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Dan the Man's Movie Reviews

All my aimless thoughts, ideas, and ramblings, all packed into one site!

Tag Archives: Whitney Cummings

The Ridiculous 6 (2015)

RidiculousposterAt least Tarantino has a Western coming out.

In the old West, a man by the name of Tommy Stockburn (Adam Sandler) is raised by Native Americans, where everyone calls him “White Knife”. While he doesn’t know who his real father is, he still hopes to meet him one eventual day. After getting kidnapped by a bunch of bad, evil bandits, Stockburn finally understands who his father is (Nick Nolte), which leads him on a trip. Along the way, he ends up meeting 5 other men who, believe it or not, also happen to be his brothers and looking for their father as well. There’s Chico (Terry Crews), a black man who doesn’t know that he’s black; there’s Herm (Jorge Garcia), who can’t speak a single discernible line of dialogue; there’s the slow and obviously mentally challenged Lil’ Pete (Taylor Lautner); there’s the slippery Hispanic named Ramon (Rob Schneider); and last, but not least, there’s the cool and suave Danny (Luke Wilson). Together, they will search far and wide for their father, while at the same time, also stopping any wrong-doings they encounter along the way.

PT, where are you?

PT, where are you?

Why is Netflix making an Adam Sandler movie? Better yet, why are they making not one, not two, and hell, not three, but actually four Adam Sandler movies? Well, folks, in the biz, that’s what we like to call “profit”. Apparently a lot of Sandler’s movies are exceptionally popular on Netflix and it brings into question just in what capacity people want to actually watch his movies.

Do they either want to get in their cars, drive a half-hour, spend nearly $20 on tickets and concessions, watch and spend a few good hours of their lives watching as Sandler and all of his pals get paid vacations? Or do they want to just sit at home, think of something to do, and when push comes to shove, just watch them? Because, if you think about it, it doesn’t really cost much to begin with, so what’s the big deal?

But no matter which way you put it, you should not see the Ridiculous 6. Even though it’s not getting the same treatment as Netflix’s Beasts of No Nation and not playing in any actual movie theaters, it still doesn’t matter. You should not see this movie so therefore, just don’t even bother getting into your Netflix account, either.

Just stay away and spend time with your friends, families, or whoever else, cause anything would be better.

And yes, I know I sound incredibly dramatic right now, but seriously, it’s the truth. Not only is the Ridiculous 6 nearly two-hours long, but it has hardly a laugh to be found. There was maybe one chuckle or two to be found, but other than that? Nope. For the most part, it’s the same as it is with just about every other Sandler movie: The jokes are lazy, tired, and most of the times, offensive to just about every demographic out there in society.

This is something obvious to expect from a Happy Madison production, but what surprises me so much is how this movie, at times, seems to be trying to parody other Westerns. The Magnificent Seven is the clear genre example they use to poke fun at, but honestly, you’d never notice unless you actually saw that movie to begin with; there’s no real actual jokes made at the expense at the genre, or any attempt to be satirical. Everything is, as it appears to be, just made for the sake of being jokes and having people laugh, which surprisingly enough, doesn’t actually seem to happen.

Which is all the more depressing because you take a look at the cast and realize that most of these people involved don’t need this movie to help them out, either financially or professionally speaking.

A lot of Sandler’s buddies like Nick Swardson, David Spade, Dan Patrick, Rob Schneider, and Jon Lovitz all show up and it’s no surprise that they’re here, so it’s not all that upsetting when they show their faces here. However, it’s the likes of people like Luke Wilson, Nick Nolte, Will Forte, Steve Zahn, Danny Trejo, Harvey Keitel, Steve Buscemi, John Turturro, and well, yes, even Taylor Lautner, who actually make me sad because you know they don’t really need the help at all. They’ve all got fine careers to begin with and are probably making as much money as Hollywood stars in their positions should be, so why are they even bothering with this? Is it just a favor to Sandler? Or is it just because they’re bored, the paycheck looked that nice, and well, they didn’t really give a hoot?

Keep on looking, boys, you're not going to find a good movie anywhere.

Keep on looking, boys, you’re not going to find a good movie anywhere.

Whatever the reasons were, it’s just a shame to see them all here trying to do what they can with an awful script, a misguided direction from, yet again, another one of Sandler’s buddies, Frank Coraci, and jokes that nobody in their right mind would try to deliver. That none of the jokes actually land, also call into question just what Sandler actually considers “humor” nowadays. Because Sandler co-wrote the script here, my mind automatically shoots to assuming that he did it because he had a contract obligation and decided to piece together a bunch of non-sequiturs and lame gags, regardless of if he actually found them funny.

Because yes people, Adam Sandler actually is funny.

However, here, as with the countless other flicks in his long career, he’s hardly shown it. As an actor, he seems awfully tired and bored here, which already makes me wish that somebody who is actually an innovative, intelligent director would pick him back up and give him something to do. This is something I state in just about every review of an Adam Sandler movie, but it’s the truth: Now, after all of these stinkers, it’s become more and more clear that he doesn’t care, is just collecting the money that flows in, and is going to continue to keep on making hack-jobs such as this. When it will end, nobody knows. All I do know is that Adam Sandler has clearly given up and you know what?

We’ve got three more of these movies.

Enjoy, folks.

Consensus: As expected, the Ridiculous 6 is another one of Adam Sandler’s hack-fests where jokes fly, yet, never land, everybody looks embarrassed, and everyone feels as if they’ve just lost hours of their lives they can’t get back. Except, in this case, it’s two hours.

1 / 10

Yes. I feel bad for this guy.

Yes. I feel bad for this guy.

Photos Courtesy of: Joblo, Hollywood Life

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The Wedding Ringer (2015)

When “Shout” just doesn’t get them out of their seats, always depend on tiny, black men.

