Friends With Benefits and No Strings Attached *cough*) but it all starts to fizzle-out and become exactly the type of item Hollywood loves to shove down our throats. The relationship between these two works because it feels believable and understandable no matter how fucked up their lives may be, but by the end, it all becomes conventional, obvious, and a tad dull and starts to feel like the French-version of a Nicholas Sparks novel that just so happens to have Killer Whales, sex, nudity, violence, and lots of skinny-dipping. Sounds like the type of book I want to read before a screening, not something I want to see, watch, and wait-around for for over 2 hours, waiting for it to get to the point.

Consensus: Cotillard’s performance and what she does with an ultra-complex character is really why you should see Rust & Bone, but if you decide to go and see it for more, you may or not be disappointed by the lack of any, actual emotional-attachment this flick may have to you and your life, or the fact that the flick starts off so damn promising, only to fade into what we should expect from Hollywood’s sappy, Nicholas Sparks-adaptations. Except this time, it’s got subtitles. Yay! Not only is there sappiness involved, but reading as well!


Hey, I don't blame him for fighting over Marion, either. Oh, that's not what they're fighting over....

Hey, I don’t blame him for fighting over Marion, either. Oh, they’re just fighting over money?…..

Also, while you’re at it, check out a podcast I did with a couple of fellow bloggers of mine where we talk straight-up movie ish, especially in terms that it’s Christmas time! Yay! Go on over to and let me know what you think! Thanks!

Silver Linings Playbook (2012)

Man, I’m glad to be from Philadelphia.

Bradley Cooper stars as a sad sack loser named Pat trying to get back on his feet after suffering a mental breakdown. When he meets a mysterious girl named Tiffany (Jennifer Lawrence) with problems of her own, an unexpected bond begins to form between them.

As many of you out there may know, I’m a proud Philadelphian through and through, and to see and hear about a big-budget, Hollywood rom-com be filmed around my parks was surely something that had me interested. I mean honestly, it’s been awhile since the City of Brotherly Love has had a good movie come from it’s native-land in a long, long time and that’s why I was a bit skeptical of just how well this one would do, despite it’s somewhat generic premise. Then, a miracle started to occur right in front of my eyes, as the reviews started to tricked in and I realized: this movie could be the next Rocky, in terms of representing Philly and making all of those who live there, proud to be apart of a city that deserves all the love and praise (in some ways). Then, lastly, another miracle came my way and made me realize something: I LOVED THIS MOVIE.

Yes, I just used the “L word” and with good reason, because this film is exactly what I wanted in a rom-com/character-drama. Director David O. Russell steps out of the boxing ring, and into the streets of Prospect Park (holla!), which may definitely seem a bit odd at first considering this is a character-drama that focuses on people who have problems and don’t really do much about it except talking, and not just go into the ring and beat the shit out of each other, but in a way, you can almost tell that the guy is as ever comfortable as he has ever been with material like this. See, earlier in the review, I stated that this was a “big-budget, Hollywood rom-com”, but I was wrong. Dead-wrong. Actually, it’s more of a very indie-like, rom-com that down-plays everything that we have come to know and expect from any movie of this unoriginal genre, and thank O. Russell for that because that’s the real charm behind this movie.

Right from the first-shot of this movie, I couldn’t help but be swarmed in by all of the fun, humor, and wittiness of this setting and script and as soon as more and more characters became introduced to the story, I knew that I was only getting started on this wild-ride. Every piece of dialogue between these characters is always fun, always interesting, and always something that feels realistic and believable, especially when you actually consider the characters. The real risk O. Russell takes with this movie and these characters, is that he introduces us to people that aren’t exactly the most likable or lovable people we would want to watch a movie about, let alone spend 2 hours with, but somehow, the script makes you forget all about that and you really see something underneath all of the humor, goofiness, and weirdness of these characters, you actually see a heart to it all.

What I loved so much about this flick is how it takes a look at love, through the eyes of a heart-broken man, that has literally been pistol-whipped by love, and can’t figure out just how to go back to the life he once had and make right with everybody he knew, so instead, he just goes back to his old ways and tries to convince everybody that he is the same dude he was 8 months ago when he was shipped-away to crazy town. However, sooner or later, as predictable as it may sound, this guy eventually has to come to terms with what is true and what is not, and eventually that takes a toll on his life and what he thinks he should do with it. This idea of picking yourself back-up from a broken-heart and broken-life, by doing whatever you can to make yourself better each day-by-day is an idea that really resonated with me, as I can definitely say that there have been many times throughout my life where I’ve realized I can be happy in my life if I just allow myself to be better as each day goes by.

However, as corny and gooey as I may make this sound, this film is definitely not all about that. This love that is eventually carried-out, is not something we are used to seeing in movies and what’s even weirder is what the script brings into the fore-front of this love and what gets in the way of it. To be short, without giving too much away, the film combines crazy people, dancing, and the Philadelphia Eagles all into one movie and shows you that as weird of a combination that may be, you give it some real heart and depth, than anything can freakin’ work. I loved this film for showing me, once again, that making your life better is certainly on you but can also be used by allowing yourself to help others and have others help you. It’s a beautiful message that may seem as conventional as they may come, but this film carries it out in a way that isn’t and makes you re-think about where your life/love-life may be heading, and how you can make everything around you, well, better. I know, I know, I’m corny as can be but seriously, this film will make you feel like there is nothing wrong with you, or the world you surround yourself with.

