It’s like they say, “Your best movies, are the ones that come close to killing you.” Even though, yeah, they don’t.
After making not just the Godfather Part I, but Part II in the span of a nearly two years, Francis Ford Coppola could basically do whatever the hell it is that he wanted, with as much money, with whomever, and wherever. That’s when he decides to take up adapting Heart of Darkness, the novella that had been a long passion-project of Coppola’s, but needed some extra push to get off the ground. Eventually, he got it, but in this case, it wasn’t what he, or anyone else was expecting. Needless to say, without saying too much, one lead actor gets a heart-attack, another gets recast about halfway through, one is filmed in a drunken-stooper, one lies about his age to get in the movie. But then, if you go past the usual actor stuff, you’ve also got the fact that the budget is running up the bill way more than it was supposed to, the Vietnam locals are getting pissed, the weather was absolutely awful and practically unlivable, and oh yeah, Coppola himself literally lost his mind.
Was it “method”?
The biggest joke about Hearts of Darkness would be that the resulting film of all this mayhem and madness, Apocalypse Now, turned out to be a bunch of crap that people put way too much of an effort into, for no other reason because they had to, or they thought what was right. But that’s what’s funny, because the movie turned out, dare I say it, almost perfect. All of the years spent filming, editing, and putting money into it, guess what?
At the end of the day, everyone went home happy.
But Hearts of Darkness isn’t a movie about what the final product ended up becoming, nor is it really about what everyone else thought about the movie, it’s mostly about the behind-the-scenes of everything that happened on, as well as off the set, and yeah, it’s just about as candid and as eye-opening as you can get with a documentary about so many big names and faces in Hollywood. With the assistance from Fax Bahr and George Hickenlooper, believe it or not, Eleanor Coppola, Francis’ wife, is actually the perfect one to bring this table of absolute craziness to the big screen; she was, after all, there for it all, and her insight, while sometimes silly, focuses on things that probably mattered the most. While Francis was off worrying about how much fire was burning the trees down, Eleanor was worried that her husband was going to have a stroke and possibly die from all of the tension and turmoil in his life.
It’s not like she wants us to feel bad for her husband, but at the same time, she also wants to see it from more of a film-nerd’s perspective, where the control-freak director is always right for themselves, the movie, and everyone else around them. But still, just watching what happens behind-the-scenes here, and the things that we only hear small instances of, are truly insane, but draw you in even closer to the mind of Coppola, how he worked, and why he slaved away for so long to get this picture of his made and up on the big screen, for all the world to see and hopefully feast their eyes on.
It was the 70’s and it was hot, so maybe he wasn’t totally crazy.
And really, it all comes back to Coppola, someone who has become a pretty infamous figure in movie-making, only because it appears like his career has taken a huge turn downwards after he was put into debt for this project, as well as the many others to follow. For one, it’s interesting to see Coppola talk about this project, but also not think of him as a total ass; sure, he loves himself and his work, but can you blame him? The man has literally just made two of the greatest movies of all-time and was onto making another, so maybe he’s allowed to kiss his own ass, eh?
If so, it still brings up the question: How much is too much?
Eleanor and the movie as a whole, brings this point up many times and makes us think, whether we’re on his side for going so far as he did, to make sure that this movie was complete and actually worked to his vision, or, if he was just way too artistically-driven in the first place? See, it would be a problem if the movie didn’t turn out to be such a classic, but it somehow did and it makes us not just think, but wonder: Where has that same artistic integrity gone? And hell, when is it coming back?
Consensus: Eye-opening and thrilling to watch, especially if you’re a film-nerd, Hearts of Darkness will surely show you everything you need to see, hear, and understand about all of the craziness that went into making sure the final product turned into what it is seen as today.
8.5 / 10
Pictured: Cast and crew getting the hell out of Coppola’s rage.
Photos Courtesy of: Jonathan Rosenbaum