Jimmy (Kevin Hart) provides best man services to those who need ones the most. In this case, it’s groom-to-be Doug (Josh Gad) who is not only in serious need of a best man, but also needs a whole group of other groomsmen to help give his fiancee (Kaley Cuoco-Sweeting) the impression that he actually has friends. Jimmy agrees, although he doesn’t typically do what some people in the biz call, “the Golden Tux”. Meaning that rather than just being there for his wedding day, Jimmy will now have to show his face off to the whole family and be there for nearly a week with Doug as he goes through all sorts of pre-wedding shenanigans. Though this is supposed to be on a strictly professional-basis, Jimmy begins to realize that maybe Doug actually deserves a good buddy like Jimmy after all, even if that totally goes against his codes and ethics. However, there may be bigger problems on both of their hands as it seems like Doug’s all-too-perfect wedding may not actually go according to plan, due to certain disputes he and his bride-to-be have been having so frequently as of late.

Of course they're all best-friends.

Of course they’re all best-friends.

For the second year in-a-row, on MLK weekend, Kevin Hart has a movie opening and that’s neither a good, or bad thing. More or less, it’s just a thing that allows one of the funnier talents working in Hollywood today, to constantly take up junk scripts and movies that don’t serve any other purpose to him other than to just allow for him to star in it, act like his lovable, goofy-self, and just reel in the dough. It worked with Ride Along, and from what it seems like, it’ll most likely work with the Wedding Ringer.

But for all the crap it gets thrown at it, Ride Along was a tad bit of a better movie, if only because it actually had a few big laughs to remember. Everything else about it was rubbish, or at least quite close to it, but when I got to revieiwing it and I thought long and hard, I remembered that there were a few moments where I actually laughed quite heartily. Less of that had to do with the script, and more of just Hart’s seemingly improvised antics, but theyu were laughs nonetheless. When a comedy is able to make me do that, then it definitely deserves some consideration from me – especially with a January one, no less.

However, that kind of movie isn’t the Wedding Ringer, although it tries very, very hard.

And honestly, that’s a damn shame because, on paper, everything about this movie should work. Kevin Hart’s normally funny with anything he touches; Josh Gad, when given the chance to do so, can be occasionally funny; Kaley Cuoco-Sweeting is great-looking, but is also actually quite funny, even if she is still being apart of that grating show I will not speak of here and now; and the premise, as crazy as it may seem, does have some appeal to it in that it contains both a wedding. and partying. So yeah, seriously, what’s not to like?

For one, the movie just isn’t all that funny. There were maybe a few moments I maybe chuckled or at least thought I did, but overall, they came and went as they pleased and I didn’t think about them long after. Heck, even if I wanted to, I probably wouldn’t have remembered them in the first place; I just would have remembered that I chuckled and that was about it.

Secondly, the movie wastes its talented-cast. Hart, as expected, does get a few moments off the ground by just adding a huge amount of energy that may not have been needed, but is at least worth the effort because it has people laughing. However, that’s the extent of his appeal in here. The character he’s playing is already thinly-done as is, and then, once we’re introduced to his back-story and why he does what he does, in this case, act like a groom’s best-friend, it doesn’t really do much for him, or the movie as a whole. Sure, it’s nice to see that the movie’s at least trying on some level, but it doesn’t add anything special – it’s just uninteresting depth that hardly goes anywhere.

Notice how I didn't include Whitney Cummings at all in this review because NO.

Notice how I didn’t include Whitney Cummings at all in this review because NO.

Same goes for Gad’s character who has a bit more of sustainable depth surrounding him and his character, but is ultimately, just the kind of geek you see in these types of comedies, who they then try to shape, shift and change in so many which ways, that he becomes a whoring, blowing, and unabashed dick. Which would have been fine had the movie already introduced him as such, but as it turns out, the guy was actually quite sweet and lovable.

Actually, Gad and Hart both try here, more often than they probably ought to. Their chemistry may sometimes seem awkward and off-putting, but actually works when the movie focuses on how them two may, or may not, eventually end up become something of friends outside of this whole predicament. But honestly, this is just me grasping at straws here, because while the movie likes to think it’s really developing these characters and giving some heft to their interactions together, it’s just giving them even more painful-to-watch scenarios as they fall down, get hit with something, and come close to almost dying, only to then get right back up and continue to party on.

If only real life was actually like that.

But while Gad and Hart aren’t given much to do here, which is a shame, it’s even more of a shame that highly-talented supporting cast that they have on-display here aren’t really given much of a substance to do either. Cuoco-Sweeting (hate calling her that, but whatever) is initially sympathetic as the eventual-bride, but then, out of nowhere, we start to see her become more and more of an ego-maniacal a-hole and it not only seems like a manipulative way at creating some sort of conflict for the movie to then have a resolution for, but doesn’t really make sense for the way her and her character’s been acting for the past hour or so. And trust me, don’t even get me started on the fact that the likes of Cloris Leachman, Mimi Rodgers, Affion Crockett, Ken Howard (who actually has some funny moments as an old school racist and bigot), Jorge Garcia (yes, Hurley), and even, of all people, Olivia Thirlby. Why Thirlby would even bother taking up this kind of script is beyond me, but the fact that she doesn’t get anything more interesting to do than just sit around and be initially cautious of Jimmy and his whole act, just makes me think there may have been more going on behind-the-scenes with her.

Probably money. Poor girl.

Consensus: Despite the effort by mostly everyone, the Wedding Ringer just doesn’t give them enough to do, or even enough to make the audience actually laugh more than a handful of times.

3 / 10 = Crapola!!

The B&W connection, baby. How it so deserves something better; something not in January.

The B&W connection, baby. How it so deserves something better; something not in January.

Photo’s Credit to: Goggle Images