I also think that most of the feelings I have for this movie mainly come from the “romance” between the two lead characters: Pat and Tiffany. First of all, Pat and Tiffany are not necessarily a romantic-couple, even though they may show signs of it. In their own, strange ways, they are both a bit crazy and off-kilter from the rest of the world, but the feelings they share about the things around them has them connect on a way that makes you believe in them as people that could definitely meet and be friends, but also be together, fall in love, and make themselves, and everyone else around them better as well. The whole movie is pretty strange in the directions it goes towards, and that’s mainly thanks to these two and it’s just great to see a rom-com about a couple that doesn’t necessarily fall in love right on impact, and can’t really show each other the type of love-signs we have come to expect from generic characters in these types of movie. Pat and Tiffany is the perfect, anti-rom-com couple that makes it all the more disappointing that once things do get a bit conventional and soapy by the end, it’s a bit too hard to believe or be satisfied with. However, it’s not to the point of where I felt like the whole movie was ruined for me. Just a tad bit of it was. Just a tad bit, mind you.

Despite that itsy, bitsy, teenie, weenie, little problem, these characters are still great to watch together, especially considering the cast that’s behind them all. Bradley Cooper probably gives his finest performance yet as Pat, by showing that he can let-loose with his manic-energy that definitely shows he still has that pitch-perfect comedic-timing, but also shows a bit of a darker side to him as well. For Cooper, lately, there hasn’t really been a film that’s showed him off a true, dramatic-force to be reckoned with and it’s more that his comedy-skills have been used a hell of a lot better, and showed-off more than I expected. However, his role as Pat allows him to break free from that mold, give us a character that is a bit off his rocker, isn’t always the nice guy when it comes to certain situations and choices that he makes, but also, always allow us to feel some sort of sympathy for the dude as well. Cooper gives off what could possibly be his closest shot to an Oscar nomination this year, and you know what, I think the guy deserves that at least because he nails this role to a “T” here and it’s just great to see him finally break-out and combine what he does best: comedy and drama.

I was a bit skeptical of Jennifer Lawrence as Tiffany, because the character is definitely supposed to be a lot older than Lawrence’s 22-years of age and would seem a bit weird considering that Cooper is 37, but surprise, surprise, Lawrence makes this work like no other. What’s so beautiful about Lawrence here is not only is she able to really have us believe in this gal that could be so weird and cooky, but also have us believe that she is as old and damaged as she is. Tiffany is not the easiest character to really get right from the start as you can tell that she has some problems that may need more fixing than just a simple dance-competition, but Lawrence is so natural with this gal that you can’t help but want to reach your hand out to her, even when Pat doesn’t seem to be. Lawrence is everything you would want her to be in this role and yet, it’s something that we have never seen from her before. She’s vulnerable, but never asking for sympathy; she’s sad, but never mopey; she’s smart, but never condescending; she’s weird, but never to the point of where she’s considered “crazy”; and she’s good-looking, but never to the point of where you wouldn’t believe her is as this older, sadder-woman that comes to terms with the life she lives and where it’s going. Basically, in a nutshell, Lawrence is perfect for this role and if she doesn’t at least get a nomination for her role here, then I’m really going to be ticked off. Seriously, this girl has tons and tons of amount of promise going for her and I’ve already forgotten about House at the End of the Street. Even though, I can’t believe how I remembered that title.

As much as this is Cooper and Lawrence’s show, everybody else on the side still gets their own chances to shine and jeez, am I ever so glad for that, because their just as good too. Thank you so much David O. Russell, for giving us a meaty-role for Robert De Niro that shows us why everybody loved the guy so much in the first-place. De Niro plays Cooper’s OCD-like father that can’t seem to ever miss an Eagles game, and is absolutely terrific in a role that shows how much one man can love a son, but also want the best for him and try to give him advice on how to make his life better. It’s a role that shows De Niro at his finest, that we haven’t seen from him in a long-time and as much as he may down-play it, he still lets loose a bit and still makes us laugh our asses off whenever he does the signature crunched-up face. Man, you gotta love De Niro!

As for his wife, played by Jacki Weaver, she’s great as well and shows us a lighter-side to her acting-skills, by giving her character a delightful smile that only wants what’s right for her boy and her family. Oh, and I forgot to thank David O. Russell for something! Thank you so much for bringing back Chris Tucker to a mainstream movie that isn’t co-starring Jackie Chan and reminding us why the guy is so damn funny in the first-place. Yeah, Tucker may have lost his signature, high-pitch voice that mostly everybody hated (even though I loved) and has definitely packed on a couple of pounds for good measure as well, but still shows us that he has that great comedic-timing that makes me wonder why the hell he isn’t in more stuff. Does his character matter all that much to the plot? Hell no, actually, if you got rid of him, nothing in this movie would ever change one-bit but it’s Chris Tucker, man! The guy’s hilarious and I want to see more of him.

Consensus: With a heart as big as the state of Philadelphia (not terribly big, but still big none the less), a message that hits the heart, characters that interest the hell out of you right from the start, and a script that balances quirky, comedy, drama, and romance altogether, Silver Linings Playbook is exactly the type of feel-good movie you want to see this Winter-break, especially if you have ever longed for someone to tell you that your life is worth it and is something that’s meant to be made better not just by others around you, but yourself, as well. Definitely go out there, and go see it. Especially, if you’re from Philly. Then again, I feel like that’s obvious enough already.

9/10=Full Price!!